Increased Insular Connectivity and Enhanced Empathic Ability Associated with Dance/Music Training by Li Gujing, He Hui, Li Xin, Zhang Lirong, Yao Yutong, Ye Guofeng, Lu Jing, Zhou Shulin, Yang Lei, Luo Cheng, Yao Dezhong

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Il luogo e il senso: creazione e significazione degli spazi nel mondo globale by Gambardella, Fabiana, Amodio, Paolo

“…After all, anthropogenesis is always a “Home business” , evolution is “the unspoken drama” of creating space. Phenomenologically and biologically living means “positioning oneself”, being in space first as sentient and signifying body, even before the logos has formalized – in the sense of representation – this original experience. …”
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Fálétí’s Philosophical Sensibility by Adeshina Afolayan

“…In her “Literature in Yorùbá: poetry and prose; traveling theater and modern drama,” in the same volume, Karin Barber seems to redress this imbalance when she gives a place to Fálétí in her discussion of post-Fágúnwà writers. …”
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Effectiveness of a universal film intervention in reducing violence against children and increasing positive parenting among migrant and displaced caregivers from Myanmar: a commun... by Amanda Sim, Khaing Zar Lwin, Stephanie Eagling-Peche, G.J. Melendez-Torres, Seema Vyas, Francisco Calderon, Tawanchai Jirapramukpitak, Jamie Lachman, Sureeporn Punpuing, Andrea Gonzalez, Mary Soan, Nway Nway Oo, Ivet Castello Mitjans, Greg Tyrosvoutis, Eve Puffer

“…Intervention group participants received a screening of a 66-min narrative drama film about parenting, followed by a 30–40-min discussion and a 5-min video and poster summarising key messages. …”
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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

“…The presence of common elements of story and drama, such as characters, plot, ideas, setting, and the use of successive and sometimes nested narratives, could greatly enhance the suspense and overall appeal of the work, making it a compelling candidate for adaptation into film or theater. …”
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The Geopolitics of Nordic Noir by Dodds Klaus, Hochscherf Tobias

“…The “golden age” of Scandinavian television has often been associated with Nordic Noir crime dramas, yet many of the acclaimed serials also engage with geopolitical themes such as migration, cross-border crime, military conflicts, and global terrorism. …”
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Les poilus parlaient patois by Jean-Baptiste Martin

“…This wide range of texts (letters, poems, dramas, patriotic songs, prose) brings a new perspective on the Great War.…”
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Ce que l'« avoir-lieu » doit à l'esprit des lieux dans Lady Chatterley's Lover by Benjamin Bouche

“…Lawrence calls the « spirit of place », specifically in this book the spirit of the Sherwood forest. Human dramas should therefore be relegated to the background to reveal the importance of places in the story. …”
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“Travelling in the Family”: Elizabeth Bishop’s Brazilian Autobiographical Voice by Myriam Bellehigue

“…Oblivion strikes as the “vivid force” that shapes most of these autobiographical works and pushes both poets to explore their childhood “tropisms,” that is to say, according to Sarraute’s definition, micro-movements, intimate dramas that affect the child’s subconscious and that the adult tries to grasp at years later through uncertain language. …”
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Jogos, sociabilidade e conflito no Brasil by Édison Gastaldo, Everardo Rocha, Adriana Braga

“…However, it should be noted that game-like situations show a great potential for the expression of social dramas, as they develop the passion they raise out of the dramatic tension of the conflicts they represent. …”
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La transmission de la mémoire dans les romans de Marie-Claire Blais by Eva Pich-Ponce

“…In Le Sourd dans la ville (1979), Visions d’Anna (1982) and Soifs (1995), an important number of voices are juxtaposed in order to highlight the dramas of the XXth century. Memory and its transmission constitute the central themes of these texts, which mix times and places in a wish to reveal the ‘excesses of memory’ as defined by Todorov in Les abus de la mémoire (1995). …”
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”If you don't care you’ll die” : The Concept of “Liveness” in Arnold Wesker’s Chicken Soup with Barley and John Osborne’s Look Back in Anger by Sarah-jane Coyle

“…Both plays represent dramas of emotion and were written by members of the “angry young men” movement, a term denoting a group of working-class dramatists, who used their work to express frustration with Britain’s outdated class system and post-war society. …”
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“Anão de jardim”: o “conto total” de Lygia Fagundes Telles by Nilton Resende

“…En este artículo, valiéndose principalmente de la teorización de Kayser (2003) sobre “lo grotesco”, de los estudios de Kappler (1994) sobre “los monstruos” y, aún de las interpretaciones simbólicas de Chevalier & Gheerbrant (2005), se defiende “Anão de jardín” como un “cuento total”, siendo Kobold (el narrador del texto) un ser diabólico / escindido en el que se condensan los personajes lygianos y sus dramas. Se considera, aún, el jardín - escenario en que se acontece la narrativa - una representación encapsulada del mundo ficcional de la autora.…”
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Sob o domínio do duplo: um estudo comparativo de dois contos de Ignácio de Loyola Brandão by Antonia Marly Moura da Silva, Francisco Edson Gonçalves Leite

“…En la contemporaneidad, los dramas humanos son elementos inspiradores en la composición de la desintegración del yo, convirtiéndose en una de las vías por las cuales la crisis de la subjetividad se representa en la literatura. …”
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FILOSOFÍA DEL DERECHO EN EMMANUEL LEVINAS: POLÍTICA Y PROXIMIDAD by Ramsés Leonardo Sánchez Soberano

“…La primera es aquella donde la representación obliga a la mismidad a volver hacia sí después del cálculo de los dramas en los que vive ciertas experiencias. La segunda es la que responde a la desontologización de la lógica y que está a la base de la imposibilidad de pensar el Derecho como una intervención efectiva en las relaciones sociales. …”
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Alàgbà Adébáyọ̀ Fálétí as a Yorùbá Novelist by Lere Adeyemi

“… In their introduction to a book entitled: Yorùbá creativity, fiction, language, life, and songs, Falola and Genova (2005) assert that creativity among the ̣ Yorùbá has a long history and the traditions of oral histories, storytelling, performances and dramas are parts of fundamental habit of their civilization. …”
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Tradições e Identidade. A Cultura Angolana nas Obras Literárias de Óscar Bento Ribas by Elexis Craib Díaz, Josefina Castillero Velásquez, Odete Malaquias

“…O estudo foi desenvolvido através do método analítico-hermenéutico, aplicado em revisões documentais de obras literárias, tendo em conta os ensaios, estórias, romances, dramas e lirismo. Os principais referentes teóricos foram: Neves (2008), Sousa (2010), Tindó (2010) e Calivala (2015), que abordaram diversas fases da vida e obra do literato angolano, visando a divulgação da sua criação literária. …”
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