Making »Un Tribunal para la Constitución«: A Documentary on the Creation and First Years of the Spanish Constitutional Court (1980–1986) by Miguel Beltrán, Daniel Sarmiento

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2000-2015 : un âge d’or du format webdocumentaire by Michaël Bourgatte

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Comportamento suicida e o luto de sobreviventes: um estudo documental // Suicidal behavior and the mourning of survivors: a documentary study by Thaís Shibatta Kagesawa, Renata Fabiana Pegoraro

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«Troubles of the 20th century» in Siberia: a look through documentary heritage (historical and archival conferences in Omsk on history of the revolution and the Civil War in Russia) by M. I. Mashkarin

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Reception in Lithuania of Historical Culture Project (About a Defence of Rūta Šermukšnytė Doctoral Thesis "Actualization of Lithuanian history in documentary cinema and television (1988-2005)") by Darius Žiemelis

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Realismo, documental y educación ciudadana en España by María Luisa Ortega Gálvez

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Reconstruction of drought and long-rain chronologies since the 17th century in central Japan using intra-annual tree-ring oxygen isotope ratios and documentary records by H. Iizuka, K. Sho, Z. Li, M. Sano, Y. Kato, T. Nakatsuka

“…<p>Oxygen isotope ratios (<span class="inline-formula"><i>δ</i>¹⁸O</span>) of tree-ring cellulose and historical documentary records are widely used to explore the hydroclimatic conditions of the past. …”
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Dijital Dönemde Belgesel Film Yapımındaki Yenilikler Üzerine Bir Değerlendirme by Ayşe Gül Toprak

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DOCUDRAMA GENRE TO REPRESENT RELIGIOUS EXPERIENCE IN OBAT MALAM AND SOLUSI TV PROGRAM: A CASE STUDY by Nopita Trihastutie

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Teoría y práctica del cine educativo en España (1895-1923) by Fernando Camarero Rioja

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Spectral Telepathy: the Late Style of Susan Howe by Marjorie Perloff

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ISHMAEL, THE QUR’?N, AND THE BIBLE by S.G. deClaissé-Walford

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L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010) by Anaïs Guilet

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Le corps numérique des données by Tiziana Nicoletta Beltrame

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De la recherche scientifique au documentaire sur la migration, des mémoires en mouvement by Eva Léger

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“We’ve had socialism in this country for so long”: An interview with Yael Bridge, director of The Big Scary “S” Word by Alice Béja, Yael Bridge

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Filmer la ville et ses acteurs ordinaires by Rouba Kaedbey

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Le renouveau de l’approche documentaire, exemple d’une archive collaborative : Susan Meiselas, Kurdistan (1991-2009) by Clara Bouveresse

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Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

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L’image de la folie : de la dictature franquiste à la transition démocratique by Cristina Bernaldo

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