NEMRUT MUSTAFA PAŞA DİVAN-I HARBİ’NDE YARGILANARAK İDAM EDİLEN BİR KUVA-YI MİLLİYECİ: DRAMALI RIZA BEY VE MİLLÎ MÜCADELE’DEKİHİZMETLERİ by Osman Akandere, Feridun Ata

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Spontaneous Hemocholecyst in an End-Stage Renal Failure Patient on Low Molecular Weight Heparin Hemodialysis by Konstantinos Blouhos, Konstantinos A. Boulas, Dimitrios G. Tselios, Anestis Hatzigeorgiadis

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Urethral Hairballs as a Long-Term Complication of Hypospadias Repair: Two Case Reports by Spyridon Kampantais, Charalampos Dimitriadis, Leonidas Laskaridis, Ioannis Perdikis, Petros Kirtsis, Chrysovalantis Toutziaris

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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Adébáyọ Fálétí can be regarded as the father of modern Nigerian Cultural Studies and in Africa in general in line with the way that the discipline is understood the world over standing, as it were, on the cusp of traditional Nigerian and African drama and modern drama in African mother tongues. …”
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The plot in Isaiah 40-55 by SL Stassen

“…A drama usually has a specific plan according to which each character acts and relates to the other characters. …”
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Yaratıcı Dramanın Din Eğitiminde Ritüellerin Öğretimine Etkisi by Aybiçe Tosun

“…Bu çalışmanın amacı da ritüellerin yaratıcı drama yoluyla öğretiminin öğrenciler ve eğitim süreci üzerindeki etkilerini tespit etmektir. …”
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Мотив искушений в драме Флобера «Искушение святого Антония» by Galina Modina

“…This motive organizes the drama's artistic space and dominates in each version. …”
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Investigating Students’ Academic Self-Efficacy in Play Performance Class by Thomas Wahyu Prabowo Mukti, Veronica Triprihatmini

“… Play Performance class at the English Language Education Study Program of Sanata Dharma University is designed to introduce students to fundamental concepts of drama and elaborate underlying principles of drama performance that come into play. …”
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The Short Dramatic Form in the Works of Kostas Ostrauskas and Juozas Erlickas by Neringa Klišienė

“…They act as a symbol of questioning the foundations of the conventional drama and a reflection on the dramatic genre in general. …”
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Teatr i dramat rosyjski w polskich badaniach rusycystycznych by Walenty Piłat

“…The article analyzes Polish studies of the Russian theater and drama of the first half of the twentieth century in the context of the Great Theater Reform, written by Katarzyna Osińska, Jadwiga Gracla, Halina Mazurek, Ludwika Mięsowska, and others. …”
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Les Souffleurs d’images by Joan Despéramont

“…The Souffleurs d’Images programme was developed by the Centre Recherche Théâtre Handicap in 2008 to make the performing arts accessible to the visually impaired students of its drama school, Acte 21. The principle is simple: a drama, circus arts, applied arts or art history student accompanies a visually impaired person to the cultural event of his or her choice (play, circus, exhibition, etc.) to whisper about the elements that he or she cannot see. …”
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<i>Cryptoblabes gnidiella</i> Millière (Pyralidae, Phycitinae): An Emerging Grapevine Pest in Greece by Konstantinos B. Simoglou, Iraklis Topalidis, Dimitrios N. Avtzis, Achilleas Kaltsidis, Emmanouil Roditakis

“…In this brief communication, we present the first documented cases of honeydew moth infestation of grapevine in Greece, specifically in two organic vineyards in the Regional Unit of Drama in Northeastern Greece in 2024. Notably, the infestations were limited to the late-ripening grape cultivar ‘Xinomavro’, harvested in October, while other cultivars such as ‘Assyrtiko’, ‘Malagousia’, ‘Cabernet sauvignon’, ‘Sauvignon blanc’, ‘Limniona’, ‘Chardonnay’, and ‘Agiorgitiko’, harvested in late August and early September, showed no signs of infestation. …”
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Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca by María Victoria Utrera Torremocha

“…In Así que pasen cinco años, by Federico García Lorca, the use of verse and prose has a special semiotic dimension which has to do with the different dramatic components, especially the dreamlike and realistic plane of the action, the metamorphoses of the characters, and the different dramatic levels temporally juxtaposed in the drama (metadiegesis, metadrama and metatheater). …”
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“Millions of false eyes / Are stuck upon thee.” The scope of surveillance in Measure for Measure by Sébastien Lefait

“…Finally, I demonstrate that Measure for Measure suggests that theatrical representation apes God’s creation, but also exposes the scopic regime of drama as a perversion of divine surveillance. This leads to the conclusion that the play’s surveillance elements participate in Shakespeare’s refining of the theatrum mundi cliché, and in his questioning of drama’s right to capture, imitate or re-create reality.…”
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From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy by Ignacio Ramos Gay

“…My aim is thus twofold: first to recognize the debt British playwrights contracted towards French drama and, secondly, to state that French theatrical stereotypes, even when being the main cause of native playwrights’ drowsiness, were also the first step towards the renaissance of English drama, as it can be observed throughout Oscar Wilde’s, Pinero’s, Gilbert’s and Jones’s dramaturgies.…”
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Un opéra français d’après la Salomé de Wilde, l’appropriation d’un drame by Déborah Bonin

“…How did the composer transform this theatrical drama into an opera? To what extent was Mariotte aware of the ingenious ways in which Wilde, in his interpretation of the text, had constructed his play? …”
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Derzhavin's dramaturgy as an artistic system by A.I. Razzhivin

“…The paper considers the drama works created by G.R. Derzhavin, the greatest poet of the turn of the 18th – 19th centuries, in the last decade of his life, during the crisis of Russian drama. …”
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