Detective Fiction by Françoise Dupeyron-Lafay

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Christopher Pittard, Purity and Contamination in Late Victorian Detective Fiction by Jean-Jacques Lecercle

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Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction by Stéphanie Durrans

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THREATENED MASCULINITY IN ARTHUR CONAN DOYLE’S IMPERIALIST DETECTIVE FICTION: THE SIGN OF FOUR by Enes Kavak

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Preface by François Gallix, Vanessa Guignery

Subjects: “…detective fiction…”
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Worsted, Weave, and Web: The Cultural Struggles of the Fictional Knitting-Woman by Kathy REES

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‘End of the Goddamned thing!!’ by Richard Williams

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Sublime Gaps by Antoine Dechêne

Subjects: “…Metaphysical detective fiction…”
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“I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn by Pascale Antolin

Subjects: “…detective fiction…”
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Le détournement du genre policier sur la scène anglaise contemporaine : One Minute (2003) de Simon Stephens et Orphans (2009) de Dennis Kelly by Aloysia Rousseau

Subjects: “…detective fiction…”
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Être présente et absente simultanément : l’action furtive by Sophie Lapalu

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From St Winifred’s Translation to Medieval Whodunnit: Ellis Peters and the Cadfael Chronicles by Catherine Lanone

Subjects: “…detective fiction…”
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Ross Macdonald, Redivivus? by Robert Lance Snyder

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Nancy Drew Revisited: Female Private Eyes in Contemporary American Fiction by Isabelle Roblin

Subjects: “…contemporary American detective fiction…”
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Influence de la fiction policière américaine chez trois auteurs de fantasie britannique (Green - Pratchett - Scott) by Catherine Magalhaes

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Deduction and Geography in Conan Doyle’s A Study in Scarlet by Andréas Pichler

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Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ? by Charlotte Arnautou

“…Drawing on cultural studies and the theory of fictional immersion, this article highlights the way in which readers’ emotional involvement with these female characters at odds with the Patmorian ideal of the “angel in the house”, undermines the traditionally conservative values of detective fiction.…”
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La nuit américaine dans Noir de Robert Coover by Marc Amfreville

“…Under the highly erotic and conventionally threatening figure of a Black widow, who owes much to Baudelaire’s death ringing passer-by, and by resorting extensively to the poetics of erasure, veiling and claustration, this highly metatextual novel captures in its spider’s web the simulacrum of all detective fiction by pitting it against the anticipated shadow presence of the most ambitious critique (Benjamin, Derrida, Baudrillard).…”
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La bande dessinée contemporaine au rendez-vous de la mémoire violente de l’après-guerre civile espagnole et du premier franquisme by Viviane Alary

“…The modalities specific to each author facilitate the reader's access to certain historical knowledge transformed into autofiction, detective fiction, fictionalized testimony, graphic journalism.…”
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Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934) by Anna Gemra

“…In the late 1920s, detective fiction was entering its golden age and already had a huge readership. …”
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