Sutures génériques et fêlures intérieures chez Charles Burns by Jean-Paul Gabilliet

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Sept rencontres du 9e type entre un médium (la BD) et un genre (la SF) by Alain Boillat

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Just(ice) Smiling? Masks and Masking in the Occupy-Wall Street Protests by Andreas Beer

Subjects: “…comics…”
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Expect the Unexpected: My Little Pony: Friendship is Magic and the Creation of a Double Audience by Isabelle Licari-Guillaume

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Selection of geophysical methods for defining the current state of the dam on the example of the Drenova reservoir near Prnjavor, Bosnia and Herzegovina by Petrović Dejan A., Nikolić Nikola Ž., Čomić Jasenko A.

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Newspaper cartoons as a reflection of political change during the first democratic elections in South Africa by Cornelius van Heerden

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De quelques branches bizarrement tordues : la science-fiction et le dessin dans les œuvres d’Alphonse Eugène Courson, Jean Perdrizet, Fletcher Hanks Senior et Richard Sharpe Shaver... by Jérôme Dutel

Subjects: “…comics…”
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LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE by Diana TODEA

“… The Comic Mask of the Opera in the Italy of the 18th century. …”
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DEIXIS FOUND IN KAMIO YOUKO’S HANA YORI DANGO IN ENGLISH VERSION by Mariska Febrianti

“…One of language forms in our environment are comics. It is the popular literary works that teenager read besides novel and short story. …”
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Les réseaux d’autrices de la bande dessinée en France by Marys Renné Hertiman

“…This paper focuses on women's networks in the French comics industry, their specificities and their issues. …”
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Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary by Franziska Quabeck

“…Shakespeare’s Beatrice, Jane Austen’s Lizzie Bennet and Helen Fielding’s Bridget Jones are three literary incarnations of the same female comic character. They share characteristics that make them all funny for the same reasons at vastly different times. …”
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Słowo - obraz - pamięć w labiryntach komiksu by Grażyna Gajewska

“…The comic book is a product of mass culture. It got deeply rooted in American and Western European popular culture in the 1970s. …”
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La science-fiction au prisme de l’intime : étude des séries Lupus et Aâma de Frederik Peeters (2002-2014) by Alain Boillat

“…The generic expectations created by the comic books of Peeters are discussed in particular on the basis of the cover images and the first panels of the albums. …”
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‘I should like to see a woman smoking while she was nursing her baby’: The New Woman, Crossdressing, and Humour in Horace William Bleackley’s Une Culotte (1894) by Mariam Zarif

“…First I suggest that humour is generated in the novel by the New Woman protagonist’s comic attacks of the rigid construction of gender differences. …”
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Fossils and Theories of Evolution in Gustave Flaubert’s Bouvard et Pécuchet by Anthony Zielonka

“…This paper proposes a close textual analysis of Chapter III of the masterpiece of comic and satirical fiction that is Gustave Flaubert’s last novel, Bouvard et Pécuchet (1881). …”
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Hannah Gadsby: Emotional Capital and Affective Economies in Stand-Up Comedy by Beck Krefting

“…Being a stand-up comic requires skills: the ability to craft jokes and perform them; the capacity to “read the room” and adapt material during the performance; and business savvy needed to network with fellow comics and industry gatekeepers. …”
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Provoquer des archives et invoquer la mémoire by Marys Renné Hertiman

“…The presumed absence of female comic strip creators in the history of this medium is due, in part, to the lack of sources that could lead to the restitution of their traces. …”
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Adelita: una heroína de papel para una Revolución en viñetas by Ricardo Vigueras-Fernández

“…Cualquier aficionado al cómic debería andar al corriente de cuáles son sus propios clásicos. …”
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'Maus' y 'El arte de volar': dos representaciones paradigmáticas del universo concentracionario by Carmen García Navarro

“… La conjunción de lo visual y lo textual ofrece en el cómic una particular visión de la representación ficcional del referente histórico. …”
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Miss-Taken Identities: The Comedy of Misrecognition in New Woman Short Stories by Margaret D. Stetz

“…This essay will illuminate a surprisingly common trope in British New Woman comic short stories from the late-1880s through the end of the nineteenth century—that is, the social misrecognition of women (almost always young women) by men. …”
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