John Sloan’s Slow Awakening by John Fagg

Subjects: “…critical race art history…”
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The Art of Remembering: Essays on African American Art and History by James Smalls

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Can’t Get Enough: The Logics of Evidence, Anti-Blackness, and American Art History by Alexis L. Boylan

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Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies by Stefanie Hilles

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Locating Blackness in John Sloan’s Neighborhood Scene by Lee Ann Custer

Subjects: “…critical race art history…”
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Critical Cataloging: Researching American Art History on Its Own Terms by Tracy Stuber, Jennifer Way

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Paperwork: Bureaucracy and Legibility in a WPA Portrait by Robin Owen Joyce

Subjects: “…critical race art history…”
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A Conversation on Critical Cataloging by Bree Midavaine, Rosalie Hooper, Sophia Meyers

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Blackness, the Ashcan School, and Modern American Art by Jordana Moore Saggese, Gwendolyn DuBois Shaw

Subjects: “…critical race art history…”
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Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century by Meaghan M. Walsh

Subjects: “…critical race art history…”
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The Real and Imagined Black-Built Environment of the Ashcan School by Jessica Larson

Subjects: “…critical race art history…”
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Considering Asian American Collections and Critical Cataloging by Christina Ayson-Plank, Rihoko Ueno

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Encountering Edmonia Lewis in the Correspondence of Florence Freeman by Julia A. Sienkewicz

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Disability and Creativity: David Drake’s Vessels and the Art of Collaborative Craft by Jennifer Van Horn, Natalie E. Wright

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