ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU by Constanţa CRISTESCU

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Wooden sculpture in Romanesque Iberian Peninsula: a wide and attractive panorama. Lines of research by Jordi Camps i Sòria

“…Apart from some general lines that determine compositional and symbolic features, the local context, the liturgy, the artists or workshops and the influence of some prestigious models have created a highly attractive scenario. …”
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Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре by Ellen Rutten

“…With the help of existing scholarship, in this article, I will study and compare the writings of three Russian poets/artists: Vera Khlebnikova, Vera Pavlova, and Linor Goralik. …”
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Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô by Bruna Donatelli

“…These two figures of the literary imagination incite book cover artists and iconographers to make fundamentally different choices, even if some common features of these heroines’ personality (their instable and dreamy nature), outline analogies in the iconic transposition process when one wants to remodel them according to the dominant canon in the cultural context of the time.…”
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Performing Dissent: Pete Seeger and Paul Robeson before HUAC (1955-1956) by Jodie Childers

“…In this paper, I argue that the testimonies delivered by Pete Seeger and Paul Robeson before the House Un-American Activities Committee (HUAC) shed light on how left-wing artists performed their radical identities in response to allegations of un-Americanism during the height of McCarthyism. …”
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Penser la force politique des voix trans et féministes en musique by Liz Escalle-Dyachenko

“…This listening enables the making and embodiment of common practices, not only for the musicians and artists, but also for their public.…”
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“From in the light I touched the light” by Anne-Laure Tissut

“…In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. …”
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Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

“…The portraits of women and artists are particularly telling in this respect. …”
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L’univers esthétique des photographies de Cy Twombly et le renouvellement du regard sur son œuvre by Chiara Agradi

“…The ceiling painted by the artist in the room of Greek and Roman antiquities in the Louvre bears witness to his interest in the dialogue between photography, painting and American culture, and was consistent with his aesthetic experiments, particularly regarding his fascination for Mediterranean culture. …”
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Kobori Enshū : deux biographies, une légende by Emmanuel Marès

“…The former was an autodidact, a visionary and an inspired artist, while the latter was a scholar who based his works on manuscripts, excavations and research. …”
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Le Musée européen des copies de Charles Blanc comme « pendant » du Louvre by Elisa Rodríguez Castresana

“…The relationship between the two institutions was profound and touched upon not only the constitution of the collection, but also the appropriation of the model of the room of masterpieces established in the Louvre by Philippe-Auguste Jeanron in 1851 at the Salon carré, and the recuperation of the system of emulation between ancient and modern painter that existed at the Louvre until 1848 when the Salon des artistes vivants was definitively evited from the Parisian museum.…”
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On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell by Emeline Jouve

“…The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. …”
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Du baromètre au piolet, cent cinquante ans de visions britanniques de la montagne by Michel Tailland

“…This paper aims at analyzing the changes in the different points of view of a few generations of these artist/travellers who left an everlasting influence on contemporary visions of mountains. …”
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Les Magasins généraux : de spot à vandales à spot publicitaire ? by Constance Ananos

“…From 2004, it was invested by graffiti and street artists to then be transformed in what it is today : a cultural centre managed by the advertising company BETC Paris. …”
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« Une constellation dans la nuit de l'histoire, une tache lumineuse devant les ténèbres de la mort » : l'œuvre d'Ernst Wilhelm Nay vue par Werner Haftmann by Vincenza Benedettino

“…The professional and amicable relationship between the art historian Werner Haftmann (1912-1999) and the abstract artist Ernst Wilhelm Nay (1902-1969) in the Federal Republic of Germany during the post-war period is an emblematic case of the development of an art historiography. …”
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Expressive Animated Character Sequences Using Knowledge-Based Painterly Rendering by Hasti Seifi, Steve DiPaola, Ali Arya

“…We propose a technique to enhance emotional expressiveness in games and animations. Artists have used colors and painting techniques to convey emotions in their paintings for many years. …”
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Hezychia w ujęciu Jana Klimaka i jej odzwierciedlenie w wizerunkach postaci na ikonach Andrzeja Rublowa by Olga Cyrek

“…The article also discusses some of the icons Andrew Rublev (d. 1430), which presented the person expressing such peace of mind. Portrayed by the artist disciples of Jesus and the apostles have bright faces expressing spiritual and physical balance, and the joy of waiting for the judgment of God. …”
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Art as Symbol of Power and Control among the Yorùbá by Kehinde Adepegba, Tolulope O. Sobowale

“… The Yorùbá are popular for the peculiar art forms, which include woodcarving, textile design, metalwork, cloth weaving and embroidery, beadwork, costuming, pottery, architectural ornamentation, mural paintings, body beautification among others. The Yorùbá artists produce unique forms in these diverse areas of art. …”
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THE CHORAL FRAMEWORK IN THE OPERA DECEBAL BY TEODOR ZGUREANU by Luminiţa GUŢANU

“…For the most part, he uses rhythmic-melodic elements specific to the folkloric melodicity, elements that draw their essence from the century-long experience of the folk artist that he decants by subjecting them to his own, unmistakable language. …”
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Experience Mode of Digital Media Art under Virtual Reality Technology by Xingming Wu, Yehan Li

“…This combination not only reduces the distance between the experience and the art but also allows the experiencers to better understand what the artist wants to convey in the artwork. Virtual reality technologies and experts have shifted from bystanders to participants and experiencers. …”
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