Poética de uma conversão neorromântica: o erotismo religioso de Murilo Mendes by Robson Coelho Tinoco

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Habib Benglia, le « nègrérotique » du spectacle français by Nathalie Coutelet

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Entre « chic » et « chien » : les séductions de la Parisienne, de Jean-Jacques Rousseau à Yves Saint-Laurent by Emmanuelle Rétaillaud-Bajac

Subjects: “…eroticism…”
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O parricídio como espetáculo da violência: O dia em que matei meu pai by Aileen El-Kadi

“…The first person narrative voice in the novel by Mario Sabino, O dia em que matei meu pai, builds an universe composed of two coordinates, one follows the logic of subjective pleasure/perversion where the characters show social pathology des- cribed by the narrator as a result of a context governed by psychological violence and amorality, and where the dynamics is always erotic, the other component is spectacular as the axis from which the characters seem to represent roles built based on stereotypes that arise from mass culture. …”
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Le courage qu’il faut aux rivières (Emmanuelle Favier) : trans·former le genre et la sexualité by Camélia Paquette

“…At times the quest is positive, a way and a space of (re)taking possession of oneself through an erotic gaze, thourgh onanism that reminds the body of the female organs or thourgh restorative sexual partnership. …”
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„Mała Wiera” (1988) – „czegoś tak obrzydliwego w naszym kraju jeszcze nie było…”. Оburzeni przeciw oświeconym. Przyczynek do studium nad mentalnością „homo sovieticus” u progu nowe... by Maria Natalia Kistowska

“…This large body of voices stands up against – in their opinion – shameless and vile erotic scenes and against those few home truths which are presented. …”
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Tangier and the cultivation of desire in the print travel guides: latent and transgressive forms by Anas Sanoussi

“…This article examines the different ways in which the city of Tangier is presented as a site of erotic experiences in the three large collections of print travel guides (Guide Vert, Guide Bleu and Lonely Planet) published in France after Moroccan independence (1956-2010). …”
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Dissections in Phoebe Gloeckner’s A Child’s Life (1998, 2000) by Hélène Tison

Subjects: “…eroticism…”
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Du crime à l’œuvre : la symbolique de la cage chez Kate Millett by Marie-Dominique Gil

“…Her work reveals all the violence both generated and obscured by an erotic field rooted in a system of gendered signs.…”
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The Sexed or Unsexed Voice on the Lyrical Stage in 18th-c. London by Pierre Dubois

“…Roger Freitas argues that in order to understand the predilection for castrato voices one need to take the erotic bodily dimension of the singers into account. …”
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La fille en boîte : naissance d’une perversion au Japon by Agnès Giard

“…to him, the topic of the « girl in a box », whose origins can paradoxically be traced back to the speech of a trailblazing feminist, enjoys a tremendous success in the mainstream erotic culture of post-war Japan.…”
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La nuit américaine dans Noir de Robert Coover by Marc Amfreville

“…Drawing from recognizable romances and tales of detection (early English, American and Victorian Gothic), but also from classic writers such as Hawthorne and Conrad, not to mention Chandler and the film adaptation of The Big Sleep, Coover takes us into an urban nightmare in its horizontal labyrinthine dimension and its vertical and spectral depths. Under the highly erotic and conventionally threatening figure of a Black widow, who owes much to Baudelaire’s death ringing passer-by, and by resorting extensively to the poetics of erasure, veiling and claustration, this highly metatextual novel captures in its spider’s web the simulacrum of all detective fiction by pitting it against the anticipated shadow presence of the most ambitious critique (Benjamin, Derrida, Baudrillard).…”
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‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda by Julia Kuehn

“…The essay introduces the paradigm of ‘the exotic erotic’—adapted from Judith Butler's Bodies that Matter—to explore Gwendolen Harleth's simultaneous racialising and sexualising of Daniel Deronda. …”
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Performer un mauvais genre : la demi-mondaine au XIXe siècle by Lola González Quijano

“…Since the July Monarchy, the demi-mondaine as an archetype, even became a main erotic figure within the cultural representation of Paris' world of pleasures. …”
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Psychotropes et hystérie à la Salpêtrière, le cas de Célina Marcil (1870-1879) by Zoë Dubus

“…Her doctors therefore administered high doses of psychotropic drugs which in fact exacerbated her erotic delusions, meticulously transcribed in her case study. …”
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Marius’ ‘grammar of assent’: Pater’s Dialogue with Newman by John Coates

“…In a dialogic relation to Newman, and by examining the moral value of aesthetic experience, of isolated introspection and sublimated erotic instincts, Pater creates his own ‘grammar of assent’.…”
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Modes and moods of “Slave Anastácia,” Afro-Brazilian saint by Paul Christopher Johnson

“…In this essay, I leverage such radical disjunctures between the forms of presence generated by the same saint—Anastácia as suffering martyr, as serene helpmeet, as erotic object—to reconsider how saints work at the intersection of mode and mood. …”
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Can’t Help Lovin’:David Chidester’s Pop Culture Colonialism by Kathryn Lofton

“…Although organized by particular instances, this article seeks to encourage those in pop culture studies to see the erotic work of dislike; it seeks to encourage those in religious studies to see how pop subjects carryforward the classificatory imprints of colonial frontiers …”
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Deux visions du noir : le roman Jack’s Return Home de Ted Lewis et le film Get Carter de Mike Hodges by Christophe BROCHIER

“…Hodges, by choosing to do away with flashbacks and voice-over narration, and by casting Michael Caine in the central role, has created a violent, erotic thriller centred on revenge. But by giving great prominence to the description of Newcastle, he also offered a version of film noir clearly tinged with social realism. …”
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Анималистические гротески в фольклоре и литературе славянских народов как художественный антидепрессант и релевантный элемент культурной грамотности... by Żanna Niekraszewicz-Karotkaja

“…In the course of their centuries of use, their erotic context has been reduced, and their social and didactic motifs have been strengthened. …”
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