Relaciones hipertextuales en la primera etapa de Rodolf Sirera (1969–1977) by Ramon X. Rosselló

“…Secondly, we will discuss the relationship of Sirera’s writing with epic theatre, one of the dramatic genres that had the most significant impact on dramaturgy in Spain in the second half of the 1960s and early part of the 1970s. …”
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D’une eschatologie heurtée par la science-fiction : les genèses clivées du blitz theatre group et du Groupe la Galerie by Yann-Guewen Basset

“…Through these two caseworks, this article aims to analyze an interweaving of science-fictional and religious elements and its impact on dramaturgy and theatrical aesthetics. Decontextualizing such elements as a specific space-time – the ‘Zone’ invented by Arkady and Boris Strugatsky in their novel Roadside Picnic in 6 a.m. …”
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Expressions of a backlash: Challenging the story of success in Norwegian cinema of the 1980s and 1990s by Fosheim Lund Maria, Kielland Servoll Johanne, Holtar Ingrid Synneva

“…In Norwegian film history, this decade is known as “the helicopter period” and is associated with a turn towards commercial genre film and classical dramaturgy. This has usually been narrated as a success story for Norwegian cinema. …”
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“De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 by Khairana Zata Nugroho, Singgih Tri Sulistiyono, Dhanang Respati Puguh

“…Through historical method, this anomaly is examined through the performances of two Indische toneel namely Karina Adinda and Boeddhakind, Indische toneel that combined West dramaturgy with Javanese performances such as gamelan and traditional dances. …”
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The Spatial-Temporal Canvas That We Call the Stage: Text and Performance in Final Solutions by Ananya Ghoshal, Manivendra Kumar

“…Scholars Jisha Menon (2013) and Aparna Dharwadker (2005) commend Dattani’s ‘innovative’ dramaturgy for realistically representing the urban-middle-class home along with the complex social issues pervading this social milieu. …”
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Synchron und diachron. Zum Zusammenhang zwischen Kontrapunkt und Prozessualität in romantischer Formensprache by Ariane Jeßulat

“…Analyses of three works by Schumann, Brahms and Mendelssohn together with a critical reading of Johann Christian Lobe’s Lehrbuch der musikalischen Komposition are used to demonstrate cases of processuality, whose development and dramaturgy defy the conventional imagery of ‘organic form’ despite remaining completely intact as musically functional contexts.…”
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Eine Diskursgeschichte der ›Diabelli-Variationen‹. Makroform und Interpretation im Spiegel analytischer Texte aus 200 Jahren by Cosima Linke

“…Finally, a film recording of the “Diabelli Variations” with the pianist Piotr Anderszewski (2000) is discussed, as it illuminates an individual interpretational approach to the macroformal dramaturgy of the cycle.…”
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Klang als Poetik und Form. Instrumentatorische Beobachtungen und Adornos »unendliche Streicherperspektive« in Maurice Ravels Pavane de la Belle au bois dormant aus Ma mère l’oye... by Emmanouil Vlitakis

“…Die Orchesterfassung der Pavane de la Belle au bois dormant von Maurice Ravel (1911) wird hier in ihrem Verhältnis zur ursprünglichen Klavierfassung (1910) sowie in ihrer spezifischen Ausgestaltung des Spannungsfelds von Form, Dramaturgie, Poetik und Instrumentation untersucht. …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…Within it have been presented the following papers dedicated to the composer's life and activity: Leca Morariu and the Monumental Monograph Worshiped to Ciprian Porumbescu (author: Vasile Vasile – from the University of Piteşti); The Architectural and Tonal Support of the Dramaturgy of the “Crai nou” (New Philanderer) Operetta by Ciprian Porumbescu (author: Gabriela Coca – from the Babeş-Bolyai University of Cluj-Napoca); “Balada” (The Ballad) of Ciprian Porumbescu – a Representative Creation of the Art Music of Bucovina (19th century) (author: Zamfira Dănilă – from the “George Enescu” Academy of Art - Iaşi); The Reception of Ciprian Porumbescu’s Creation in Banat (author: Constantin Tufan Stan – from the Filaret Barbu School of Fine Arts of Lugoj); „Altarul Mănăstirii Putna” (The Altar of Putna Monastery) (author: Sever Paraschiv Dumitrache – from the Bucovina Cultural Center of Suceava); and The Musicological Trilogy “Ciprian Porumbescu Unknown” to an end (autor: Constanţa Cristescu – from the Bucovina Cultural Center - Suceava). …”
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Exzentrisch geformte Klang-Landschaften. Dimensionen des Zyklischen im Lichte von 106 Tonaufnahmen von Schuberts Winterreise aus dem Zeitraum 1928–2020 by Christian Utz

