Etude expérimentale et théorique d’un nouveau composé halogène pnicture Hg$_{12}$Sb$_6 ($Br$_{5,186}$I$_{6,814})$ by Kheit, Messaoud, Merazka, Soumia, Kars, Mohammed, Gómez-Herrero, Adrian, Roisnel, Thierry, Sidoumou, Mohamed

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Les constructions complexes d'une langue en danger : une étude du composé et des syntagmes nominaux du bὲrέ by Assouan Pierre ANDRDOU

“…Elle met un point d’honneur sur la question de la distinction entre les mots composés et les syntagmes composés. L'analyse morphosyntaxique des nominaux complexes bὲrέ, nous sert de base empirique pour proposer une nette distinction entre ces différentes constructions morphosyntaxiques. …”
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Static Bending, Vibration, and Buckling Responses of a Sandwich Beam Composed of Five Layers Considering Honeycomb Core and CNTRC with SMA Particles and Temperature-Dependent Material Properties Using SSDT by Mohsen Asgari, Mehdi Mohammadimehr, Mohammad Arabzadeh-Ziari, Erfan Arabzadeh-Ziari

“…The novelty and main contributions of this research are to investigate simultaneously static bending, free vibration, and buckling responses of a sandwich beam composed of a five-layer beam using sinusoidal shear deformation theory (SSDT). …”
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AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY by Luminiţa GUŢANU

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Ontology-driven use of ChatGPT to build guidelines and select technology parameters for IoT lab development by Adam Doering, Łukasz Kryła, Maciej Kamiński, Łukasz Muszarski, Cezary Orłowski, Marek Ożarowski

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Comparative analysis of a 3D printed polymer bonded magnet composed of a TPU-PA12 matrix and Nd-Fe-B atomised powder and melt spun flakes respectively by Granit Hajra, Mihael Brunčko, Leo Gusel, Ivan Anžel

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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

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New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

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Semantic composition of robotic solver algorithms on graph structures by Sven Schneider, Sven Schneider, Nico Hochgeschwender, Herman Bruyninckx, Herman Bruyninckx, Herman Bruyninckx

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Genderverteilung der Lehrenden in den Fächern Komposition, Elektroakustische Komposition und Musiktheorie an deutschen Hochschulen. Eine statistische Recherche by Irene Kletschke, Kirsten Reese

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“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

“…Retroactive, the composer, considers this little work as his really work op. 1. …”
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Un opéra français d’après la Salomé de Wilde, l’appropriation d’un drame by Déborah Bonin

“…How did the composer transform this theatrical drama into an opera? …”
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DER MUSIKALISCHE SPRACHE DES KOMPONISTEN PIERRE VILLETTE IN DEN „A CAPPELLA MOTETTEN HYMNE A LA VIERGE (OP. 24) UND PANIS ANGELICUS (OP. 80)“ by Miklós FEKETE

“… This paper presents first of all the importance of the 20th century French composer Pierre Villette, who’s instrumental, vocal-instrumental and choral works are relatively unknown even between musicians. …”
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THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS by Gabriela Coca

“… In Richard Wagner’s opera the composer put the rhythm both in the service of the musical dramaturgy and also in the melody, the harmony, the polyphony, the orchestration and the musical form. …”
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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

“… The music of Gheorghe Mustea displays a heterogeneous style, richly inspired by the compositional manner of the great composers of this genre (M. Mussorgsky, George Enescu), with elements of folk origin, of a special charm and richness. …”
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Ravel’s Programmatic Impulse by Peter Kaminsky

“…Such a gap is hinted at in Berlioz’s own account of the program for the Symphonie Fantastique: »The aim of the program is by no means to copy faithfully what the composer has tried to present in orchestral terms, as some people seem to think; on the contrary, it is precisely in order to fill in the gaps which the use of musical language unavoidably leaves in the development of dramatic thought, that the composer has had to avail himself of written prose to explain and justify the outline of the symphony«.While Berlioz’s statement posits one sort of gap at the heart of the program/music relationship, it becomes more relevant to Ravel’s music to consider the gap from the other direction and reverse Berlioz’s terms: thus the composer avails himself of the unique structural and expressive resources of music to connote their own meaning, in order to fill in the gaps which the limitations of the programmatic source unavoidably leave in the development of dramatic thought.…”
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EXPRESSIONIST ECHOES IN “3 AUTUMN” SONGS BY DAN VOICULESCU - STRUCTURE, STYLE, LANGUAGE by Şerban MARCU

“… The present study advances for analysis the lieder cycle 3 Autumn songs for soprano, oboe, two clarinets and violin from composer Dan Voiculescu’s youth. The three lieder are based on poems Autumn song and Song by Emil Isac and Autumn by Nicolae Labis. …”
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A FIRST COMPOSITIONAL ATTEMPT INTO THE WORLD OF SILENT SHORT FILMS – SANCTUARY BY NELIO COSTA (WITH MUSIC BY ŞERBAN MARCU) by Şerban MARCU

“…The study highlights the suggestions that the composer derived from the film, the musical solutions the composer came up with in order to “counterpoint” the visual discourse and the context in which the film was presented, at the 2nd edition of the InnerSound International New Arts Festival, in Bucharest, 2013. …”
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Piecing the Broken Golden Bowl: Dislocation and Diplomacy in Nixon in China by John Adams and Alice Goodman by Mathieu Duplay

“…Finally, the article considers the musical function of line breaks: they loosen up the meter and create complex patterns, which the composer uses for his own purposes.…”
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RALPH VAUGHAN WILLIAMS: “A CAMBRIDGE MASS”. ABOUT A NEWLY DISCOVERED MANUSCRIPT AND A WORLD PREMIERE, IN CONVERSATION WITH MAESTRO ALAN TONGUE by Bianca ŢIPLEA TEMEŞ

“… Acknowledged as one of the most prominent figures of British music history, the composer Ralph Vaughan Williams is well known to the world for pieces like Fantasia on a Theme of Thomas Tallis, A Sea Symphony, The Wasps and many others. …”
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