Negativität in der Psychologie Jacob Böhmes by Thomas Isermann

“…Boehme’s writing draws its drama, its verve from this negativity. In writing Boehme fights against evil, and evil fights against him. …”
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Capital symbolique, consécration et marché des retraductions de littérature française en langue hongroise entre 2000 et 2020 by Adrienn Gulyás

“…This study discusses retranslations of French prose and drama into Hungarian between 2000 and 2020, in a Bourdieusian framework, using mixed methods, based on data provided by the National Library of Hungary. …”
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Le désert des héros : récits de vies solitaires dans les séries américaines de fiction by Joseph Belletante

“…In a post-critic perspective, this article offers a portrait of human “states of mind” that will restitute the spectator his symbolic autonomy, through singular solitudes or the loneliness of a group as is shown by four television series that are no longer in production (Friends, The Sopranos, The West Wing and Ally McBeal) in order to allow a global interpretation and that correspond to the main genres of fiction broadcasted by the American network (comedy, drama, and dramedy).…”
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Autofictions in Co-labouring by Diana Damian Martin, Daniela Perazzo, Nik Wakefield

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Strike And Power(Lessness) Of The Union by Zoran Stojiljković

“…The aim of this paper is to identify, on the basis of an analysis of the causes, the course and effects of strikes in Serbia over the last three decades, the mechanisms by which society and trade unions have moved from self-management mythology to the defense of whatever wages and “decent, dignified work” as the maximum goal. The drama of the decay of labor and trade unions, as well as the crisis of society, is presented in three chronologically related acts. …”
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Racial Violence at the Crossroads of West and South in Rosewood (John Singleton, 1997) by Claire Dutriaux

“…Almost twenty years before Quentin Tarantino’s Django Unchained, African American film director John Singleton’s Rosewood (1997) told the violent racial history of the South during the Jim Crow era and the real suffering they experienced at the hands of Whites, via a combination of a western-style narrative with a black cowboy hero and a historical drama. This article explores the interplay between South and West and examines how Rosewood borrows from the Western genre to explore and rewrite racial history in the American South. …”
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Le continent noir du désir masculin : Colet et Flaubert, encore by Barbara Vinken

“…Rather, it would be both a performance of and a triumph over the castration drama.…”
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Assassinio nella Cattedrale de Pizzetti :le retour du religieux sur la scène musicale italienne des années 1950 by Walter Zidaric

“…Eliot’s play to music as Assassinio nella Cattedrale in the second half of the 1950’s, Pizzetti was already of a respectable age and had nothing left to prove in musical composition and drama. He shared with Eliot a passion for Dante’s poetry, but Bishop Bell’s commission for Eliot’s play in 1934 coincided with the poet’s accepting a new social role as a consequence of his conversion to Anglicanism. …”
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“Looking on darkness which the blind do see”: the Figure of the Blind Girl in Dickens and the Dickensian by Francesca ORESTANO

“…Finally the cinema, notably Charlie Chaplin with City Lights (1932), exploits the visual drama of the blind girl whose inner vision is manipulated from the outside, yet retains the means to undo the visible deception, and grasp the essence of truth. …”
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Chien, chèvre, taureau, couvée, ou le personnage de théâtre à l’épreuve du bestiaire johnstonien by Virginie Girel-Pietka

“…According to Hamlet, drama aims to “hold […] the mirror up to nature”. …”
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Frédéric et Rosanette, février 48 by Paul Raucy

“…They give this private drama a sense of historical meaning and also a broader scope through echoes and repetitions, thus disseminating it throughout the text.…”
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La migración latinoamericana actual en el cine mexicano y argentino   by Paola García, Perla Petrich

“…In others there is a change of kind:  "drama" is left behind and they are catalogued as " dramatic comedies " and even romantic comedies or simply movies of great comedy.The main purpose of this article is  to expose these changes and their motivations.…”
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Aspecte ale „înregimentării asumate” de scriitori în presa comunistă din perioada 1949–1965 by Doina Matei Marcu

“…Authors who had to live in a totalitarian environment published poetry, prose, drama, literary criticism or political articles in the press as power had them do. …”
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Historical narrative and wisdom. Towards preaching Esther "for such a time as this" by Arie C. Leder

“… This article considers the problem of preaching OT historical narrative from the point of view of the depiction of God’s participation in the drama. It suggests that historical narrative in general depicts a God who reveals himself infrequently, that his presence is normally veiled, and that the reader often has more information about God than the characters in the narrative. …”
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La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien by Liliane Lascoux

“…If the libretto is unfaithful to the letter of the source, the music pays homage to its spirit and conveys the heroic and legendary aspect of the drama with an extended, inventive and attentive orchestration, thus indicating a decisive step in the “Rossinian Revolution” with the development of a pastoral style, one of the bases of Romantic opera.…”
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La tregua de Mario Benedetti by Luis Quintana Tejera

“…Este diario de un hombre mayor analiza la perspectiva del alma humanadesde los diferentes enfoques que los personajes autorizan, para concluir en unverdadero drama donde la imagen de la tregua cobra su verdadero significado.…”
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Le Songe d’une nuit d’été de Benjamin Britten : Nouvel éclairage scénique de l’héritage shakespearien by Maéna Py

“…By insisting on the sensuality and the physical dimension of the play and on its capacity to celebrate drama and all theatrical arts, Britten seems to have been at the centre of an aesthetic and ideological renewal which was to be carried on later by Jan Kott and Peter Brook, among others, thus making him an important figure in the history of the performances of Shakespeare’s masterpiece.…”
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D’autres mondes pour d’autres musiques : les dimensions sonores parallèles de The OA (Partie 01) by Jérémy Michot

“…She tells her story to four highschool students and a teacher, in the dim light of an abandoned house : family drama, sequestration, near-death experience, journey between dimensions, multiverse, encounter with cosmic or lovecraftian creatures are at the center of memories as well as stories that Prairie offers to its listeners during part 1. …”
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El Prólogo de Cromwell y el juego interlocutivo de la recepción teatral by Amon Paul Ndri

“…Con base en los postulados de Victor Hugo y Lope de Vega, se analiza el carácter lúdico del teatro, arte espectacular que vincula el texto dramático con el lector/espectador, lo que da paso a una vivencia colectiva. En el caso del drama moderno, se propone que el escritor se sitúe al margen de posicionamientos doctrinales propios de las normas academicistas. …”
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Social trauma and the theatre: a study of the formation of a non-conformist identity by Vitalija Truskauskaite

“…In the staging of The Siege in 1971, on the contrary, the universal thematic dimension of this drama was emphasized.…”
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