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  1. 2581

    The Roles of Men in the Dating Violence Phenomenon by Vivin Septiani Jatmiko, Diyah Ayu Amalia Avina

    Published 2024-08-01
    “…The influence of controls can be seen in the positioning of men portrayed as masculine, dominant, and rough by the majority of the journal editorial boards and authors; such a framing may form the dominant course in that particular type of research. …”
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    Mercados culturais no Brasil: o BNDES e o financiamento das empresas culturais brasileiras by Elder P. Maia Alves

    Published 2017-01-01
    “…Throughout the expansion of household expenditure on goods, services and cultural activities, especially between 2004 and 2014, the Brazilian Development Bank extended its actions, services, financial products for cultural undertakings, plotting this way to a branched financial and institutional network that directly involves those Brazilian companies in the cultural sector operating in certain chains of creation, production, distribution and commercialization of artistic and cultural, digital and entertainment activities, notably in the context of audiovisual, editorial and property segment. This aspect has produced a fairly significant injunction within Brazilian cultural fields, once, until 2006, the largest development bank in Latin America, BNDES, was related to cultural fields only through the regular use of federal laws for Cultural Incentives, as the Rouanet Law, and it did not provide its main financial products, at reduced long-term interest rates, straight away to specialized private cultural undertakings, which comprise long value chains and also harbor the vast majority of workers and professionals in the cultural sector. …”
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    Devenires y trans*formaciones (animales) del Salón de belleza en el proyecto artístico de Mario Bellatin by Marta F. Extremera

    Published 2025-01-01
    “… Si bien el devenir-animal (en la formulación de Deleuze y Guattari) constituye uno de los tópicos más transitados de la literatura animal latinoamericana, el uso que el escritor peruano-mexicano Mario Bellatin hace del mismo (re)sitúa su proyecto artístico en un presente signado por los cambios en el funcionamiento del mercado editorial, la transformación del papel de la literatura y el agotamiento del proyecto globalizante y las consecuentes crisis (política, económica, ambiental, etc.). …”
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