The Hypertextual Process of Rewriting a Plurimedial Work: Joan Fuster and Vicent Garcés’ Ballet Marinada by Xavier Hernàndez i Garcia

“…In 1953, the Valencian composer Vicent Garcés contacted Fuster to ask for his collaboration in writing a “Valencian opera”. …”
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Experimental Design and Simulation of a Fly-Cutting Plant for Academic Environment Practices by Diego Fernando Ramírez-Jiménez, Cristian Alejandro Torres Valencia

“…Performance tests were conducted using MATLAB, Simulink, and Code Composer Studio. Subsequently, operational and cutting tests were performed using classical control techniques. …”
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Echoes of the Life of Dora Pejačević’s Music on Croatian Radio by Tatjana Čunko

“…This article will first present an overview of the printed scores of the composer’s works available in Croatia, whose availability is one of the conditions for their public performances. …”
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VERDI AND WAGNER IN EARLY VICTORIAN LONDON: THE VIEWPOINT OF “THE MUSICAL WORLD” by Massimo ZICARI

“… As early as 1844, Henry Fothergill Chorley, one of the most authoritative figures of Victorian journalism, drew attention to two young composers, Giuseppe Verdi and Richard Wagner, whose recent success could not escape the critic’s attention. …”
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REDUCING THE ENERGY CONSUMPTION OF SYSTEMS WITH THE INTEGRATED CIRCUIT TI 430FR2433 by DAN ROTAR, DRAGOS-ALEXANDRU ANDRIOAIA

“… The Texas Instruments microcontrollers in the MSP 430 series offer four ways to save power in operation in such a way as to allow for consistent reduction of the electricity consumed. Code Composer Studio programming environment also provides support in making low-power applications. …”
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THE MOTHER GOOSE PIANO SUITE - AN AESTHETIC PARADIGM OF RAVEL’S MUSIC by Attila FODOR

“… The Mother Goose suite is not only one of Ravel’s most beloved works, but also a paradigmatic manifestation of his artistic thought. Composed in his impressionistic period, these musical tales reflect the composer’s dialog with several contemporary trends, like symbolism, neoclassicism or futurism, trends manifested as distinct periods of his output. …”
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« I Speak According to the Book » : écriture et logos dans Nixon in China de John Adams et Alice Goodman by Mathieu Duplay

“…In Nixon in China, composer John Adams and librettist Alice Goodman recount 1970s America’s historic encounter with Maoist China. …”
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Perception and treatment of melancholy in the writings of Hildegard of Bingen (c. 1098-1179) by Eglė Sakalauskaitë-Juodeikienë

“… Hildegard of Bingen (c. 1098-1179) was a medieval nun and an abbess, a mystic, a composer, a poet, an author of medical treatises, and one of the few women at the time who wrote both theological and scientific texts. …”
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Sound Richness of Music Might Be Mediated by Color Perception: A PET Study by Masayuki Satoh, Ken Nagata, Hidekazu Tomimoto

“…Musically naïve subjects listened to familiar melodies with three kinds of accompaniments: (i) an accompaniment composed of only three basic chords (chord condition), (ii) a simple accompaniment typically used in traditional music text books in elementary school (simple condition), and (iii) an accompaniment with rich and flowery sounds composed by a professional composer (complex condition). …”
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Schönberg, Dahlhaus und das Problem der ›emanzipierten Dissonanz‹ – Anmerkungen zu op. 15/14 by Volker Helbing

“…There Schönberg proves as a composer looking for new orientations (after the loss of tonality), whose way towards dodecaphony is all but predefined.…”
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‘Wisdom is a gift given to the Wise’: Florence Farr (1860–1917): New Woman, Actress and Pagan Priestess by Muriel Pécastaing-Boissière

“…To Yeats, Florence Farr was less an actress and a composer than a priestess and a bard. Farr’s method was inspired by her Golden Dawn rituals, when she already combined poetry and contrapuntal music, according to the theory of harmonic convergence. …”
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The Facial approximation of the controversial skull attributed to Wolfgang Amadeus Mozart (1756–1791) by Cicero Moraes, Jiří Šindelář, Michael E. Habicht, Luca Sineo, Thiago Beaini, Elena Varotto, Francesco Maria Galassi

“…Wolfgang Amadeus Mozart (1756–1791) is considered as one of the greatest composers of the Classical Period of music (ca. 1750–1820). …”
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The German Days of Dora Pejačević by Domagoj Marić

“…After all, in the same period as Dora Pejačević, the Croatian composer Krsto Odak studied in Munich, but there are no known contacts between them.) …”
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Lilla’s Heritage. Cultural Sketches of the Vay Branch in Hungary by Lili Veronika Békéssy

“…The Vay family, from which Dora Pejačević’s mother Erzsébet (Lilla) hailed, played a significant role in shaping the formative years of the young composer, Dora. There is however, little research on that topic regarding the cultural heritage Dora inherited. …”
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« A Single Tone Coming Out Of A Vast, Empty Space » : John Adams, le contemporain au risque de l’anachronisme by Mathieu Duplay

“…The purpose of this paper is to raise once more the question of music and the “contemporary” in the light of Adorno’s argument and in connection with an American composer known for his keen interest in current events. …”
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The Seasons by James Thomson and the Baltic German Poetry about the Seasons in the Era of Baltic Enlightenment by Kairit Kaur

“…Some years before Thomson the famous Italian composer Antonio Vivaldi had created his violin concerto The Four Seasons (1718) and a German poet and senator from the city of Hamburg, Barthold Hinrich Brockes, had started to publish his series Irdisches Vergnügen in Gott (Earthly Delight in God) (1721–1748) in which he meticulously described many objects from and views of nature as God’s creations, inspired by English and Dutch physical theology. …”
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Texts by Petrus Wilhelmi de Grudencz in the context of the late medieval ars poetriae by Bartosz Awianowicz

“…As for the works with the acrostic PETRVS, rhytmi compositi prevail, usually with the rhyme patterns abab or aab ccb. …”
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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt by Kilian Sprau

“…. // The Richard Strauss song Breit über mein Haupt dein schwarzes Haar (“Spread over my head your raven hair”) exists in two notated settings: the first one was published in 1888 as op. 19 No. 2, the second one (1944) hasn’t been edited until recently. In addition, the composer participated as accompanist in two recordings of the composition: the earlier one (1921/22) correlates with the first, the later one (1942) with the second setting. …”
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Partituren zum Lesen und Schauen . Bildlichkeit als Merkmal graphischer Notation by Gesa Finke

“…This essay gives examples of spatial orientation or adjustment and graphism (i.e. the interplay of point, line, and space). The composer Anestis Logothetis explored these aspects of musical notation in detail and developed his own system of graphic notation. …”
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Musikalisches Zitat als kulturelle Assoziation. Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts by Hee Sook Oh

“…First of all, there are only a few works with the quotation technique employed by Korean composers, probably due to the prevailing influence of the modernist aesthetics yet in Korea. …”
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