Classicist Development of FATHER-SON Topos in “The Adventures of Telemachus” by Fénelon by A. E. Baretskaya

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WILLIAM GURNEE SINNIGEN - 20TH CENTURY CLASSICIST AND ROMAN HISTORIAN: BIOGRAPHY & BIBLIOGRAPHY by Matthew Gray Marsh

“…<p align="center">William Gurnee Sinnigen was a Classicist and Roman historian, active in the mid-to-late 20^th century. …”
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Zarys biografii translatorskiej Stefana Srebrnego by Barbara Bibik

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Testimonials about the Classicist Scholar, Patrologist, Writer and Professor Ion Popescu-Piscu [Maria Popescu Dragomir și Grigore Popescu Muscel (coordonatori) – Mărturisiri despre savantul clasicist, patrologul, scriitorul și profesorul Ion Popescu-Piscu, Editura Bizantină, Bucureşti, 2019, 375 pages] by Adrian Stoleriu

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Review: Jonathan L. Ready (ed.) (2024). Oxford critical guide to Homer’s Iliad. Oxford: OUP. by Wayne Rimmer

“…New Classicists…”
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It is alive! Ressignificance in Pliny’s epistolary books by Lucas Amaya

“…New Classicists…”
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Aristotle’s Mixed Constitution Theory by Eleni Krikona

“…New Classicists…”
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Understanding the Arch of Constantine in a Landscape of Memory by Julia Tomas

“…New Classicists…”
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Review: Lauriola, R. (2020). Brill’s Companion to Episodes of ‘Heroic’ Rape/Abduction in Classical Antiquity and Their Reception. Leiden: Brill. by Grace Figueroa

“…New Classicists…”
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Evolution of Classicism in the 18 th century and the English novel by Ekaterina P. Zykova

“…His Pamela and Clarissa known for their psychological subtlety present a curious parallel to the 17 th century classicist concept since both novels center on the conflict between duty and passions whereas The History of Sir Charles Grandison embodies the new classicist concept of personality. …”
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THE SPECIFICITY OF THE FICTIONAL SPACE IN THE NOVELS BY CRÉBILLON-FILS by Natalia T. Pakhsarian

“…Transformation of rhetorical spatial topoi of the baroque and classicist periods occurs in the works of Crébillon-fils, as it does in the works of other authors of rocaille novels, through naturalizing and psychologizing the novel’s generic features.…”
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Breaking up the Canon of Literary Modernity: Classicism in the Ecopoetics of David Hinton and the Materialism of Zeng Shaoli. A Preliminary Outline of Epistemological Changes in Co... by Frank Kraushaar

“…Although there are obviously no direct links between the aforementioned tradition of modern American poetry and neoclassicist cyberpoets like Zeng Shaoli I argue that in both cases the classicist inspiration and poetic drive is motivated by concern with the increasing imbalance between natural, social, and individual resources, on the one hand, and an indomitable desire to accumulate economic and political power on the other. …”
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Breaking up the Canon of Literary Modernity: Classicism in the Ecopoetics of David Hinton and the Materialism of Zeng Shaoli. A Preliminary Outline of Epistemological Changes in Co... by Frank Kraushaar

“…Although there are obviously no direct links between the aforementioned tradition of modern American poetry and neoclassicist cyberpoets like Zeng Shaoli I argue that in both cases the classicist inspiration and poetic drive is motivated by concern with the increasing imbalance between natural, social, and individual resources, on the one hand, and an indomitable desire to accumulate economic and political power on the other. …”
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A modernidade enquanto retorno ao passado: A revista Athena como arrière-garde by Defenu, Carlotta

“…In reflecting on the classicist spirit of the magazine, the article seeks to situate this Pessoan project within the broader con¬text of the concept of arrière-garde, in contrast to the avant-garde spirit of the preceding magazine, Orpheu.…”
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Keszthely ou Le château hongrois comme démonstration du savoir by François Cadilhon

“…His court architect György Rantz rebuilt the castle in neo-classicist and romantic style and Festetics organized regular musical and theatrical performances there. …”
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"The greatest extravaganza of mortal combat ever staged" by Daniel Vella

“…A consideration of this fictional game within the film’s dystopian future Rome will open onto three intertwined lines of analysis: the classicist impulse to conceive of a continuity between imperial Rome and contemporary Italy, the adoption of this classicism in fascist Italy, and media consolidation in the context of neoliberalism and political corruption in the 1980s. …”
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Paz en la guerra: estudio tematológico de la paz en la épica de la Ilustración by Claudia García-Minguillán

“…From the perspective of genology, thematology and classicist aesthetics, the theme of peace will be studied as an element that alters the traditional form of the genre. …”
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The Chronicle Legend about Prince Vladimir and Rogneda in the Tragedies by F. P. Klyucharev Vladimir the Great and M. M. Kheraskov Idylo-Worshippers, or Gorislava by Anastassiya V. Semenova

“…The comparison of Klyucharev’s and Kheraskov’s tragedies allows us to conclude that the similarity of the works is due to common historical sources and adherence to classicist canons, as well as the didactic goals of the authors.…”
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„... das Unendliche im Endlichen gebären ...“ by Susanne Gödde

“…In contrast to the classicist ideal of a self-contained and well-proportioned whole, this incongruence gestures towards an aesthetic of ugliness. …”
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String Quartets by Rafał Augustyn and Their Role Within the Tradition of the Genre by Aleksandra FERENC

“…Augustyn's quartets contain both classicist tendencies (String Quartet No. 1, Do ut des for string quartet, Dedication for string quartet and soprano) and references to tradition counterpointed with modern solutions (String Quartet No. 2). …”
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