”If you don't care you’ll die” : The Concept of “Liveness” in Arnold Wesker’s Chicken Soup with Barley and John Osborne’s Look Back in Anger by Sarah-jane Coyle

“…Both plays represent dramas of emotion and were written by members of the “angry young men” movement, a term denoting a group of working-class dramatists, who used their work to express frustration with Britain’s outdated class system and post-war society. …”
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The Transnational Flow of Korean Pop Culture: A Case Study of Audience Reception in Romania by Alexandra Bija

“… This paper investigates the transnational flow of Korean pop culture in Romania, focusing on the reception and influence of K-pop, K-dramas, and Korean films among Romanian audiences. …”
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“Anão de jardim”: o “conto total” de Lygia Fagundes Telles by Nilton Resende

“…En este artículo, valiéndose principalmente de la teorización de Kayser (2003) sobre “lo grotesco”, de los estudios de Kappler (1994) sobre “los monstruos” y, aún de las interpretaciones simbólicas de Chevalier & Gheerbrant (2005), se defiende “Anão de jardín” como un “cuento total”, siendo Kobold (el narrador del texto) un ser diabólico / escindido en el que se condensan los personajes lygianos y sus dramas. Se considera, aún, el jardín - escenario en que se acontece la narrativa - una representación encapsulada del mundo ficcional de la autora.…”
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Le refus du monde tel qu’il est : vertus et ambivalences de quelques fictions contemporaines (Peyrebonne, Haenel, Vasset) by Pascal Mougin

“…How do these alternative dramas imply on the behalf of the reader, perhaps less the traditional temporary suspension of disbelief than a "want to believe" that is convergent with the evolution of critical thinking itself, when theories of emancipation, wich have no more certainty regarding the revolutionary inevitability, bet more on the necessity of belief in alternative thought? …”
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The Death of American Studies by Simon J. Bronner

“…It applies the analytical approach of historiographer Gene Wise to identify “representative acts” that mark paradigm dramas resulting from tension in holding together an interdisciplinary field subject to schism and displacement. …”
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Interwencja bogini/Szatana? "Wenus w futrze" (2013) – lektura palimpsestowa filmu Romana Polańskiego by Iwona Kolasińska-Pasterczyk

“…When discussing Venus in Fur as a text of culture constituting a hypertext superimposed on other literary pieces, such as David Ives’ dramas, Leopold von Sacher-Masoch’s novels, mythological and biblical stories, it was necessary to identify their mutual relations by deciphering all the interconnections, reworkings, reinterpretations, and revisions. …”
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Sob o domínio do duplo: um estudo comparativo de dois contos de Ignácio de Loyola Brandão by Antonia Marly Moura da Silva, Francisco Edson Gonçalves Leite

“…En la contemporaneidad, los dramas humanos son elementos inspiradores en la composición de la desintegración del yo, convirtiéndose en una de las vías por las cuales la crisis de la subjetividad se representa en la literatura. …”
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FILOSOFÍA DEL DERECHO EN EMMANUEL LEVINAS: POLÍTICA Y PROXIMIDAD by Ramsés Leonardo Sánchez Soberano

“…La primera es aquella donde la representación obliga a la mismidad a volver hacia sí después del cálculo de los dramas en los que vive ciertas experiencias. La segunda es la que responde a la desontologización de la lógica y que está a la base de la imposibilidad de pensar el Derecho como una intervención efectiva en las relaciones sociales. …”
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Alàgbà Adébáyọ̀ Fálétí as a Yorùbá Novelist by Lere Adeyemi

“… In their introduction to a book entitled: Yorùbá creativity, fiction, language, life, and songs, Falola and Genova (2005) assert that creativity among the ̣ Yorùbá has a long history and the traditions of oral histories, storytelling, performances and dramas are parts of fundamental habit of their civilization. …”
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Tradições e Identidade. A Cultura Angolana nas Obras Literárias de Óscar Bento Ribas by Elexis Craib Díaz, Josefina Castillero Velásquez, Odete Malaquias

“…O estudo foi desenvolvido através do método analítico-hermenéutico, aplicado em revisões documentais de obras literárias, tendo em conta os ensaios, estórias, romances, dramas e lirismo. Os principais referentes teóricos foram: Neves (2008), Sousa (2010), Tindó (2010) e Calivala (2015), que abordaram diversas fases da vida e obra do literato angolano, visando a divulgação da sua criação literária. …”
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