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    The Theme and Effective Factors in the Transformation and Development of «Swastika» Motif in Iranian Art from Ancient to Seljuk Period by Mohamad Motevalli, Khashayar Ghazizadeh, Morteza Afshari

    Published 2024-04-01
    “…The statistical population included 29 samples from the pre-Islamic and Islamic periods with distinctive and distinctive characteristics that show the evolution of the Swastika.Findings: The presence of religion, especially the worship of Gods, burial rites and Mithraism in ancient Iran, was one of the essential reasons for drawing the Swastika, and for this reason, it is known as the «Gardune-e Mehr». Astronomical motifs such as twelve constellations and folk beliefs such as good luck, avoiding the evil eye, and being safe from calamity have been influential in representing this motif in both the pre-Islamic and Islamic periods. …”
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