« Little grunts, the grins and grimaces of recognition »: Resistance and Exchange in Paul Muldoon and Norman MacBeath’s Plan B by Alexandra Tauvry

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Arrêt sur image(s) : « The Old Icons » de Seamus Heaney by Pascale Amiot-Jouenne

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“This is not science. This is storytelling:” The Poetics of Science in Arcadia by Liliane Campos

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Cinematic Ekphrasis of Lost Films in Fiction: From Representation to Transmediation by Anna Klishevich

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La photographie chez Ciaran Carson : imaginaire d’une technique by Catherine Conan

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Turning Sorrow into Song: Silence, Absence and Unreadability in Elizabeth Rosner’s Gravity by Laura Miñano Mañero

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Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010) by Françoise Sammarcelli

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A reading event The Pictorial Third by Liliane Louvel

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A Sense of Time(ly) Seeing in DeLillo’s Later Novels by Stefania Iliescu

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Psycholinguistic and psychological features of ekphrasis by Svetlana V. Krutskaya, Lilia R. Nurtdinova

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Reading and (not) seeing? by Sandra Saayman

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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting by Fabienne Gaspari

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La écfrasis en el Libro de Alexandre, un proyecto de edición digital para el estudio de la poesía clerical castellana del siglo XIII con minimal computing by Gabriel A. Calarco

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Ekphrastic Moral Mirrors in New Spain: Sor Juana’s Neptuno Alegórico and Sigüenza’s Theatro de Virtudes Políticas by Sergio Armando Gallegos-Ordorica

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