Il luogo e il senso: creazione e significazione degli spazi nel mondo globale by Gambardella, Fabiana, Amodio, Paolo

“…After all, anthropogenesis is always a “Home business” , evolution is “the unspoken drama” of creating space. Phenomenologically and biologically living means “positioning oneself”, being in space first as sentient and signifying body, even before the logos has formalized – in the sense of representation – this original experience. …”
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Dizi İzleme Motivasyonlarının Bireylerin Mutluluklarıyla İlişkisi Üzerine Nicel Bir Değerlendirme by Özgür Kılınç, Sadık Çalışkan

“… Diziler, gerek televizyon gerekse dijital platformlarda yoğun düzeyde izlenilen içeriklerden biridir. Drama, bilim-kurgu, komedi, suç gibi birtakım türlere ayrılan diziler farklı sosyo-demografik ve psikografik özelliklere sahip izleyicilere seslenmektedir. …”
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Uyum ve Barış Kültürü için Kültürlerarası Eğitim: Bir Uygulamanın Yansımaları by Aybiçe Tosun, Ayşe Yorulmaz

“…Lise düzeyinde 7 yerli ve 7 göçmen öğrenciden oluşan bir çalışma grubunun birlikte eğitim aldığı bir öğrenme ortamı oluşturularak, kültürlerarası eğitim yaklaşımına uygun yaratıcı drama temelli eğitim uygulamaları düzenlenmiştir. …”
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Fálétí’s Philosophical Sensibility by Adeshina Afolayan

“…In her “Literature in Yorùbá: poetry and prose; traveling theater and modern drama,” in the same volume, Karin Barber seems to redress this imbalance when she gives a place to Fálétí in her discussion of post-Fágúnwà writers. …”
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Effectiveness of a universal film intervention in reducing violence against children and increasing positive parenting among migrant and displaced caregivers from Myanmar: a commun... by Amanda Sim, Khaing Zar Lwin, Stephanie Eagling-Peche, G.J. Melendez-Torres, Seema Vyas, Francisco Calderon, Tawanchai Jirapramukpitak, Jamie Lachman, Sureeporn Punpuing, Andrea Gonzalez, Mary Soan, Nway Nway Oo, Ivet Castello Mitjans, Greg Tyrosvoutis, Eve Puffer

“…Intervention group participants received a screening of a 66-min narrative drama film about parenting, followed by a 30–40-min discussion and a 5-min video and poster summarising key messages. …”
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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

“…The presence of common elements of story and drama, such as characters, plot, ideas, setting, and the use of successive and sometimes nested narratives, could greatly enhance the suspense and overall appeal of the work, making it a compelling candidate for adaptation into film or theater. …”
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The Geopolitics of Nordic Noir by Dodds Klaus, Hochscherf Tobias

“…The “golden age” of Scandinavian television has often been associated with Nordic Noir crime dramas, yet many of the acclaimed serials also engage with geopolitical themes such as migration, cross-border crime, military conflicts, and global terrorism. …”
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Teatro folk e sciamanesimo in Corea by Giovanni Azzaroni

“…Today, Korean popular theater can be summarized in forty-one masked dramas, rites, and folkloric plays inspired by myths and popular tales.…”
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Les poilus parlaient patois by Jean-Baptiste Martin

“…This wide range of texts (letters, poems, dramas, patriotic songs, prose) brings a new perspective on the Great War.…”
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La presencia del actor libertario en las luchas sociales en Argentina by Carlos Fos

“…This libertarian aesthetics was put into action by means of creative writing workshops as well as the staging of dramas and monologues where the influence of popular theatre forms was quite present.   …”
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Qu’est-ce qu’un « mauvais » théâtre de science-fiction (avant 1920) ? by Florence Fix

“…Nevertheless, “bad” theatre is a way to explore science fiction before science fiction theory : is conjectural science in dramas by Becque, Feydeau or Curel to be seen as a genre, a pattern or a tonality ?…”
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Daumier : émigrants ou fugitifs ? by Jean-Philippe Chimot

“…If the artist, who was sensitive to the aesthetic dimension of thecentury's dramas and conflicts, did not financially benefit from his public or private commands, he also avoided the optimistic lies of official viewings and the self-satisfaction of “elites”. …”
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Ce que l'« avoir-lieu » doit à l'esprit des lieux dans Lady Chatterley's Lover by Benjamin Bouche

“…Lawrence calls the « spirit of place », specifically in this book the spirit of the Sherwood forest. Human dramas should therefore be relegated to the background to reveal the importance of places in the story. …”
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Escrituras femininas de l’après 68 : Rosalina Ròcha by Maria-Joana Verny

“…A woman's voice, evoking dramas that are often invisible behind the daily life of women, children, adolescents and adults.…”
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TEACHER-PUPIL COMMUNICATION IN THE CONTEXT OF BELLES-LETTRES. II YEAR STUDENT'S REFLECTION by Maria Stępniak

“…Shakespeare's genius gives a broad perspective on the subject of communication, because in both comedies and dramas we observe the importance of the communication aspect, which may be transferred to the relationship between students and the teacher. …”
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South Korea at the Crossroads: Tradition, Technology, and the Impact of AI on the Society by Giuseppina De Nicola

“…In entertainment, AI-driven virtual influencers like Rozy have gained immense popularity. Additionally, K-dramas are integrating humanoid robots, such as in Are You Human too?  …”
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“Travelling in the Family”: Elizabeth Bishop’s Brazilian Autobiographical Voice by Myriam Bellehigue

“…Oblivion strikes as the “vivid force” that shapes most of these autobiographical works and pushes both poets to explore their childhood “tropisms,” that is to say, according to Sarraute’s definition, micro-movements, intimate dramas that affect the child’s subconscious and that the adult tries to grasp at years later through uncertain language. …”
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Jogos, sociabilidade e conflito no Brasil by Édison Gastaldo, Everardo Rocha, Adriana Braga

“…However, it should be noted that game-like situations show a great potential for the expression of social dramas, as they develop the passion they raise out of the dramatic tension of the conflicts they represent. …”
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La transmission de la mémoire dans les romans de Marie-Claire Blais by Eva Pich-Ponce

“…In Le Sourd dans la ville (1979), Visions d’Anna (1982) and Soifs (1995), an important number of voices are juxtaposed in order to highlight the dramas of the XXth century. Memory and its transmission constitute the central themes of these texts, which mix times and places in a wish to reveal the ‘excesses of memory’ as defined by Todorov in Les abus de la mémoire (1995). …”
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Au-delà des bois : Une analyse des conflits socio-politiques autour de la libéralisation de la chasse en Belgique (1894-1936) by Marie Chaidron

“…The analysis goes beyond parliamentary debates to delve into rural areas, revealing the direct involvement of local actors: hunters, gamekeepers, and landowners. The term "poaching dramas" thus became a recurring subject in the judicial sections of the press from the last quarter of the 19th century onwards to describe the sometimes deadly confrontations between supporters and opponents of hunting liberalization. …”
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