Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa by Regina R. Félix

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La ville à l’écran : esthétique du spectaculaire et du tentaculaire dans Metropolis de Fritz Lang et Brazil de Terry Gilliam by Raphaëlle Costa de Beauregard

“…This paper addresses the city as a cultural construct in Metropolis (Fritz Lang, 1928) and Brazil (Terry Gilliam, 1985): first as a dream space for the development of futurist architecture, then as a privileged screen-space for chiaroscuro and the German expressionist context, and its transposition in Technicolor, and third as the locus for an irretrievable metamorphosis of the human species, particularly in the depiction of Woman as a "femme fatale".…”
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Transparency, Translucency, and Obscurity in the Victorian Monologue by Jean-Charles Perquin

“…The Victorian dramatic monologue is not only a first person poetic speech with a silent audience suggested in the very poem; it is also a complex poetic chiaroscuro in which the speech itself is translucent, but always on the verge of obscurity, since what is at stake in the poem is the question of understanding. …”
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Du tableau à la scène : la couleur dans le jardin paysager en France by Ilona Woronow

“…Finally, in other contexts, the couleur being marginalized, the visual qualities are perceived in terms of light nuances. Exploration with chiaroscuro relates the art of gardens to theater.…”
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