Abolir el binarismo. Femimutancia y la historieta argentina transfeminista by Laura Caraballo

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Everyday Urban Sounds: Ben Katchor’s Julius Knipl Radio Cartoons by Benjamin Fraser

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Ligne poilue, encre queer, séquence dissidente. L’engagement par le trait dans la bande dessinée argentine contemporaine by Marie Lorinquer-Hervé

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Introduction by Côme Martin, Françoise Sammarcelli

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Newspaper cartoons as a reflection of political change during the first democratic elections in South Africa by Cornelius van Heerden

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Les Technopères : la carte informatique, un chemin initiatique by Eric Villagordo

“…The eight-parts saga of the comic strip Les Technopères (1998-2006) by Jodorowsky, Beltran and Janjetov depicts a rich representation of computer science in the beginning of the story. …”
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Les Méta-Barons, des cyborgs subversifs ? by Adrien Cascarino

“…In this context, what representations of the transhuman bodies does the francophone comic strip offer? Are they representations of "augmented", divine and limitless bodies? …”
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Vers une expérience sensorielle augmentée ? by Silvia Masi

“…What happens when the already fully auralised universe of the comic strip experiences a concrete opening to the audible? …”
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Poésie dans les bulles : la Divine Comédie de la terza rima aux fumetti by Sylvie Martin-Mercier

“…Based on three comic strip adaptations of the Divine Comedy, this article aims to highlight the variety of strategies for quoting the original text. …”
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« La langue bien pendue ». Pour une nouvelle traduction de Mafalda by Claire Latxague

“…This paper presents some thoughts about traces of historical context and manifestations of political compromise in this classic comic strip, created by Quino and initially published in the Argentinian press between 1964 and 1973. …”
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Provoquer des archives et invoquer la mémoire by Marys Renné Hertiman

“…The presumed absence of female comic strip creators in the history of this medium is due, in part, to the lack of sources that could lead to the restitution of their traces. …”
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La nature et les ruines : anciennes présences humaines dans le récit climatique de science‑fiction by Rémi Auvertin

“…Conversely, they affirm the need to adapt to new environmental conditions and to build new ways of life.Our reflection, influenced by archaeology, focuses on two complementary media, the novel and the comic strip, whose comparison highlights the stability of the motif but also the tension between realism and universalism.…”
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Tat[o]ueur : pouvoirs du tatouage dans Little Tulip, de Jerome Charyn et François Boucq by Sophie Vallas

“…Little Tulip (2014) is the third collaboration between US writer Jerome Charyn and French comic strip artist François Boucq. This graphic novel moves back and forth between the USSR of the 1940s and 1950s and New York City in the 1970s to tell the story of Paul, a US-born tattoo artist who spent his childhood in a Gulag colony in Siberia where, as Pavel, he learnt his craft. …”
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« Bois ! ». La rencontre fatale entre Salammbô et Mâtho dans les transpositions iconiques du roman by Bruna Donatelli

“…Among the numerous illustrated editions and comic strip adaptations of the novel, this paper examines the iconic tranpositions by Rochegrosse, Bussière, Blaine, Lagneau and Druillet, who all display profound literary perceptiveness and have successfully enhanced the episode in question, establishing with the text an empathic relationship and a dialogue which opens up new and original interpretations.…”
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Des guerres et des dictatures à travers les vignettes by Silvina Campo

“…The article proposes an analysis of comic strips that revolve around the Spanish Civil War and the Second World War, having as authors those who had to confront those conflicts in childhood.…”
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Religiöse Spuren im Alltag by Matthias Werner

“… Acronyms, songs, advertisements, movies, television series, comic strips, memes or even sports news: Traces of Christian symbols, sayings, or references can be found in numerous places and contexts. …”
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La fonction mnémonique des cartes à jouer illustrées : Le rôle de la mémoire dans la réception et la diffusion des idées whig à travers le jeu de cartes The Meal Tub Plot (c. 1681)... by Sophie Lambea

“…The narrative strategies were varied, borrowing from newspapers, fables and even comic strips. However, understanding the meaning of these illustrated playing cards is difficult for today’s reader/observer, as Francis Barlow based the narrative of his illustrations on the memory of events that took place at the end of the seventeenth century and knowledge of the historical and cultural context is necessary to fully understand the satirical scope of the playing cards.Besides, The Meal Tub Plot playing cards were not only intended to entertain, but also to help shape public opinion and the collective memory of the English people, thereby facilitating the accession of William of Orange to the throne in 1689.…”
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De la poésie au collage, du cinéma au graffiti by Sophie Dannenmüller

“…In the Verifax Collages (1964-1976), letters and signs disturb the linear reading of the grids of images placed in the manner of comic strips to depict the contemporary period. Letters applied onto the film strip in his movie Untitled/Aleph (1956-1966) infuse the moving images with subliminal messages, whereas a meticulous calligraphy gives a transcendent and sacred iconic quality to his esoteric graffitis. …”
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Sous le règne de la terreur. La répression franquiste dans la bande dessinée espagnole. Le cas de Pablo Uriel et de Miguel Núñez by Benoît Mitaine

“…Mil vidas más (2010) by Miguel Núñez, Pepe Gálvez and Alfonso López and Un médico novato (2014) by Sento Are among the most remarkable comic strips on the Spanish Civil War and Francoism. …”
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Fiorello La Guardia et The Comic Parade by Jean-Paul Gabilliet

“…The newspaper delivery strike that took place in New York City during the first two weeks of July 1945 prompted Mayor Fiorello La Guardia (1882-1947) to read comic strips on his weekly Sunday radio broadcast “Talk to the People” on July 1, 8, and 15. …”
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