Gone With the Covid – Scarlet in Quarantine: An Interview with Sarah Combs by Sarah Combs, Emmeline Gros

“…Artist Sarah Combs (https://sarahelizabethcombs.com/) claims that art and laughter have the power to give us some respite from our fears and worries. …”
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Galicia ¿escuela de subalternidad? by Marta Álvarez, Laureano Montero

“…María Ruido has become one of the most recognized video artists and filmmakers (in a broad sense of the word) of the contemporary Spanish scene. …”
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Le lieu propre du néant by Pamela Bianchi

“…For Rachel Whiteread, the void has a shape, and nothingness occupies a place. The British artist solidifies specific volumes of air (the interior of bottles, the space surrounding a mattress, the interior space of a room, a house, etc.); in doing so, she highlights the emergence of absence. …”
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Composed for Solo Guitar or String Orchestra? The Fluid Incarnations and Pedagogical Opportunities of Wallace Stevens’s The Man with the Blue Guitar by Bart Eeckhout

“…It ranges from a consideration of the title poem’s unpublished autograph and the preliminary appearance of a selection of cantos in Twentieth Century Verse and Poetry to the book published by Knopf in 1937, its subsequent repackaging in 1952, and the different ways in which especially the title poem has been integrated in selected, collected, and artistically augmented volumes for the English-speaking market, as well as in translation. …”
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THE GENESIS OF THE PIANO TRIO by Marta CÎRLEJAN

“… The process leading to the crystallization of the piano trio can be traced back to the beginning of the17th century, a time when artists would perform under the patronage of noble families. …”
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John McHale, l’Amérique passée à la machine by Juliette Bessette

“…In 1956 the artist John McHale returned to London after spending a year at Yale University. …”
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Grafites do amor, da paz e da alegria na cidade Olímpica: interfaces entre política, arte e religião no Rio 2016 by Christina Vital da Cunha

“…Interviews were carried out with graffiti artists and representatives of the city council and a cartography of the productions present, mainly in the South Zone of Rio de Janeiro. …”
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The postfigurative Christ in Morley Callaghan's Such is my beloved by F. Hale

“…One esteemed literary artist who made use of this technique was the Canadian liberal Roman Catholic layman Morley Callaghan (1903-1990). …”
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Élections présidentielles 2011 au Pérou : le retour inattendu du débat politique by Evelyne Mesclier, Alexis Sierra

“…Ollanta Humala obtained in the second round the support of both intellectuals and artists that had opposed the dictatorship of Alberto Fujimori, as well as the votes of those who have been left behind by the neoliberal path to development.…”
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Le cercle d’Autun. Les sources de la statuaire dans la Bourgogne romane by Nadia Bertoni Cren

“…The Christ of Courajod, the Christ in deposition from Pisa, the Madonna from Autun and the Christ stored in Cleveland illustrate the cultural and aesthetical refinement of the sculptors from Cluny. The artists from the Autun sphere accomplish an expressive synthesis of a strong poetical impact.…”
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Accessibility and innovation: IEB Minecraft as a tool for collection exploration by Pedro B. de Meneses Bolle

“…The collections chosen for the game highlight themes related to the lives and work of Afro-Brazilian individuals and Black history - including intellectuals, artists, and poets - in all their diverse forms of expression.…”
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Beckett, Duchamp and Chess: A Crossroads at Arcachon in the Summer of 1940 by Harry Vandervlist

“…L’artiste Marcel Duchamp et le poète Samuel Beckett ont passé l’été 1940 à Arcachon, à jouer aux échecs. …”
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THE HEALING POWER OF MUSIC. MUSIC IN PRACTICE by Szilvia TÖRÖK

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Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance by Liliane Louvel

“…Ernest Pignon-Ernest is a French contemporary artist whose technique consists in printing his (black and white pencils, pen and ink) drawings after great masters (particularly Baroque ones like Caravaggio, but not only) and to stick them up at night on city walls. …”
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La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains by Marie-Jeanne Gauffre

“…Afro-American poet Langston’s Hughes’s challenge to the "Negro artist" in 1926—to run away from "the race towards whiteness" and climb the "racial mountain" in order to "discover himself and his people" reverberated throughout the colonial and later postcolonial world. …”
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“Depth of field” or “negative forms”: space/syntax from HDR digital photography to hypermedia navigation by Marie-Madeleine Martinet

“…It then looks at the broader chronological context of the interplay of distance and foreground, such as framing structures and brushwork texture in classical landscapes, the role of shadows in painting from Leonardo to Enlightenment theories on perception, the exploration of atmospheric effects and of lighting by Victorian artists and scientists ranging from stage sets to physicists’ experiments. …”
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Les taches de Flaubert by Arden Reed

“…This article imagines Flaubert as a painter—the pendant to thinking of Manet as a novelist. The two artists are joined —and separated —by the « tache » (stain, blot, mark), inseparably word and image. …”
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« Je la regarde et je danse » by Elena Nesti

“…The asymmetry between the artist’s sculpted and prepared body and the untrained bodies of the fans is considerable, and they recognise themselves not in the performing body itself, but in its movements. …”
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Entre archive et pratiques vivantes by Jean-Jacques Castéret

“…This article reviews the documentary, technological, territorial and political logic underpinning the centre’s action at the intersection of research and cultural mediation, between archives and living practices; inventory and education in art and culture; appropriation of resources by artists and actors in the field.…”
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La collection de dessins français d’Isidoro Brun (1819-1898) au Museo Nacional del Prado by Oriane Lavit

“…This paper contributes new information on his training and work, both as restorer and artist, his official recognition and his long-living ties with well-known and outstanding collectors of his time such as Valentín Carderera. …”
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