Memory Map: A Multiprocessor Cache Simulator by Shaily Mittal, Nitin

“…Memory map is a multiprocessor simulator to choreograph data flow in individual caches of multiple processors and shared memory systems. …”
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Les hypothèses à l’épreuve du cheminement by Ekaterina Shamova

“…This development is closely connected with the range of questions related to several choreographic projects of collective walks on the intersection of wandering, choreography and bodily and sensory-motor experiences. …”
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Musiques et danses occitanes en Italie by Silvia Chiarini

“…The ‘heritage age’ of musical and choreographic practices in the Occitan valleys of Italy can be divided into three main phases: revivalism, trad-innovation and institutionalisation. …”
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Scendere in piazza, scendere in campo. Usi politici e occupazioni simboliche degli spazi urbani tra Belle Époque e fascismo by Giovanni Sbordone

“…But soon patriotic students and nationalists change the rules, imposing new political uses of public spaces and – finally – fascist squads prevail over choreographic crowds.…”
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Reprendre des œuvres du répertoire contemporain avec des enfants. Retours sur deux cas exemplaires: “Petit projet de la matière” et “Boutures d’un Sacre” by Marie Quiblier

“…Including children in our performances, both concretely and metaphorically, the reenactment prompts a (re)evaluation of the criteria that define what constitutes a choreographic work. From the original piece to its recreation, from adults to children, from professional to amateur, we will examine, through two exemplary cases, the norms that shape our perspectives and influence our discourses.…”
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Danse, la cité. Infiltration chorégraphique d’une place publique by Léna Massiani

“…The process used with the inhabitants comes from sensory observation, previously undertaken by the whole team, which takes the choreographic characteristics as a way to identify the side effects of an area on the body. …”
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Mesurer Merce Cunningham by Clarisse Bardiot

“…To understand what quantitative methodologies can bring to the knowledge of theatre, I propose a case study of Merce Cunningham, one of the most influential choreographers of the 20th century. From data concerning the premieres of the 183 choreographies he created throughout his career, using various quantitative analysis tools and datavisualizations, can we identify typical features, characteristics specific to the history and life of the Merce Cunningham Dance Company as well as the aesthetics of Merce Cunningham?…”
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Corps singuliers et corps collectif by Laurent Gabail

“…The article examines two choreographic systems by means of which the effectiveness of the ritual is made visible to the public: group dances by men of the same age set, and masked performances. …”
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Être dansé by Lydia Zeghmar

“…In Turkey’s Aegean hinterland, the musical and choreographic repertoire of the zeybek celebrates the heroism of maquis rebels of the Ottoman period, the efe. …”
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Understanding dance and its non-human agency in Ekman’s “A Swan Lake” by Martina Cayul

“…The second act shifts to an immersive exploration of water’s materiality, where its unpredictability creates new choreographic possibilities. By integrating human and non-human materialities, Ekman creates a multisensory experience that challenges traditional representations, offering a posthumanist perspective.…”
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De l’incident de terrain à l’écriture de l’évocation by Claire Vionnet

“…Drawing on a fieldwork on contemporary dance, the anthropologist highlights how a phenomenological description of dance can expand choreographers’ questions that might be raised within the dance studio. …”
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Entre la parole et l’image : le système mythopoétique marubo by Pedro de Niemeyer Cesarino

“…The study of poetic formulas reveals a previous structural scheme that can be transposed to graphic signs and choreographic configurations. The shamans instantiate a virtual formulaic system by manipulating three of the verbal art modes according to specific ends. …”
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Ripples Make Waves: Binding Structured Activity and Plasticity in Hippocampal Networks by Josef H. L. P. Sadowski, Matthew W. Jones, Jack R. Mellor

“…Establishing novel episodic memories and stable spatial representations depends on an exquisitely choreographed, multistage process involving the online encoding and offline consolidation of sensory information, a process that is largely dependent on the hippocampus. …”
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Formules ornementales dans les jardins et chorégraphies françaises du xviie siècle by Olivier Perrier

“…We shall first of all place late XVIIth century dance and gardening arts in their historical context, and evoke the already attempted confrontations between these two artistic disciplines – some of them focussed on the garden as a place for presenting dance performance, while others analysed the visitor’s circuit within its space-generating dimension, finally formulating the hypothesis of a single production principle for ornamental forms, common to the different genres approached, based on an interpretation of the patterns of both the “embroidered parterres” and the choreographic notations of the period.…”
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Jardins, parcs et paysages dans l’œuvre de Hermann Hesse – ou Par-delà nature et culture by Corinne Fournier Kiss

“…Landscapes, on the other hand, are presented as extensions of gardens and contain a biodiversity as carefully choreographed as any garden. Gardens and landscapes are “in motion” and they become not only true palimpsests overloaded with the writings of multiple places, but also function, for the observer, as a privileged means of confronting his unconscious and gaining a truer knowledge of himself.…”
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« Soy feminista y me gusta el perreo » : les conflits de (re)signification dans les politiques sexuelles du reggaeton by Victor Santos Rodriguez

“…The article shows how the study of this musical and choreographic genre enriches our understanding of sexual politics in popular music. …”
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La bourrée et ses mythes by Françoise Étay

“…It then influenced many musical or choreographic reinterpretations. And it is often it which, more or less consciously, is at work behind differences that one might think are limited to aesthetic choices.Nowadays, we can spot new ways of playing and dancing bourrée in balls. …”
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Réinterpréter les musiques régionales du sud-ouest de la France dans les années 1970-1980 by Bénédicte Bonnemason

“…In the early 1970s, in southwestern France, as elsewhere in the national territory at the same time as in Europe a little earlier, there was renewed interest in regional musical and choreographic objects that were being reinterpreted, giving rise to a largely amateur practice. …”
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“The Way of Disc Dog”: Navigating Harmonies in American Canine Frisbee by Jack Harrison, Sara Kruszona

“…Freestyle disc dog is a sport in which a human handler throws frisbees for their dog to catch as part of a choreographed routine to music. In this article, we examine how different representations of ideal dog–human relations in media produced and consumed by American disc-dog players correspond to concepts of harmony. …”
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Permettre la compréhension de l’action dans un jeu d’imitation. Le cas de l’action conjointe entre un artiste chorégraphique et des élèves-danseurs à l’école élémentaire... by Virginie Messina

“…To illustrate this, we rely on a situation observed in an elementary school, where a choreographic artist intervenes in a year 4 and 5 class. …”
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