Hezychia w ujęciu Jana Klimaka i jej odzwierciedlenie w wizerunkach postaci na ikonach Andrzeja Rublowa by Olga Cyrek

“…The article also discusses some of the icons Andrew Rublev (d. 1430), which presented the person expressing such peace of mind. Portrayed by the artist disciples of Jesus and the apostles have bright faces expressing spiritual and physical balance, and the joy of waiting for the judgment of God. …”
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Art as Symbol of Power and Control among the Yorùbá by Kehinde Adepegba, Tolulope O. Sobowale

“… The Yorùbá are popular for the peculiar art forms, which include woodcarving, textile design, metalwork, cloth weaving and embroidery, beadwork, costuming, pottery, architectural ornamentation, mural paintings, body beautification among others. The Yorùbá artists produce unique forms in these diverse areas of art. …”
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THE CHORAL FRAMEWORK IN THE OPERA DECEBAL BY TEODOR ZGUREANU by Luminiţa GUŢANU

“…For the most part, he uses rhythmic-melodic elements specific to the folkloric melodicity, elements that draw their essence from the century-long experience of the folk artist that he decants by subjecting them to his own, unmistakable language. …”
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EDITORIAL EXPLOSION by Gabriela COCA

“… In the last ten years, we experienced a real editorial explosion offered by the composer, the professor, the musicologist and the plastic artist, which is Eduard Terényi. As a creator who is both aware and careful, the author makes sure his Omnia creation will last by editing and publishing it. …”
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Voir les fantômes. Sentir la multiplicité temporelle de la ville grâce aux œuvres d’art by Estelle Grandbois-Bernard

“…This article proposes to focus on how artists invest the time multiplicity of present to highlight and visually translate, and perhaps turn our attention to our living space. …”
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La Tentation de saint Antoine de Flaubert et Uspud d’Erik Satie : affinités secrètes et résonances en filigrane by Bruna Donatelli

“…After the appearance of cabaret shows in Paris, however, the heterogeneous, scenic and textual space of this text was regarded differently and gained renewed vitality. Among the audacious artists who experimented new forms of hybrid art (magic shows, shadow plays, pantomimes, burlesque) in these cabarets, we count also Erik Satie, a great admirer of Flaubert and his works. …”
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Théories géologiques et représentations du paysage dans la première moitié du xixe siècle by Alexis Drahos

“…Leaving from then on the study for the outer world, Naturalists set to look for clues on the ground to understand the past of our planet and particularly his old age. Artists imitate their reasoning and are fascinated as well by the naturals phenomenon like the volcanoes, the glaciers or simply the cliffs. …”
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A Hermeneutic Analysis of Selected Yorùbá Pentecostal Songs by George Olusola Ajibade

“…Different types of songs collected during the worship among the selected African Indigenous Churches and those produced by some artists were analyzed through the lens of textual exegesis. …”
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On Resisting Global Disposability, Regimes of Death-Making and Accumulation by Rupinder Parhar

“…Image: Sheida Soleimani – From the series To Oblivion, 2016 Inkjet prints on paper. Courtesy of the artist and Edel Assanti. Photo: Jo Underhill. Acts of Resistance: Photography, Feminisms and the Art of Protest, 2024. …”
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Contemporary Painting as Reflector of Yoruba Cultural Values by Michael Olusegun Fajuyigbe

“…The selected paintings serve as a visual document of the Yorùbá belief system; while contemporary Yorùbá artists are shown to consistently draw from their culture and design resources to establish a connection between the past and the present. …”
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Łaska w ikonach by Monika Wąchocka

“…They are liberated from the canons and techniques, depending only on the artist’s skills and fashions of the time. They play an assistant role in the liturgy and a decorative one in the architecture of temples.…”
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António e as Variações identitárias da cultura portuguesa contemporânea by Paula Guerra

“…Approaching this musician has a double meaning: the way in which he represents the words of Fernando Pessoa when he pointed the importance of being “plural like the universe”; as well as the way in which each social actor can represent different social identities (to be at once Portuguese, a barber, catholic, from Braga, a musician and a variety artist). With this complex figure, it becomes important to analyze the cultural identity as a process (as a history and representation) that is plural, antynomous, recur- sive. …”
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La représentation des paysages d’exil dans les arts visuels contemporains : l’exemple du film Parmi nous de Clément Cogitore by Ann Epoudry

“…Supporting this analysis with Clément Cogitore’s short fiction film Parmi nous (2011), which narrates the attempts of illegal migrants in exile to cross a border zone, we seek to understand how the constructed landscapes of the sets in the film reveal a symbolic and stereotyped landscape and how the relationship between the characters and the landscape, which the artist shows in this work, seems to reinvent the places travelled through and offer a new form of participation within the landscape.…”
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Paradigm shifters: tricksters and cultural science by Hartley John

“…The objective is to understand creative innovation as a general cultural attribute rather than one restricted only to accredited experts such as artists; thus to theorise creativity as a form of emergence for dynamic adaptive systems. …”
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Consent to tattooing by Radulović Srđan

“…Due to the gradual development of new techniques, materials, styles and approaches aimed at resolving even the most difficult technical problems, tattooing has became a highly appreciated form of self-expression for tattoo artists and proud owners of tattoos alike. However, there is a number of legal issues associated with tattooing. …”
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Trabalho, Cultura e produção cultural: notas para uma sociologia do trabalho com arte e cultura no Brasil by André Grillo

“…Studies on culture and art and on the “world of work” are often found in separate fields, although some reference works on the art professions, art production chain and the labor market of artists such as those from Howard Becker and Pierre-Michel Menger. …”
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Le Musée d’art contemporain de Montréal (MACM) : La Voie Lactée (1993) de Geneviève Cadieux by Clémence Mailly

“…La relation entre l’œuvre, l’artiste et l’institution dévoile les rouages du discours institutionnel qui s’y cache. …”
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The Exordium of Adébáyọ̀ Fálétí’s Poetry by Adedotun Ogundeji

“…Àkànbí Fálétí was a royal oral artist in the palace of Aláàfin Ṣiyanbọ́lá Oníkẹẹ̀ pé Ládìgbòlù (1911 – ́ 1944). …”
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Le musée vivant et le centenaire de l’abolition de l’esclavage : pour une reconnaissance des cultures africaines by Danielle Maurice

“…Cet engagement tient aux fondateurs de l’APAM, aux liens avec les artistes qui ont œuvré pour la reconnaissance de l’art africain et, en cette période de décolonisation, à la volonté de rencontrer l’Afrique vivante. …”
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Conversation sur le terrain by Blandine Brière, Alice Broilliard, Juliette Vignes, Julien Viniane

“…As part of the Landscape Plan, a team of landscape architects, sound artists and web developers has developed an online sound map to provide an accessible digital tool for sharing reflections concerning future landscapes on a large scale. …”
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