EDITORIAL EXPLOSION by Gabriela COCA

“… In the last ten years, we experienced a real editorial explosion offered by the composer, the professor, the musicologist and the plastic artist, which is Eduard Terényi. As a creator who is both aware and careful, the author makes sure his Omnia creation will last by editing and publishing it. …”
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Voir les fantômes. Sentir la multiplicité temporelle de la ville grâce aux œuvres d’art by Estelle Grandbois-Bernard

“…This article proposes to focus on how artists invest the time multiplicity of present to highlight and visually translate, and perhaps turn our attention to our living space. …”
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Les Fleurs du Mal, de la censure au musée by Léo Rivaud Chevaillier

“…It has been in the Musée Rodin in Paris since 1931. The artist had discussed the idea of confronting Baudelaire’s poetry, a source of inspiration for his Gates of Hell, before receiving the commission from Gallimard. …”
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La Tentation de saint Antoine de Flaubert et Uspud d’Erik Satie : affinités secrètes et résonances en filigrane by Bruna Donatelli

“…After the appearance of cabaret shows in Paris, however, the heterogeneous, scenic and textual space of this text was regarded differently and gained renewed vitality. Among the audacious artists who experimented new forms of hybrid art (magic shows, shadow plays, pantomimes, burlesque) in these cabarets, we count also Erik Satie, a great admirer of Flaubert and his works. …”
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Théories géologiques et représentations du paysage dans la première moitié du xixe siècle by Alexis Drahos

“…Leaving from then on the study for the outer world, Naturalists set to look for clues on the ground to understand the past of our planet and particularly his old age. Artists imitate their reasoning and are fascinated as well by the naturals phenomenon like the volcanoes, the glaciers or simply the cliffs. …”
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Poets and Puppets: Interarts Collaboration in Alfred Kreymborg’s Lima Beans by Yasna Bozhkova

“…This article focuses on a little-explored case of modernist collaboration situated at the crossroads between different arts: the performance of Alfred Kreymborg’s play Lima Beans, produced by the Provincetown Players in December 1916, in which poets Mina Loy and William Carlos Williams played the two leading parts, together with poet and artist William Zorach, who also designed the sets. …”
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Archiving Our Bodies: by Storm Madsen

“… This article analyses artworks by three non-binary or trans masculine artists: Kris Grey, No title (2019), Emmett Ramstad, The good ones (2006), and Marie Ahlberg Andersen, My Dick Clit has many forms (2022). …”
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Changing Medium: The Contemporary Reception of Joseph Conrad’s Heart of Darkness in Two Graphic Novels by Nathalie Martinière

“…A number of contemporary authors/artists have chosen not to “write back” vehemently to what they find problematic in Joseph Conrad’s Heart of Darkness, but to resort to a different medium and “rewrite” or adapt the novella as a graphic novel, as if the power of images could clarify the text for 21st-century readers. …”
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A non-linear model of information seeking behaviour by Allen E. Foster

“…The paper concludes by describing the whole model of behaviours as analogous to an artist's palette, in which activities remain available throughout information seeking. …”
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Long-Term Consequences: Deep Time in Barry Lopez’s “The Stone Horse” by Norma Tilden

“…Lopez’s essay describes the writer’s encounter with an earthwork fashioned by Quechan artists perhaps four centuries ago in a California desert. …”
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Matter that remembers, protects, works, feels, and mediates. Some remarks on the third edition of “The Lost and Found” symposium (Riga 2024) by Agnieszka Patała

“…During two intense days of discussions, talks, and workshops, artists and art theorists investigated how matter shapes and influences inclusive and holistic relationships between humans and non-humans. …”
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Delving into the Magdalene’s vase by Vicki-Marie Petrick

“…We will see that the inventiveness of Italian artists, particularly as applied to the alabastron, continues from the 1270 panel of Guido da Siena through to the early modern era with Titian’s 1535 Pitti Magdalene. …”
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Alienation, Adoption or Adaptation? Aestheticist Paintings by Women by Pamela Gerrish Nunn

“…The same has not occurred for the visual art of Aestheticism.To address the work of gender within Aestheticism, this paper proposes some specific works by women artists as characteristic of the style. In so doing it introduces several new names (Isobel Gloag, Constance Halford, Thea Proctor) into the cast of executive characters that the author contends are necessary to a full account of Aestheticism as a trend in British culture bridging the 19th and 20th centuries.…”
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A Hermeneutic Analysis of Selected Yorùbá Pentecostal Songs by George Olusola Ajibade

“…Different types of songs collected during the worship among the selected African Indigenous Churches and those produced by some artists were analyzed through the lens of textual exegesis. …”
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On Resisting Global Disposability, Regimes of Death-Making and Accumulation by Rupinder Parhar

“…Image: Sheida Soleimani – From the series To Oblivion, 2016 Inkjet prints on paper. Courtesy of the artist and Edel Assanti. Photo: Jo Underhill. Acts of Resistance: Photography, Feminisms and the Art of Protest, 2024. …”
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Contemporary Painting as Reflector of Yoruba Cultural Values by Michael Olusegun Fajuyigbe

“…The selected paintings serve as a visual document of the Yorùbá belief system; while contemporary Yorùbá artists are shown to consistently draw from their culture and design resources to establish a connection between the past and the present. …”
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Łaska w ikonach by Monika Wąchocka

“…They are liberated from the canons and techniques, depending only on the artist’s skills and fashions of the time. They play an assistant role in the liturgy and a decorative one in the architecture of temples.…”
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António e as Variações identitárias da cultura portuguesa contemporânea by Paula Guerra

“…Approaching this musician has a double meaning: the way in which he represents the words of Fernando Pessoa when he pointed the importance of being “plural like the universe”; as well as the way in which each social actor can represent different social identities (to be at once Portuguese, a barber, catholic, from Braga, a musician and a variety artist). With this complex figure, it becomes important to analyze the cultural identity as a process (as a history and representation) that is plural, antynomous, recur- sive. …”
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Oscar Wilde and la critique impressionniste by Richard Hibbitt

“…It shows how Wilde’s views of criticism in the essays collected in Intentions are prefigured by Anatole France and Jules Lemaître, and how the dialogic discussion of art in ‘The Critic as Artist’ itself prefigures a real-life debate between France and the conservative critic Ferdinand Brunetière, who rejected the ‘subjective’ approach as ‘impressionist criticism’. …”
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The Texture and Color Matching of Oil Painting Materials Based on Multimedia Visual Communication by Feng Wang, Haozhang Sun

“…The obvious tendency of modern artists to change the concept of painting is to pay more and more attention to personal feelings and spiritual expression. …”
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