The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts by Juan Gerardo Ugalde Salinas

“…This text revisits some considerations on the treatment and conservation of these very specific works, decanted to the movements of Latin American artistic autonomy, and which in a consensus between specialists and artists, may find in orality and “assisted” disappearance a chance to ensure their perpetuity.…”
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From one Michael to four. A paleographical approach to the so-called ‘Astrapades’ by Kostić Elena

“…The study’s findings show that the so-called ‘Astrapades’ did not consist only of Michael Astrapas and Eutychios, as is generally believed, but actually constituted an artistic workshop with numerous members that included three painters with the baptismal name Michael.…”
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Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić by Aleksandra Czarny

“…The paper discusses the artistic and conceptual strategies of the deconstruction of nationalism in the selected works of contemporary Serbian artist, Milica Tomić (b. 1960) by interpreting them from a hitherto overlooked perspective of Derridian deconstructivism. …”
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Muzyczne harmonie i harmonia świata. „Pieśni Ziemi i Mocy” Grega Beara by Joanna Kokot

“…The paper explores the relation between music and magic, or rather between art and magic, artistic works being the eponymous songs of power, as well as the meaning of music as it is interpreted in Bear’s dylogy.…”
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Prestige de la hache et haches de prestige by Mélisande Bizoirre

“…In the eighteenth century, when the Iranian world was instable, the battle-axe (tabarzin in Persian) emerged as an artistic support; it bore complex decorations, inspired by that art of the book. …”
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Is Generative AI Possible Cause of the Swan Song of the Rational Civilisation? by Mścisławski Łukasz

“…Is it possible that generative AI will result in the replacement of the pursuit of truth by a mere uncritical adherence to the results provided by AI systems, as well as the inhibition of lively creativity both scientific and artistic?…”
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ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE by CARLOS GOMES

“…Because of this, Ortega recovers common philosophical and sociogical topics such as life, massification, hedonism, and nihilism, which Gilles Lipovetsky uses in order to ground the new paradigm of hypermodernity based on artistic (trans-aesthetic) capitalism.…”
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THE PERFECTING OF THE ROMANIZATION PROCESS AND ITS INFLUENCE ON THE MUSICAL LIFE IN THE REPUBLIC OF MOLDOVA by Stela GUŢANU

“…The Byzantine music is the essential part of Moldova’s artistic and cultural past. It has been the stepping stone in the development of the Romanian sacred music. …”
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‘Valorisation’. For a renewed vitality of the monuments by Giovanni Carbonara

“…It is characterised by its methodological openness towards modernity, on the one hand, and thematic openness on the other, relating to a broader category of ‘assets’ than the traditional one, not reserved only for expressions of high historical and artistic value. It then goes on to consider what, although it concerns the world of pre-existence, cannot be defined as restoration and preservation; finally, it considers the methods and tasks of enhancement, which, in its most authentic sense, goes hand in hand with restoration and in some respects follows it, guaranteeing first the conditions for recognition of the asset to be protected, then those of its good management, use and maintenance over time.…”
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Flaubert et Taine devant l’image by Bernard Vouilloux

“…Flaubert was consulted by Taine as a novelist: by revealing not only the “artistic images” but also hallucinations, he triggered new questions, thereby disrupting the categories set up by his scholarly correspondent.…”
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Film music and construction of tourist imaginaries in Hollywood blockbusters by Marie-Hélène Chevrier, Chloé Huvet

“…This paper aims to show how the music composed for these movies contributes to the creation of topoi by promoting exoticism and orientalism, notably through the use of local instruments and musical motifs and through the representation, on screen, of traditional musical and artistic practices (singing, dancing, etc.). We analyze the music that accompanies the hero's travels to emblematic “exotic” places, by studying the tourist imaginaries that they convey, help to reinforce or reconfigure.…”
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Ezra Pound and the Italian Renaissance(s) by Emilie Georges

“…However, his understanding of the word “renaissance” ran the full gamut of its possible translations and back-translations (rinascimento, risorgimento, awakening, resurgence) and he thus referred not to just one historical period when thinking of a possible artistic renaissance but at least three, all of which took place in Italy: the early-modern Renaissance, the nineteenth-century Risorgimento, and Mussolini’s totalitarian revolution. …”
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THE RELEVANCE OF THE MANAGEMENT OF THE PROMOTION ACTIVITIES OF CULTURAL AND LEISURE INSTITUTIONS by J. Akhmedova, Z. Muradova, E. Abakarova

“…The composition of this group includes those forms, in which the content is supplemented by known means of artistic expression. Their common work determines the further specificity of the methodology of information and educational activities of cultural institutions. …”
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INNOVATIVE SOUND EFFECTS AND ELEMENTS OF MUSIC NOTATION IN GEORGE CRUMB’S “BLACK ANGELS” FOR ELECTRIC STRING QUARTET by Tudor FERARU

“…As a musical-theatrical composition, “Black Angels” reflects the spirit of American avant-garde, while at the same time representing an artistic manifest against war and terror. Finally yet importantly, the article attempts to familiarize the reader with a bizarre sound universe, bordering achievements in electronic music, and to promote the work of a highly original author. …”
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Marcher ensemble : expérience dans le paysage, de la spatialité à l’expérience commune by Ekaterina Shamova

“…This article presents an ongoing study on the individual and collective experience in artistic projects involving group walks in landscapes. …”
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A Woman Voice in an Epic: Tracing Gendered Motifs in Anne Vabarna's Peko by Andreas Kalkun

“…These scenes do not communicate the main plot, they are often related to minor characters of the epic and slow down the narrative, but at the same time they clearly carry artistic purpose and meaning. I consider these motifs, present in the liminal parts of the epic, to be the dominant symbols of the epic where the author’s feminine world is being exposed. …”
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De l’iconoclasme à la censure by Liliane Inés Cuesta Davignon

“…Taking specific examples, four types of acts committed by both men and women are identified: acts of iconoclasm, artistic performances, demonstrations or protests, and acts of censorship.…”
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Filmar para tajar: Madrid en el cine en torno al 15-M by Luis Deltell Escolar

“…An analysis is made of the productions by the artistic collectives that emerged as a response to the first demonstrations by the protesters, followed by an overview of the works of established filmmakers who approached this topic and, finally, the aesthetic and thematic evolution of the subsequent films by these creators is explored. …”
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REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL by Şerban MARCU

“… The present study, part of the research grant The artistic and social impact of the contemporary music of the 21st century from the perspective of the relationship composer-performer-audience (project director Assistant Professor Cristian Bence-Muk, D.Mus.) investigates the structural and rhetoric aspects in the poem Spring, for soprano, clarinet and piano, by Carmen Petra-Basacopol, on the verses of poet Mariana Dumitrescu. …”
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Gone With the Wind, 80 ans d’images. Entretien avec Pierre Berthomieu by Pierre Berthomieu, Emmeline Gros, Marie-Pierre Burquier

“…In an interview with Gaumont’s artistic director Denis Peyrat, a journalist came to the conclusion that “film posters do not obey any miracle recipe.” …”
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