“Be Proud, and Loud”: Linguistic Markers of Pride in Drag Queens’ Spoken Discourse by Natacha Marjanovic

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Pomiędzy queerową subwersją a „middle-class mainstreaming”. O twórczości drag queen Mony Lizak by Magdalena Stoch

“…This article is a critical reflection on the stage and musical work of drag queen Mona Lizak. The author asks about the form (stage style) and content (ideological message) of the artist’s con­ceptual and speculative works and its connections with the tradition of queer performance. …”
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Camping it out in the Never Never: Subverting Hegemonic Masculinity in The Adventures of Priscilla, Queen of the Desert (Stephan Elliott, 1994) by Anne Le Guellec-Minel

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Les Transparences by Lorraine Alexandre

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Prácticas lingüísticas en la formación de nombres drag en España by Carolina Portilla Ramos

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El sistema sexo-género en los movimientos feministas by Teresa Aguilar García

“…On the other hand, the article also starts from the constructivism of Butler and the performative theory of gender, as well as discusses the paper of drag-queen like subversive agent who could oppose the imposed heterosexual code, or of the queer movement like destabilizing agent of the capitalist system, confronted with Rodriguez Magda, who introduces the concept of simulacrum of Baudrillard to explain the paper of drag-queen.…”
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Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…Many exploitation filmmakers have had a strong impact on the filmmaker’s aesthetics and politics—among them, American filmmaker Russ Meyer, a master of sexploitation, whose strong female characters inspired the creation of Waters’s lead female heroines embodied by American drag queen Divine. A pioneer of the gore subgenre, Herschell Gordon Lewis and his exploitation of graphic violence and blood in order to take the horror genre one step further has influenced the gruesome aesthetics of Waters’s films. …”
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L’Heure du Gospel. Liminalité, identité et religion dans un bar gay by Edward R. Gray, Scott Thumma

“…The « Gospel Hour » is the name taken up in an Atlanta gay bar for a regular session of gospel singing on Sunday, led by a troupe of drag queens with varied religious beliefs, and frequented by men reviving the evangelical Protestantism of their childhood. …”
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IDENTIDAD Y REPRESENTACIONES DEL CUERPO EN JÓVENES GAYS DE GUADALAJARA by Rogelio Marcial

“…Se destacan las concepciones que se basan en la exageración de los atributos genéricos del cuerpo (masculino y femenino) más "tradicionales", como los "osos" y las drag queens, así como otra forma más novedosa de concebir al cuerpo por parte de los "delfines". …”
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Arte drag e montação: alternativas para o tensionamento da normalidade no ensino da arte by Jeanne Martins Speckart, Gina María Monge Aguilar

“…Uma perspectiva de não-aniquilamento e uma compreensão da Arte Drag como tradição mascarada pertencente à população LGBTQIAPN+ são princípios basilares abordados para a construção de uma didática fundada nas Artes Cênicas em prol da formação de Drag Queens, Kings e Queers. O trabalho narra alguns aspectos da experiência pedagógica Drag e descreve três exercícios para a sala de aula. …”
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Arte drag e montação: alternativas para o tensionamento da normalidade no ensino da arte by Jeanne Martins Speckart, Gina María Monge Aguilar

“…Uma perspectiva de não-aniquilamento e uma compreensão da Arte Drag como tradição mascarada pertencente à população LGBTQIAPN+ são princípios basilares abordados para a construção de uma didática fundada nas Artes Cênicas em prol da formação de Drag Queens, Kings e Queers. O trabalho narra alguns aspectos da experiência pedagógica Drag e descreve três exercícios para a sala de aula. …”
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#LGBTpropaganda #GenderTheory #Wokism by Ugo Laquièze

“…First, an expansion is at play, marked by the relative inclusion of LGB and feminist activists to reinforce the exclusion of drag-queens and trans people. Second, a blurring of symbolic boundaries between ethnic, religious and cultural factors emerges. …”
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