Showing 961 - 980 results of 1,135 for search '"ceramic"', query time: 0.09s Refine Results
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    Surface Roughness and Color Stability of Conventional and Bulk-Fill Resin Composite with S-PRG Fillers After Coffee Exposure: An in-vitro Study by Janisch FADS, Falcon Aguilar M, Aguiar FHB, França FMG, Basting RT, Vieira-Junior WF

    Published 2025-01-01
    “…For ΔEab, Beautifil Bulk Restorative and Tetric N-Ceram showed higher values compared to Beautifil II. …”
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    Influence of the cordierite lining on the lost foam casting process by Trumbulović Ljiljana, Gulišija Zvonko, Aćimović-Pavlović Zagorka, Andrić Lj.

    Published 2003-01-01
    “…Our results indicate that the application of cordierite ceramics is comparable to talc-based refractory linings in both Al-Cu and Al-Si castings, while cordierites are favorable in Al-Cu case due to their higher melting temperature.…”
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    A Thermoelastic Piezoelectric Fixed Rod Exposed to an Axial Moving Heat Source via a Dual-Phase-Lag Model by Mahmoud Ragab, S. M. Abo-Dahab, Ahmed E. Abouelregal, A. A. Kilany

    Published 2021-01-01
    “…Piezoelectric ceramics are used more in the active control of noise and vibration with sensors and actuators. …”
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    Utilisation d’un adhésif  à polymérisation UV  pour combler les surfaces  lacunaires d’objets d’art en verre ou à revêtements vitreux by Viviane Bechoux, Thierry Fouquet, Pierre Verge, Joao A. S. Bomfim

    Published 2015-04-01
    “…This research proposes a method for fill areas of loss on glazed objects and objects with a vitreous coating (ceramics, enamels on metal supports) and for. replace colored epoxy resin with a UV curing adhesive.…”
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    Neolithic and Paleometal Epoch Materials from the Bazyakovo I Campsite at the Mouth of the Kama River by Anton V. Shipilov

    Published 2024-08-01
    “…The earliest stage is associated with the Kama Neolithic culture. In addition to ceramics, it includes a very expressive collection of stone tools, obtained as a result of studies at the archaeological site under consideration. …”
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  14. 974

    De l’instrument joué à la pratique représentée : comprendre les figures de flûtistes dans l’iconographie recuay (sierra nord-centrale du Pérou, 100‑800 n.è.) by Mélanie Ferras, Alexia Moretti

    Published 2024-07-01
    “…The archaeological contexts and instruments, which are poorly known and scarcely documented, contrast with a rich imagery found on ceremonial ceramics that depict detailed and recurring scenes involving musical instruments.The representation of flutists on ceramics is particularly intriguing. …”
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  15. 975

    De Mariemont à Hanoi : conservation et restauration des céramiques d’Extrême Asie by Catherine Noppe

    Published 2008-08-01
    “…The paper describes the unavoidable differences in conception and practices in conservation-restoration of Asiatic ceramics conserved on one hand in the Royal Museum of Mariemont and on the other in Vietnam museums. …”
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    Immobilisation of Higher Activity Wastes from Nuclear Reactor Production of 99Mo by Martin W. A. Stewart, Eric R. Vance, Sam A. Moricca, Daniel R. Brew, Catherine Cheung, Tina Eddowes, Walter Bermudez

    Published 2013-01-01
    “…The options considered consist of cementitious products, glasses, glass-ceramics, or ceramics produced by vitrification or hot isostatic pressing for intermediate-level wastes. …”
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  17. 977

    Evaluation of Shear Bond Strength of Resin-Based Composites to Biodentine with Three Types of Seventh-Generation Bonding Agents: An In Vitro Study by Huda Abbas Abdullah, Zahraa Abdulaali Al-Ibraheemi, Zanbaq Azeez Hanoon, Julfikar Haider

    Published 2022-01-01
    “…Groups 1, 2, and 3, Tetric N-Ceram composite bonded to Biodentine with Tetric N-bond, Xeno V+, Bond Force bond, respectively. …”
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  18. 978

    Un nouveau cursus en conservation-restauration à l’Académie des Beaux-Arts de Kinshasa by Nicole Gesché-Koning

    Published 2015-03-01
    “…Thanks to a partnership between the Art Academy in Kinshasa and the Ecole nationale supérieure des arts visuels of la Cambre, 2013 coïncides with the launching in Kinshasa of a new training in conservation-restoration of works of art - Wood and ceramics. An opportunity to question the role and place of the conserver-restorer in Africa.…”
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