Unpublished calendars of 1853-1854 by Laurynas Ivinskis by Danutė Labanauskienė

“…They reveal the oppressive atmosphere created by Russian censorship on the educational and cultural life of Lithuania. …”
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La nouvelle loi organique sur l’information de 2012 en Algérie : vers un ordre médiatique néo-autoritaire ? by Chérif Dris

“…In a globalized context where information technologies break down the walls of censorship, regimes cannot manage to retain complete control over information. …”
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Freedoms of intimacy and the Internet by Jean Chalaby

“…The article also shows how public authorities have always tried to censor new media when used by minorities to demand new rights. It argues that censorship has become increasingly efficient and that today's new media face a new means of censorship in technology. …”
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Expériences carcérales et traductions picturalesLe témoignage du peintre et objecteur de conscience Didier Poiraud durant et après la guerre d’indépendance algérienne (1961-1964)... by Marc André

“…The Algerian War has long been considered a “war without images”, owing to a combination of state censorship and the self-censorship of artists themselves. …”
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Être correspondant régional en Tunisie : De l’aliénation au pouvoir à la liberté totale by Hamida El Bour

“…What changed in their practice, their behavior and their discourse? They said that censorship and self-censorship were overwhelming the way of covering the news in the regions and that the main role for the reporter is very limited. …”
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Mass media as actors of world politics by V. V. Fokina

“…The role of political censorship and propaganda in interaction with the international public opinion is considered especially.…”
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Censure, éthique et propagande au sein de la revue URSS en construction by Jessica Watson

“…Certain eminent artists such as El Lissitzky and Aleksandr Rodchenko were contributors and, through their photomontages conveyed a utopian image of Stalinist society of the 1930s. Censorship or propaganda? How to understand their works today and how to locate the place of the artist in a totalitarian regime. …”
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Jejich osudy jsou tak rozdílné, a přesto tak podobné. Komparace životopisných vyprávění dvou žen, které se věnují umělecké profesi by Lenka Krátká

“…There are discussed issues of institutional restrictions, (self)censorship in the past and market environment today. …”
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Selected issues on theory and methodology of the underground press by Wanda Krystyna Roman

“…This was either through repression during the II Republic of Poland or through preventative censorship during the People's Republic of Poland. The underground press in Poland was always a fighting one. …”
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Los conflictos del documental español: el caso de Basilio Martín Patino by Manuel de la Fuente

“…The aim of this paper is to study the following features in three particular films (Canciones para después de una guerra, Madrid y Libre te quiero): fiction vs. nonfiction narrative; the political depiction of the city of Madrid; and the tools of censorship in different contexts. Martín Patino’s discourse has been critical with mainstream industries and narratives throughout his career and thus has been sidelined within the different cultural systems both in dictatorships and democratic regimes.…”
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Swampland bounds on magnetized extra dimensions by Yuta Hamada, Maki Takeuchi

“…Specifically, the Weak Gravity Conjecture and the Trans-Planckian Censorship Conjecture give non-trivial bounds.…”
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The problems of adverse effects of television and film on society by William Faure

“…The author suggests that sociological factors play as important a rôle In the whole debate of whether television acts as a mirror or a catalyst. He suggests that censorship is not the answer to the question of the adverse effects of television, but rather that a thinking, discerning au- dience must be created. …”
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The Last Word by Ken Owen

“…He argues that South Africa has been moving from the former system to the latter, casting law aside. But calls for censorship of the news, couched as "greater responsibility", or "better judgement", even "patriotism", ema- nate from all quarters. …”
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Poetry of Russian relocation-22: the main motives by Andrei Desnitsky

“…This is a new and a rather special phenomenon between literature and blogosphere which partly repeats the experience of the so called “bards’ songs” of the late Soviet period but under different circumstances and in different ways. Under total censorship and selective repressions in the Russian Federation the poetry published in social media that became one of the main means to communicate and to come through a personal crisis. …”
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De l’iconoclasme à la censure by Liliane Inés Cuesta Davignon

“…Taking specific examples, four types of acts committed by both men and women are identified: acts of iconoclasm, artistic performances, demonstrations or protests, and acts of censorship.…”
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REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION" by M. Kosinova

“…In particular, the strengthening of censorship in the era of stagnation leads to the fact that the vast majority of directors "breaks" under the weight of the system and continues to work by inertia - in the space of canonical Communist ideas and the Soviet conception of life. …”
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‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé by Erin Dunbar

“…In fact, ‘outraged at this philistine censorship of his art, Wilde defiantly published his play in February 1893, bound in ‘Tyrian purple’ wrappers to go with Alfred Douglas’ gilt hair’ (Hoare 73). …”
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Past deformations of "Brezhnevian stagnation" in Lithuanian cinema and TV fiction films (1968-1980) by Lina Kaminskaitė-Jančorienė

“…On the other hand, the analysis of archival origins helps to reconstruct the Soviet film industry system of Lithuania (censorship, the specific "control-gear" of films) and contextual analysis, which identifies the main political and creative displacements. …”
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