Les réseaux d’autrices de la bande dessinée en France by Marys Renné Hertiman

Subjects: “…women cartoonists…”
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Provoquer des archives et invoquer la mémoire by Marys Renné Hertiman

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Images of a nation in crisis by Rodwell Makombe

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Newspaper cartoons as a reflection of political change during the first democratic elections in South Africa by Cornelius van Heerden

Subjects: “…Southern African cartoonists…”
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Unterzakhn, Dirty Laundry, and the Map of Lost New York: An Interview with Leela Corman by Jaime Cleland

“…This interview with cartoonist Leela Corman took place shortly after the publication of her graphic novel Unterzakhn. …”
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Preaching and cartooning: an exploration of the processes involved in developing a sermon and a newspaper cartoon by C. J. Wepener

“…The article concludes by presenting some observations on the preacher as cartoonist with reference to the process followed in the development of a cartoon. …”
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Prozaiczna codzienność superbohaterów, czyli analiza komiksowej serii Karla Ferdona by Justyna Czaja

“…The article discusses a parody comic series by Chilean cartoonist Karlo Ferdon which depicts American superheroes in prosaic day-to-day situations. …”
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Slache, le rire brusseleir de la radio à la bande dessinée by Benoît Crucifix, Sébastien Hermans

“…In the late 1930s, the humorist and cartoonist Marcel Antoine animated for Radio-Schaerbeek the misadventures of Slache, a stereotypical character with a Brussels accent. …”
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La bande dessinée revendicative et mémorielle de Carlos Giménez by Pierre-Alain de Bois

“…This article focuses on the Spanish cartoonist Carlos Giménez, and offers an analysis of three of his main "protest and memorial" works, Paracuellos, Barrio and 36-39: Malos Tiempos. …”
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Représenter la désobéissance civile par le dessin, Cuadernos del 15M de Enrique Flores by François Malveille

“…Spanish cartoonist Enrique Flores was an actor and witness of the 15M 2011 in Madrid. …”
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‘A place for everyone who gets it’: by Charlotte Johanne Fabricius

“…Through a case study of cartoonist Mary Catherine Starr, aka @momlife_comics, and the 2022 viral campaign against her work known as ‘Peachgate,’ the article discusses whether Starr’s work participates in a juxtapolitical intimate public or whether it holds the potential to incite more radical transformation of the gender dynamics it criticizes. …”
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« Une descente dans la vérité »: contribution à l’étude de l’œuvre de Jean-Louis Forain à partir de la collection de dessins du musée d’Orsay (conservés au département des arts gra... by Hélène Fernandez

“…This article, written as a continuation of that study, aims to give an overview of Forain’s graphic work, beyond his career as a press cartoonist. Combined with the accompanying catalogue raisonné, it offers both the public and specialists a new look at the collection of drawings from the graphic arts collection of the Musée d’Orsay, now in the Department of Prints and Drawing at the Musée du Louvre.…”
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MULTIMODAL HUMOUR ON OVERPOPULATION IN JOEL PETT’S ENVIRONMENTAL CARTOONS by Živilė Nemickienė, Dovilė Urbonienė, Julija Zabielinaitė

“…Cartoonists’ skill to reveal important problems, to influence and construct public opinion has become a great power. …”
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Super-héros et science-fiction française dans l’immédiat après-guerre by Désirée Lorenz

“…American series that had stimulated the creativity of cartoonist and publishers before the war, such as those of science fiction telling space and / or exotic adventures of superhumans-like with more or less fantastic powers and / or extraordinary technological tools are strongly criticized. …”
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L’Humpur en BD : de fabuleuses frontières by Florence Plet-Nicolas

“…In 2013, Soleil productions, specialized in fantasy comics, published Les Fables de l’Humpur by Pierre Bordage (scripter) and Olivier Roman (cartoonist), adapted from Bordage’s novel (1999). A former novel has been yet converted in strips by another artists (Les Guerriers du silence) ; but here, Bordage practises a new job, graphic novelist ; for this medium crosses text and drawing, involving a collective work with the drawer and the colourists. …”
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Fiorello La Guardia et The Comic Parade by Jean-Paul Gabilliet

“…La Guardia would present his Sunday comics readings as a public service rendered primarily to children, indulging in very lively performances that were less readings per se than aural dramatizations of the comics pages, in which he described panel contents, commented on the interactions between characters, reading the text of speech balloons, sometimes slipping in improvised asides or partially moving away from the cartoonist’s initial narrative construction. The weekday hosts of The Comic Parade engaged in the same endeavor, although in a more superficial and less demonstrative way. …”
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Témoigner, dénoncer, révulser : dessins de haine, XXe-XXIe siècles by Gilbert Millat

“…The issues that cartoonists have recurringly been trying to bring up are also considered.…”
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Britannia : Grandeur et infortune d’une allégorie nationale dans l’univers du cartoon britannique 1842-1999 by Gilbert Millat

“…Finally, from the 1960s, in a context of continuous British decline and growing permissiveness, cartoonists increasingly followed the example of the old masters of 18th century caricature and early Punch cartoonists, even though aggressiveness and vulgarity have remained much less explicit.…”
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El nacimiento de un monstruo by Manuel Gárate Chateau

“…French society and its print media were specially sensitive to the Coup d’État in Chile and the dictatorship’s military repression of Allende’s government supporters. French cartoonists were not irrelevant to this phenomenon, and we assume that they were key actors in creating an universal image of Pinochet who embodied evil’s archetype according to the codes and evocations of the worst episodes in the History of twentieth century Europe. …”
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Committing journalism? by Hilde Arntsen

“…It argues that the cartoons may constitute the contours of alternative communicative spaces, in which the cartoonists present arguments about the ongoing Zimbabwean crisis. …”
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