REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL by Şerban MARCU

“… The present study, part of the research grant The artistic and social impact of the contemporary music of the 21st century from the perspective of the relationship composer-performer-audience (project director Assistant Professor Cristian Bence-Muk, D.Mus.) investigates the structural and rhetoric aspects in the poem Spring, for soprano, clarinet and piano, by Carmen Petra-Basacopol, on the verses of poet Mariana Dumitrescu. …”
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Realismo afetivo: evocar realismo além da representação by Karl Erik Schøllhammer

“…Here the representative Realism is questioned by the commitment to the social reality of the object, on one hand, and, on the other, by the necessity to find creative strategies in relation to re- ality through literary and artistic activity. The ambition is to establish an aesthetic discussion of the strategic expressions of a reality that defies representation and questions the literary creativity and its possibility to create affective impacts and hereby accentuate its transforming potential in the contemporary Brazilian reality.…”
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O discurso sobre a precariedade em Luiz Ruffato e Arlindo Gonçalves by José Leonardo Tonus

“…In both novels, the device of landcape contibutes both to the triggering element of artistic creation as much as its failure. Like our fragmented perception of a degraded urban universe, here the landscape indicates our relationship with the alter territory.…”
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ArtApki w edukacji plastycznej uczniów w wieku wczesnoszkolnym by Dorota Sobierańska

“…In this situation, it is necessary to change early school art education from the traditional transfer of knowledge into educational settings through which students actively develop visual literacy. The artistic applications presented in the text, available on the websites of American museums, are one of the means leading to this goal. …”
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Autofictions in Co-labouring by Diana Damian Martin, Daniela Perazzo, Nik Wakefield

“… In this co-authored text, the Dissonant Co-Labouring Key Group examines the difficulties, gaps, political slippages and entanglements of collaboration in its encounter with artistic and educational institutions. Engaging autofiction as a scholarly mode with different models of co-authorship, the Key Group move through critical engagements with working conditions, temporalities of labour and its instrumentalisation within and beyond universities and cultural ecologies. …”
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The Emotional Museum. Thoughts on the “Secular Relics” of Nineteenth-Century History Museums in Paris and their Posterity by Felicity Bodenstein

“…This article examines the discourse elaborated in Paris’ historical museums during the nineteenth century through the display of personal, private objects “having belonged to” famous historical figures, artistes and writers. How and why do we exhibit objects in and of themselves as banal as the handkerchief of Napoleon or locks of Marie-Antoinette’s hair? …”
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Miroir, miroir joli… : l’eau dans le jardin paysage by Ilona Woronow

“…The water in the landscape garden focalizes on the stakes and the mechanisms of the artistic inspiration. While the natural watercourse determines the land settlement, its banks artistically disguise the gardener’s contribution. …”
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Changes of Narrative: Osvald Sirén’s Photographic Modeling of Modern Research on Chinese Garden by Jiuwen GU, Yuanfeng SHI, Shan JIA

“…Photographers’ strong artistic aspirations under limited technical conditions have given garden photography, as a sub-category of photography, an exceptional artistic character. …”
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Recriar o espaço de voz do poeta: a memória entre dois mundos by Joseilda de Sousa Diniz

“…Following his intellectual and artistic trajectory, we can realize the creative ability of this poet and his pears, in the sense of recreating the needed possibilities to the maintenance, spreading, adaptation and survival of his art.…”
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Rêver la forêt, cultiver les arbres by Alan Guillou

“…This contribution presents an account of an artistic experiment and agroforestry plantations carried out by an association with the participation of students from an agricultural secondary school in Northern France. …”
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“ADORN THE CROSS WITH ROSES”? JUSTICE AND HUMAN DIGNITY, BEAUTY AND HUMAN FLOURISHING by N. Marais

“…The argument concludes by proposing that both forensic language and aesthetic language are born from the fold of Christian soteriology, and that not only the more static, forensic language of human dignity is required to speak about salvation, but also the more pliable, artistic language of human dignity. …”
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FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM by Boróka GYARMATHY-BENCZE

“…Although he died at a very young age, he left behind a great artistic legacy. …”
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Paysage digital : une expérimentation visuelle du sensible sur la Goule aux fées by Corinne Feïss-Jehel, Pierre-Jérôme Jehel

“…This article investigates an artistic project focusing on a site within a landscape. …”
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THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT by Gabriela COCA

“… The purpose of this paper consists in the analyze of the unifying correspondences of structural, artistic, and musical content of the cycle of Lied Die Schöne Müllerin by Franz Schubert. …”
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Love and Education. Love in Education by Maria Amilburu

“…This endeavour is understood as an act of love towards the students, and towards the wisdom that is condensed in the cultural traditions – scientific, humanistic, religious, artistic, etc. – we have inherited, and must pass improved to next generations, as their legitimate human inheritance.…”
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Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980 by Carla Delgado de Souza

“…Besides that, the discourse in favor of an approximation of popular artistic creation was present in the creative process of these two composers, in a movement characterized by the musical field as “aesthetical overture” or “post-modernism musical”. …”
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ANNALYTICAL BENCHMARKS IN THE WORK “ON A SUN DIAL II” FOR CLARINET B FLAT AND RECITER BY PETRU STOIANOV by Cristian BENCE-MUK

“…We remark a tight connection between music and the poetic text, both from the point of view of artistic atmosphere and from the perspective of the annalogies and symbols it highlights, unveiling, at the same time, the profound meanings of the literary text. …”
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Analysis of community older adult care facility construction and demand differentiation based on residential area and population attribute differences by Yanzhe Liu, Yaolei Wang, Guiping Guo, Tubao Yang, Tubao Yang, Yupeng Liu, Hongmei Gao, Tiejian Jiang, Xiangmin Li

“…(p > 0.05), while there were statistical differences in nighttime care, medical care, rehabilitation care, older adult canteens, chess and card entertainment, artistic activities, etc. (p < 0.05). No significant difference existed in different housing prices for daytime care, nighttime care, mental comfort, and fitness activities (p > 0.05), but there was statistical difference for rehabilitation care, medical care, chess and card entertainment, senior dining halls, and artistic activities (p < 0.05). …”
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CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS by Aaron FAZAKAS

“… Concert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major changes which influenced its structure, form and independence, but which became part of a superior synthetic structure from a psychological, artistic and expressive points of view. Conceived to serve different aesthetic and dramatic principles and shaped according to other structural patterns, stylistic concepts etc., the analytic patterns successfully used to examine/study independent music can no longer be used for this “newborn” musical genre called the music of the sound film. …”
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Le Parc Méric à Montpellier : représentations sociales d’un parc public entre campagne, jardin et nature sauvage by Gaëlle Aggéri

“…The hypothesis we wish to check is that the public of this public park will share the same simultaneously environmental and artistic paradoxical references as the local authorities who designed and managed it.…”
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