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    Ombres et lumières croisées : l’appropriation prométhéenne de la lumière dans les peintures de Wright of Derby (1734-97) et John Martin (1789-1854) by Muriel Adrien

    Published 2013-04-01
    “…Technical appropriation of light thus converges with benighted reflexes (let alone black arts) in the chosen pictures, giving way to metapictorial comments on shadow as both artistic and scientific inspiration.…”
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    Psychological features of perception of artworks by people with different types of functional brain asymmetry by O. Kresan

    Published 2024-06-01
    “…The study was conducted using the method of standardised interviews with the subjects of two groups: the main group – people who do not have professional knowledge of art (N = 43), and the control group – students studying art history and fine arts as professional disciplines, and familiar with the rules for constructing composition in a picture (N = 30). …”
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