“…On the basis of the multitude of transposition variants on which the recordings are based, a new view of the macroharmonic tonal structure of Schubert’s work is suggested (also drawing on Neo-Riemannian theory); it is also shown how the decision to use a certain transpositional variant may have a fundamental impact on cyclical dramaturgy. A discussion of durations, initial tempos, and percentages (weighting of songs and song groups within the total duration) in the 106 recordings examined generates a distinction between five macroformal models, which in some interpretations are implemented concisely: frame model, internal model, opening model, finale model, and balance model. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Fálétí demonstrates the mastery of dramaturgy in Àfọ̀njá and Gáà by juxtaposing the dynamics of running a state originally built on a confederation of city state structure very much like the Greek city state structure, at the latter’s comparative stage of political evolution, with a new imperial structure and the conflicts generated by the flux of the two systems; whereas in Ṣawo Ṣẹ̀gbẹ̀rì moral conflict is generated by interpersonal amatorial clashes as well as models of expertise. …”
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La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill by Élisabeth Angel-Perez

“…Among the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. …”
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From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy by Ignacio Ramos Gay

“…My aim is thus twofold: first to recognize the debt British playwrights contracted towards French drama and, secondly, to state that French theatrical stereotypes, even when being the main cause of native playwrights’ drowsiness, were also the first step towards the renaissance of English drama, as it can be observed throughout Oscar Wilde’s, Pinero’s, Gilbert’s and Jones’s dramaturgies.…”
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Traduire en collectif le théâtre italien contemporain. Les enjeux politiques de La Langue du bourricot by Paolo Bellomo, Céline FRIGAU MANNING

“…The theatre translation collective La Langue du bourricot (The donkey’s linguage) founded at Paris 8 University for current and former students from various disciplines, strives to propose a modus operandi, and a choice of contemporary dramaturgies and translations with marked political implications. …”
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Bate Besong or the Therapeutics of Laughter by George D. Nyamndi

“…Bate Besong l’a ressenti très fortement, et a consacré l’essentiel de sa dramaturgie à rire de la plupart des contradictions de la société. …”
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The Art of Narrating by Antonio Patraș

“…Indiferent de genul abordat ulterior, de la cronica sportivă şi cărţile pentru copii la proza confesivă, memorialistică, de la roman la dramaturgie, această literatură a a manifestat obstinat, prin însăşi „formula“ ei, o tendinţă „evazionistă”* (metaforismul, dislocarea linearităţii epice în nuclee narative proliferând, dacă se poate spune aşa, „pe verticală“), principial ostilă contaminării ideologice, cu mesaj propagandistic. …”
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Jean Painlevé : de la science à la fiction scientifique by Florence Riou

“…Et, en tirant du contenu scientifique lui même la substance et la dramaturgie de ses histoires, il propose une mise en fiction de la science qui renouvelle le genre documentaire.…”
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Gambaran Identitas Virtual: Studi Kasus Gender Swap dan Seksualitas pada Pemain Original Character Role-player by Raden Ayu Vissy Mega Ryadi, Rahkman Ardi

“…Dengan metode kualitatif studi kasus intrinsik, penelitian ini menguraikan motif, pengalaman, dan dampak dari gender swap dan seksualitas dari perspektif dramaturgi dan interaksionisme simbolik. Hasil penelitian menunjukkan partisipan perempuan yang melakukan gender swap merasa terbebas dari norma gender dan membangun identitas yang kuat sebagai laki-laki dominan, cenderung menjalin hubungan sesama jenis berdasarkan preferensi fujoshi namun cenderung menghindari komitmen. …”
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From Komedie Stambul to Toneel: Theatre Arts Development in Batavia, 1891-1942 by Khairana Zata Nugroho, Dhanang Respati Puguh

“…This group soon became popular because their uniqueness: the hybridity of their dramaturgies and stories which combined the West and East aspects. …”
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PELATIHAN PERTUNJUKAN TOPENG MALANG SEBAGAI MEDIA PROMOSI JAWA TIMUR DI SINGAPURA by Agnisa Maulani Wisesa, Salsabila Firdausi Nuzula, Tri Wahyuningtyas, Hartono Hartono, Yurina Gusanti

“…Adanya komposisi dan percampuran narasi dan dramaturgi pertunjukan juga memberikan kesan yang baik bagi pengembangan budaya di Indonesia. …”
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