Усвоение студентами исторической лексики на материале фильма „Иван Васильевич меняет профессию”... by Gizela Grabińska

“…This paper focuses on the use of films, in particular the film Ivan Vasilievich Is Changing His Profession (which is known in the USA under the title Ivan the Terrible: Back to the Future), in Russian classes with students. This comic film, which was created based on Mikhail Bulgakov’s play, is rich in historical facts and lexis as well as in realia related to the epoch of Ivan the Terrible. …”
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BERCEUSES DU CHAT BY IGOR STRAVINSKY by Răzvan METEA

“…The timbral balance achieved between the voice and the instrumental ensemble, the lyrical manner of musical expression, the specific rhythmic-melodic typologies of writing, the chromatic versus diatonic dichotomy, the affiliation of the opuses to the comic aesthetic category are characteristics of this series of four micro-art-songs, cradle songs, dedicated to and apparently describing the characteristics of a cat. …”
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Opowiedz mi "Miasto narysowane". O translinearnej możliwości poznawania Lublina z bliska by Jakub Jankowski

“…The aim of the exercise proposed in this article is to closely read five comic books about Lublin, looking for translinear connections between them. …”
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CULTURE SPECIFIC ITEMS TRANSLATION STRATEGY IN ONE PIECE: ROMANCE DAWN by Andrean Susanto

“…The CSIs were listed from the comic and analyzed. The result was nine CSIs found in One Piece: Romance Dawn that refers to Japanese culture.Five CSIs were written in its original Japanese word, one CSI was translated into Indonesian word, while three CSIs were shown in pictures. …”
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“He'll rail in his rope/robe tricks” : l'injure comme feu d'artifices dans The Taming of the Shrew by Nathalie Vienne-Guerrin

“…Reading this scene in the light of Grumio's commentary and notably the words “ropetricks”, “figures“ and “disfigures”, we show that behind the artifice, behind the comic trick and farce of this scene of insult, Shakespeare presents us with a disfigured Kate, a puppet that is moved by a ventriloquist, Petruchio. …”
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Religiöse Spuren im Alltag by Matthias Werner

“… Acronyms, songs, advertisements, movies, television series, comic strips, memes or even sports news: Traces of Christian symbols, sayings, or references can be found in numerous places and contexts. …”
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Biblioteca del Niño Mexicano (1899-1901) y Episodios Mexicanos (1981-1982) : ficciones históricas ilustradas, ¿sólo para niños ? by Marie Lecouvey, Helia Bonilla

“…In these two comic book series catering to children and teenagers, Mexican national history is made more appealing through the use of fiction and visual illustrations. …”
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Samotny smakosz albo krótki przewodnik po komiksowych przedstawieniach konsumpcji by Michał Traczyk

“…Depictions of food consumption in comic books are quite numerous but they rarely stick in the minds of readers, especially when they serve as the background for the unfolding story. …”
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Lexicon and Humor: Considerations about the witty functioning of the meanings in the Dictionnaire des mots qui n’existent pas by Anderson Braga do CARMO

“…So, we explore some questions which allowed us to understand how the lexicon, presented as a comic creativity, reveals an offensive reality.…”
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The Influence of Artistic Kitsch on the Formation of Political Memes by Anastasiia Tormakhova, Dmytro Tovmash, Ruslan Grechkosii

“…Political memes have an ideological and relaxation function, and they have a pronounced comic element. A correlation can be traced between them and kitsch, which can be the subject of interdisciplinary research.…”
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O ícone e o palhaço ou Quando Mazzaropi encena Lampião by Cristina Duarte-Simoes

“…In a very different register from the one usually proposed by Brazilian cinema, O Lamparina –conceived and played by Amácio Mazzaropi– breaks off with the tragic or dramatic tone of prior productions, proposing a cangaceiro character integrated in an ironic and comic context, unused till then.…”
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La cuestión de la limpieza de sangre y la disimulación religiosa en algunos entremeses del siglo xvii : de la burla a la sátira social by Carine Herzig

“…The authors make fun of the society of their time and of some of these most remarkable "types" (such as the mayor or the local judge, for example), by resorting to ridicule and exaggeration. Beyond their purely comic character, many of these plays offer a satire of concrete aspects of social and political life, particularly those related to blood purity and the condition of the old Christian. …”
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Satirical Frame of Mind: Ken Kalfus’s A Disorder Peculiar to the Country and the Literary Engagement with 9/11 by Katherina Dodou

“…Drawing on recent satire theory that views the satirical mode as unruly, various, and open-ended, I suggest that a closer look to the mixed intentions of this novel presents an opportunity to explore the dynamic between denunciation and comic relief in literary satire on 9/11 and opens the way for a more complex understanding of the operation and affordances of literary 9/11 satire.…”
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A Dinner Engagement (1954) de Lennox Berkeley : un opéra-bouffe anachronique ? by Jean-Philippe Heberlé

“…Commissioned by The English Opera Group, written on a libretto by Paul Dehn and created at the Aldeburgh Festival on 17 June 1954, A Dinner Engagement is a comic opera by Lennox Berkeley (1903-1989). The instrumentation follows that of Benjamin Britten’s The Rape of Lucretia and Albert Herring. …”
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De la poésie au collage, du cinéma au graffiti by Sophie Dannenmüller

“…In the Verifax Collages (1964-1976), letters and signs disturb the linear reading of the grids of images placed in the manner of comic strips to depict the contemporary period. Letters applied onto the film strip in his movie Untitled/Aleph (1956-1966) infuse the moving images with subliminal messages, whereas a meticulous calligraphy gives a transcendent and sacred iconic quality to his esoteric graffitis. …”
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Bouvard et Pécuchet et le savoir médical by Norioki Sugaya

“…This substantial file, which contains reading notes taken by the novelist for the writing of the medical chapter, allows us to understand to what extent the “comic of ideas”, characteristic of the encyclopedic novel, is the result of an intensive work on knowledge. …”
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SCHWARZ BIN ICH UND SCHÖN – RHETORISCHE IRONIE IM HOHELIED1 by S Fischer

“…Finally, the second conflict with her brothers (8:8-12) is taken into account and it is shown how the “Kipp-Phänomen” is used to turn around the expectations of those involved in comic and irony. …”
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Dramatic Jouissance in Edward Bond’s Born by Kate KATAFIASZ

“…The article argues that comedy and tragedy are fundamentally democratic tropes because they correct this authoritarian inversion; comic jouissance emerging when physicality subverts the signifier; tragic jouissance disrupting the entire symbolic order with its uncompromising prioritisation of corporeality.…”
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Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident by Vivien Barrière, Jean Hedin

“…Even more than the original comic book, the film, made in the USA of G.W. Bush, still traumatized by the attacks of 11 September 2001 and obsessed by his desire for revenge, is a genuine attempt to mobilize American society, and more broadly Western societies, against the existential threat posed by the conquering East to Westerners who are losing ground. …”
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Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

“…This film, which is rather unusual in his work, depicts a particular moment in the career of the famous musicians Gilbert and Sullivan, namely the writing and staging of one of their comic operas, The Mikado. Mike Leigh faithfully describes the collaboration between Gilbert and Sullivan, as well as a rigid Victorian society nevertheless characterized by resistance in many ways. …”
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