Chercheurs en interaction avec le terrain corse by Catherine Herrgott

“…This second phase of collecting, to which I associate the studies on Franciscan sacred polyphony compiled by Marcel Pérès (1996) and the work of the Italian ethnomusicologist Ignazio Macchiarella on falsobordone (1995), lasted some thirty years until the early 2000s and was marked by a strong male pregnancy among both researchers and practitioners/collectors. …”
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REGIONALE MERKMALE DER SIEBENBÜRGISCH-UNGARISCHEN VOLKSMUSIK by István ALMÁSI

“… Béla Bartók was the first ethnomusicologist to highlight a peculiar phenomenon, namely that there are certain different characteristics in the old style traditional music region by region. …”
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« Si le folklore musical existe, alors il est vivant ; s’il est vivant, alors il est normal qu’il meure » by Francesco Giannattasio

“…It has also never failed to engage in dialogue with historical, philological and literary studies on crucial issues such as the relationship between orality and writing, the learned and the popular, conservative and innovative musical traditions, continental and Mediterranean, all of which have made Italy a very special laboratory for the study of music in the last century.Based on my career as an activist in the first political folk revival, then as a musician and finally as an ethnomusicologist, this article aims to re-read the events that led to a so-called 'heritage age'. …”
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A bolu: costruzioni patrimoniali in Sardegna by Ignazio Macchiarella

“…In the light of the situation under consideration, the essay offers theoretical and methodological reflections on the role of the ethnomusicologist and the impact of UNESCO's action on oral tradition musical practices.…”
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A bolu : constructions patrimoniales en Sardaigne by Ignazio Macchiarella

“…In the light of the situation under consideration, the essay offers theoretical and methodological reflections on the role of the ethnomusicologist and the impact of UNESCO's action on oral tradition musical practices.…”
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Le revival qui « revient » by Giovanni Giuriati

“…Ethnomusicological literature, in addressing the question of folk music revival, devotes little attention to a relevant phenomenon; that is, both the research of ethnomusicologists and performances of revival have had significant repercussions in the contexts we can call "of origin". …”
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LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA by Bianca ŢIPLEA TEMEŞ

“…Romanian Concerto not only shows the impact our folk music had on the young Ligeti but also the way in which his collaboration with Romanian ethnomusicologists such as Mircea Chiriac influenced the composition of his first major orchestral piece. …”
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« Bien sûr, les personnes âgées doivent en règle générale être interrogées en priorité. » by Luc Charles-Dominique

“…Under no circumstances should they be considered representative of a culture as a whole at a given period. Ethnomusicologists and historians, as well as musicians and cultural players, must therefore be extremely cautious when making scientific or artistic use of these sources.…”
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Food, sound, and social interaction: Investigating the cultural significance of music in culinary practices in javanese society by Sularso Sularso, Isti Syafitri Andini, Saifuddin M.F., Ratna Ma’rifah Destri, Ratnawati Hermanto Sarwendah, Pratiwi Purbosari Purwanti

“…The study utilizes semi-structured interviews with chefs, ethnomusicologists, and cultural practitioners, alongside participant observation at cultural festivals, communal meals, and rituals in Java. …”
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Zwischen Traditionalismus und Modernisierung: Musikausbildung in Russland by Irina Susidko, Pavel Lutsker

“…This position remains firmly established in the training of all musical specialities: pianists, orchestral musicians, musicologists, ethnomusicologists, musicians on folk instruments and even pop musicians. …”
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