The Inevitability of Absurdity, or Collective Trance in Boogie-woogie Rhythm: Tom Stoppard’s Play Rosencrantz and Guildenstern are Dead on the Stage of the Old Theatre of Vilnius by Natalia Maliutina

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L’horreur acoustique musiques « anempathiques » dans le théâtre de Martin Crimp by Aloysia Rousseau

“…Martin Crimp exploits this anempathetic strategy in plays such as Play with Repeats (1990), The Treatment (1993) or more recently the triptych Fewer Emergencies (2005) in which violent events are narrated with a boogie-woogie playing in the background. The horror of the story is emphasized by the musical counterpoint. …”
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