Les usages de l’alcool à Meknès (Maroc) : entre interdits, censure et autocensure by Philippe Chaudat

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Novel and Censorship or Eros’ Bad Fait h   by Maurice Couturier

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La (auto) censura en el ámbito de la prensa regional (1963-1978): una propuesta para su estudio desde «los marcos sociales» de la memoria by Rubén Cabal Tejada

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BBC Independence and Impartiality: The Case of the 1956 Suez Crisis by Mélanie Dupéré

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Przekształcenia w zakresie cenzury filmowej w Japonii do końca II wojny światowej by Dawid Głownia

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«NOVOYE VREMYA» NEWSPAPER ON MILITARY CENSORSHIP OF THE FIRST WORLD WAR (1914-1916). by Sviridova A. S.

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Censorship and Self-Censorship in Interwar and Soviet-Era Translations from French Into Lithuanian by Leonavičienė Aurelija

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Repercussions of Self-censorship in Storytelling: A Study of Hansda Sowvendra Shekhar’s Jwala Kumar and the Gift of Fire: Adventures in Champakbagh by Amirthavarshini V R, Bhuvaneswari R

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Cartea de debut a Anei Blandiana by Margareta Dumitrescu

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Censorship and Magic Tricks in Inter-War Britain by Lisa Z. Sigel

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Créer contre l’oubli ou la censure de la mémoire uruguayenne by Dorothée Chouitem

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Censorship Activities in Far East in Early 20^thCentury (on Material of Cinema) by Y. G. Blagoder

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Minsk Military District at Initial Stage of First World War by I. V. Alferova, V. F. Blokhin

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RUSSIAN PERIODICALS OF THE FIRST WORLD WAR IN THE CONTEXT OF INFORMATION RESTRICTIONS by Alferova I.V.

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«The whole book is scandalous». Formiggini and the self-censorship of Brantôme’s «Le dame galanti» by Antonio Castronuovo

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Manhã Submersa di Vergílio Ferreira: una lettura allegorica by Andrea Bianchini

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« Girasol Teatro », un projet éditorial audacieux dans l’Espagne des années 1960 by Simon Arnaud

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The Politics of French History in Times of Crisis by Corinne Gressang, Jacqueline Couti, Kirstin Ringelberg, Sarah Horowitz, Terrence Peterson

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Floridablanca: una Ilustración tutelada by Antonio Mestre Sanchis

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A "Shocking" or a "Moving" Scene? by Lars Liljegren

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