Poemas entre músicas: dialogia melopoética e(m) uma didática contemporânea by Robson Coelho Tinoco, Marília de Alexandria

“…With such concern, and leaning on in analyses of Mikhail Bakhtin, Octavio Paz, José Miguel Wisnik, Luiz Tatit e Jusamara Souza, the theoretical foundations of the didatic process consider, basi- cally, a conception dialogical and interactionist of that of those artistics language).…”
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« Il est fascinant de voir comment se tisse une toile, se déploie ou se défriche un chemin de recherche. Je veux dire : collectivement. » by Aurore Turbiau, Vicky Gauthier, Isabelle Boiclair

“…It seems to us that if we wish to study the “constellations” in this issue - of characters, authors, artists, titles - we must also trace the constellations constituted by gender studies research itself: in a way, those that allow the tracing itself to take place, the material and institutional basis of the reflections that have led us. …”
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La Permanence, une politique de l’attention by Giulia Tellier, Tiphaine Hameau

“…This contribution is the outcome of exchanges between an architect and a garden-artist, both of whom are attached to the act of writing as a means of putting real life situations into perspective and providing feedback on their own experiences. …”
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Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique by Dominique Allart, Christina Currie

“…The painting is no doubt a copy after a lost original by the artist. The analysis of a cross-section of the paint layer and radiocarbon dating of the canvas suggest that it is an old copy. …”
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Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé by Alain Vaillant

“…Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. …”
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The educational potential of black biographies in basic education from the book Enciclopédia Negra by Aline Sônego, Alícia Quinhones Medeiros, Gabrielle de Souza Oliveira

“…Black biographies are highlighted as educational potential in the anti-racist struggle, as well as the role of identification and representation that teachers, students and black students can experience through this historiographical tool, which enables the (re)knowledge of artists, intellectuals, professionals, religious and civil authorities, among other forgotten social performances, in the national and regional sphere. …”
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Türkiye’s Perspective Towards Lithuania and Lithuanian Tatars in the Framework of Cultural Diplomacy by Mehmet Celal Varışoğlu, Behice Varışoğlu

“…Turkish Embassy in Vilnius in particular, Ministry of National Education, Ministry of Culture and Tourism, Turkish Cooperation and Coordination Agency (TIKA), Yunus Emre Institute, Presidency for Turks Abroad and Related Communities (YTB), universities, municipalities and other public institutions, companies, artists, academics, and students continue to contribute to the diplomatic relations between the two countries in the field of cultural diplomacy. …”
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Camillo e Giulio Cesare Procaccini per i governatori spagnoli a Milano: alcuni episodi di committenza e collezionismo by Odette d'Albo

“…The article explores the relationships of these artists with three governors —Pedro de Toledo Osorio, V Marquis of Villafranca del Bierzo (1557-1627), Gómez Suárez de Figueroa y Córdoba, Duke of Feria (1587-1634) and Gonzalo Fernández de Córdoba (1585-1635)— sent by the Spanish crown to rule the Milanesado for fifteen years, from 1615 to 1629. …”
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Le street art, outil de valorisation territoriale et touristique : l’exemple de la Galeria de Arte Urbana de Lisbonne by Alexandre Grondeau, Florence Pondaven

“…Then we will question the limits for this operation and its criticisms notably as concerns the selection of works and authorized artists as well as private funding.…”
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Les Montand-Signoret jouent Arthur Miller. La première française des Sorcières de Salem by Julie Vatain-Corfdir

“…It was not uncommon at the time for renowned French artists to champion American art on stage – though perhaps their presence was also meant to compensate for any flaws, in the eye of critics who readily hinted at Europe’s superiority in terms of drama. …”
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Par-dessus l’épaule du maître. Approche matérielle de l’adaptabilité artisanale médiévale : l’exemple des « brocarts appliqués » savoyards by Ariane Pinto

“…As ancient written sources can be sparse, a material approach can provide crucial data regarding artists and craftsmen’s technical processes and choices. …”
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Enabling Collaborative Musical Activities through Wireless Sensor Networks by Santiago J. Barro, Tiago M. Fernández-Caramés, Carlos J. Escudero

“…This network has been named collaborative musical wireless network (CMWN): it eases device configuration, enables musical collaboration, and allows artists to explore new ways of expression. The paper also presents the hardware and performance results of a prototype able to create CMWNs.…”
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Orientalism and the British Picture Postcard Industry: Popularizing the Empire in Victorian and Edwardian Homes by Gilles Teulié

“…During the 19th century as and when Europeans developed a keen interest in what was described as the ‘Orient’—ranging from architecture in Moorish Spain to the faces and places in Northern Africa and the Middle East–—images of an exotic fantasised Orient bounced back to Europe, in particular through the works of artists who painted what they had seen, or thought they had seen. …”
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Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s by Tim Benton

“…The Irish designer Eileen Gray (1878-1976) is recognized as one of the foremost artists of the 1920s. Detailed analysis of the accounts of the Jean Désert showroom in Paris, opened by Gray in 1922, adds to our understanding of her approach to design and marketing. …”
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Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste by Bruno Montamat

“…Its inscription in a late-century symbolism opens up promising new fields of research by taking into account the sacred in private architecture and by the emancipatory role played by female artist. It would illustrate the dissemination at work of theosophical ideas in the formal development of the first current of Art Nouveau, Modern style.…”
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Representation and Reception of the Image of the Zulu. From Travel Accounts to the Public Sphere in Mid-Victorian and Edwardian Great Britain (1850–1914) by Patricia Crouan-Véron

“…We will try to determine if the representations took different forms whether they were produced by missionaries, traveller-artists or scientists. To what extent does the individual experience become a collective experience? …”
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Homais et le journal by Corinne Trichet

“…This article aims to show that this double novelistic existence is subjected to the same logic of invalidity by the novelist: the chemist is the typical character whom Flaubert despises, provincial bourgeoisie, the language of stupidity… As for the press - this writing of haste, ephemeral, industrial, commercial -, it is totally opposed to the ideal of the artist’s writing, slow, ripened, stylistically elaborated, striving for eternity. …”
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Entendre les mouches voler by Sarah Benabou, David Picherit

“…Based on an experimental interdisciplinary project bringing together anthropologists, ecologists, sound artists and museologists, it examines the ways in which attention to sound makes it possible to understand the complex dynamics of the Valparai plateau (South India), where a plantation regime is entangled with a forest conservation regime. …”
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L’œil de Flaubert dans la ville moderne : retour sur quelques images captées dans L’Éducation sentimentale by Jeanne Bem

“…C’est pourquoi je fais des rapprochements avec les romanciers et artistes de son environnement immédiat (Zola, Huysmans, Aragon ou Atget), ainsi que des incursions dans les arts visuels du XXe siècle.…”
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From Exigent to Adaptive by Elizabeth Gálvez

“…In his proposal for Air Architecture, French artist Yves Klein proposes the opposite: an architecture devoid of the responsibility to temper human environs. …”
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