Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa by Regina R. Félix

“…This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. …”
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Les procédés contemporains de mise en scène des guerres by Dominique Trouche

“…Scenographic techniques intermingle with theatrical and cinematographic ones thus contributing to make it an audio-visual work of art. …”
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Orques tolkienesques : entre OGM et androïdes posthumains ? by Éline de Mathuisieulx

“…It seems that the cinematographic adaptations by Peter Jackson, mostly based on John Howe’s illustrations, have brought their demonization to a paroxysm.…”
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Quand l’exploitation mémorielle officielle des archives conduit à redécouvrir les fonds : le cas de l’enregistrement filmé du général de Gaulle du 2 juillet 1940 by Violaine Challéat-Fonck

“…In charge of preservation, commercial and cultural diffusion of the cinematographic and photographic heritage of the Ministry of Defence, ECPAD contribute towards the national ceremonies of commemoration. …”
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Cantinflas, Patriota de la patria e Insurgente del detalle by Héctor Ruiz Rivas

“…A survey of his first period films will enable us to discover a thorough irreverent and devastating cinematographic machine that delves deep into the foundations of long-established Western values -including language-, from both a Latin-American and a universal outlook.…”
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Le documentaire cubain entre nostalgie et désillusion, Le Rideau de sucre de Camila Guzmán by Magali Kabous

“…Documentary has always occupied a very important place in the Cuban cinematographic production since 1959. Camila Guzmán was born in Chile and was raised in Cuba after her parents’ exile. …”
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Kat, ofiara i świadek w "Śmierci i dziewczynie" Romana Polańskiego by Aleksandra Piętka

“…This paper analyzes the cinematographic means used by Roman Polanski in Death and the Maiden to portray the characters of the movie and the relationship between them. …”
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« Explorer le champ des voix » by Floriane Chouraqui, Maylis Aste

“…At the crossroads between cinematographic studies (MA) and geography (FC), this article sets out to explore the sounds of the Cha das Caldeiras territory, in Cape Verde. …”
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Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique by Pierre Jailloux

“…The recycling of exploitation cinema conventions is more than just playful: it overlaps with the recycling of human bodies reduced to merchandise, ambiguously catering to, and criticizing, the voyeuristic pleasure that devolves from the cinematographic exploitation of bodies.…”
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Un cinéma palestinien « en mal d’archive » by Laure Fourest

“…This generates a multiplicity of cinematographic strategies aiming to challenge this discomfort zone, where the manipulation of the emotional and sensorial qualities of archives can be a means of proving something.…”
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Le cinéma américain : un impérialisme culturel ? by Nathalie Dupont

“…Yet, the paradox is that those countries can take advantage of the American presence on their soil; for example, taxation of profits or of ticket sales can finance local productions while the various American “runaway productions” enable some countries to develop or update their own cinematographic infrastructures and at the same time provide the opportunity for their local technicians to improve their skills. …”
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Sangue de Lua: reflexôes sobre espíritos e eclipses by Carlos Fausto

“…Taking this ethnographic and cinematographic experience as his starting point, the author reflects on the meaning of the eclipse for the Kuikuro, focusing on the explicit cosmological knowledge conveyed by them, on the nature of their adherence to a belief system, and on some mytho-ritual themes that, lacking a native exegesis, can only be understood through a comparative perspective.…”
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‘Obsolescence(s) de l’homme’ by Manola Antonioli

“…The article proposes to carry out a comparative study of three literary and cinematographic dystopias, Brave New World (1932), 1984 (1949) and the three episodes of The Matrix (1999-2003), considered as archetypal figures of what, in terms of political philosophy, could be called biopower (Foucault), totalitarianism (Hannah Arendt) and an extreme form of control society theorised by Gilles Deleuze, without omitting the decisive influence of Baudrillard‘s thought and his theory of the simulacrum on the Wachowski brothers (now sisters) and the script of Matrix. …”
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ARE ALL WOMEN FEMINISTS? A CRITICAL VIEW ON LADY BIRD (2017) FILM by Gesang Manggala Nugraha Putra, Trisnavia Elma Kharisa

“…To do so, the study employs Feminist Identity Development Model by Downing and Roush to look at the main lead of the film, along with analyses on the film’s narrative and cinematographic aspects. The study finds that the female lead fails to undergo all the five stages of Feminist Identity Development Model. …”
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Carmen Castillo et Catalina Villar : l’entre-deux du lieu d’énonciation du « latino-américain » by Amanda Rueda

“…Therefore the place of cinematographic enunciation defines itself by taking into consideration this aspect of inter-land : the starting-point territory and the welcoming one. …”
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Représentations du temps et de l’espace en science-fiction : du roman à l’écran by Orlane Glises de la Rivière

“…We will analyze the spatial cinematographic dimension in his films, which complete the literary spatiality. …”
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La matière féerique dans Salammbô by Gesine Hindemith

“…Flaubert’s almost cinematographic technique, which literary research has lately identified, owes much to fantasy, a genre that was considerably in fashion at the time. …”
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Les ailes du crime ou la modernité de Détective by Mélodie Simard-Houde

“…In order to blend with the rubrics and poetics features of the weekly, these representations undergo some mutations that reveal how Détective operates a diversion of a mediatic intertext (literary, cinematographic and journalistic) that traces, in the same years, a heroic and epic tale of the conquest of the air. …”
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Problematizando a indústria dos sonhos: questões sociológicas para analisar o cinema de entretenimento estadunidense by Túlio Cunha Rossi

“…Methodological questions about the analysis of fictional movies and its contributions to Sociology are dealt with, as well as about the presence of cinematographic references and audiovisual media in contemporary life. …”
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La Complainte de la scène by Marie Goupil-Lucas-Fontaine

“…Complaint continues to exist through the 20th Century through stage and cinematographic performance, which perpetuates its memory to the listeners.…”
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