Redistribuição, reconhecimento e poder no financiamento público do cinema pernambucano: uma análise longitudinal da política pública de cultura do estado no âmbito das desigualdade... by Bárbara Cristina do Santos Lino

Subjects: “…cinema…”
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L’usure iconique. Circulation et valeur des images dans le cinéma américain contemporain by Mathias Kusnierz

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The Haunted World of El Superbeasto (Rob Zombie, 2009): An Animated Exploitation of Exploitation Cinema by Pierre Floquet

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Il cinema come codice visuale (traduzione di Alice Bravin) by Marija Kuvšinova

Subjects: “…Cinema…”
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Valse avec Bachir, récit d’une mémoire effacée by Fanny Lautissier

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“YOU AIN’T WHITE. ARE THEY WHITE?”: O “BRANCO VERDADEIRO” EM BACURAU (E NO BRASIL) by Amana Rocha Mattos, Lia Vainer Schucman

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İzleyicilikten Katılımcılığa: Türkiye’de Dijital Yerlilerin İnteraktif Sinemada Yeni Görme Kültürü Üzerine Bir Araştırma by Ferhat Zengin, Uğur Baloğlu, Yıldız Derya Birincioğlu

Subjects: “…interactive cinema…”
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Transcultural transformation in cinema by Yu. V. Vorontsova

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15 Temmuz Darbe Girişimi Ekseninde Türk Sinemasında Oksidentalist Söylem: Kurtlar Vadisi Vatan Örneği by Burak Medin

Subjects: “…cinema…”
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Technology and the Cinematographic Writing of Trauma in Kipling’s Motoring Short Stories by Élodie Raimbault

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Conflits, féminité et identités diasporiques. Le pouvoir de la représentation chez Pratibha Parmar et Gurinder Chadha by Amandine Ducray

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Entre deux, entre trois… by Abdellatif Fdil

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Filmer les ruines et faire parler le présent : La Promesse de Franco de Marc Weymuller by Pascale Thibaudeau

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Existential and Phenomenological Horror in Les Diaboliques by Daniel Tilsley

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La staffetta delle arti. Un gorilla in un negozio di antiquariato (traduzione di Chiara Rampazzo) by Sergej Obrazcov

Subjects: “…Cinema…”
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FOTO CINEMA FILM (traduzione di Martina Mecco) by Karel Teige

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Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010) by Françoise Sammarcelli

Subjects: “…cinema…”
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Gone With the Wind, 80 ans d’images. Entretien avec Pierre Berthomieu by Pierre Berthomieu, Emmeline Gros, Marie-Pierre Burquier

Subjects: “…Hollywood cinema…”
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Mettre en scène les codes du genre : artifice et théâtralité dans la comédie musicale hollywoodienne classique by Anne Martina

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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams by Sophie Maruéjouls-Koch

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