Einen Anfang finden. György Ligetis Skizzen und Entwürfe zu den Drei Phantasien nach Friedrich Hölderlin für 16-stimmigen gemischten Chor a cappella by Vera Funk

“…. // The Drei Phantasien nach Friedrich Hölderlin for mixed, 16-voice choir a cappella (1982/83) are regularly performed by professional choirs, especially those specializing in Hölderlin reception of the 1980s. …”
Get full text

MICA TIGANIADA OU L’AVENTURE DU FOLK-ROCK ROUMAIN PENDANT LA PÉRIODE COMMUNISTE by Luana STAN

“…This is an excellent example of mixing the aksak rhythm, the rock ensemble, the women choir and the violin into a coherent piece of music. …”
Get full text

ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

“… The vocal-symphonic genre is expressed by employing an apparatus that includes the orchestra, the choir and the soloists. It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. …”
Get full text

Archéologie du bâti par méthode géoradar : le cas de la basilique Saint-Seurin de Bordeaux by Anne Michel, Jean-François Lataste

“…During an archaeological operation conducted there in 2015, Ground Penetrating Radar (GPR) investigations were carried out on the walls of the thick masonry of the chapels located in the crypt and on the floor of the church, in the nave and in the choir. They highlighted the structure of the masonry of the crypt, encompassing those of the Late Antiquity building, and strengthened the hypothesis of the existence of conduits extending from the chapels to the east of the crypt.…”
Get full text

Maladie hyperostosique et maladie goutteuse, une diathèse familiale en Normandie : Thaon, Calvados by Joël Blondiaux, Armelle Alduc-Le Bagousse, Xavier Demondion, Françoise Delahaye, Cécile Niel

“…Within the 12th century choir, fifteen burials have been excavated; all of them revealed mature skeletons. …”
Get full text

The triumphal cross of the cathedral of Nevers: painting technique and examination by Nadia Bertoni Cren, Stéphane Cren

“…Restored and put on display on a modern cross in front of the choir, the sculpture suffered a new fall in 2015. …”
Get full text

L’apport de la sculpture à la compréhension des fonctions liturgiques by Pascale Chevalier

“…Chasing, engraving, champlevé, bas-relief and openwork spread over the limits of the choir, reinforcing the significance of the sacrificial altar, the seat of the celebrant and the dais from which the Word resounded. …”
Get full text

RALPH VAUGHAN WILLIAMS: “A CAMBRIDGE MASS”. ABOUT A NEWLY DISCOVERED MANUSCRIPT AND A WORLD PREMIERE, IN CONVERSATION WITH MAESTRO ALAN TONGUE by Bianca ŢIPLEA TEMEŞ

“…Recently, the conductor Alan Tongue discovered at the Cambridge University Library a manuscript signed by Vaughan Williams: a Mass for soloists, choir and orchestra, written in 1899, with the academic purpose of obtaining the title of Doctor of Music. …”
Get full text

The World as God’s Property in Psalm 24:1-2 as the Source of Man’s Right Attitude Towards Creation by Janusz Nawrot

“…This paper joins the unanimous choir of nature defenders, and it aims at drawing the reader’s attention to selected aspects of human relationship with the world, presented in the opening verses of Psalm 24. …”
Get full text

Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej by Mirosław Bogdan

“…When the differentiation of these types of beauty shows itself, not only thanks to the unknown in Romanism mystical structure of architecture in a gothic temple, but also through the construction of the gothic altar and hiding it in a choir enclosed by a lectorium in accordance to the zone of aisles, there is a necessity for a scientific definition of beauty connected with the then contemporary stylistic changes. …”
Get full text

From Trinidad to Cyberspace: Reconsidering Ernst Toch’s “Geographical Fugue” by Carmel Raz

“…Premiered in 1930 at a Berlin-based festival dedicated to the incorporation of technology in music, a few years later the piece was transformed into a humorous showpiece spoken live by a-cappella choirs. However, these renditions represent a substantial deviation from the composer’s intention. …”
Get full text