La volonté politique de commémoration des morts appartient aux vivants by Audrey Rousseau

“…Thus to reflect on the specific context of memorials, we propose an empirical study of three "counter-monumental" works (1986 ; 1993 ; 1996) undertaken by German artist Jochen Gerz. This reflexive journey on counter-monumentalization perspectives is an invitation to pluralize the meaning of "bearing witness" to the dead and the disappeared.…”
Get full text

Solidarity in Diversity: Overcoming Marginalisation in Society by Matthew Mabefam, Kennedy Mbeva, Franka Vaughan

“…Through case studies of migrant communities, Roma graduates, neurodivergent artists, and trans women, the contributions highlight solidarity’s potential to counter exclusion, navigate tensions, and inspire collective action. …”
Get full text

Algunas reflexiones sobre la representación del tiempo en la imaginería maya antigua by Erik Velásquez García

“…This work registers and explores some of the many strategies that Mayan artists of the Classic period (AD 250-900) used to represent or suggest the flow of time: the containment of sculptural volumes, the manipulation of dates, the conventional distribution of figures in the pictorial field, the juxtaposition of different times and spaces, the simultaneous angles of view, the displacement between causes (indicated in the texts) and their effects (represented in the images), the sequence in praesentia, the sequence in absentia, and the peripeteia or eloquent instant that suggests psychologically the feeling of change or turning. …”
Get full text

THE GENESIS OF THE PIANO TRIO by Marta CÎRLEJAN

“… The process leading to the crystallization of the piano trio can be traced back to the beginning of the17th century, a time when artists would perform under the patronage of noble families. …”
Get full text

Grafites do amor, da paz e da alegria na cidade Olímpica: interfaces entre política, arte e religião no Rio 2016 by Christina Vital da Cunha

“…Interviews were carried out with graffiti artists and representatives of the city council and a cartography of the productions present, mainly in the South Zone of Rio de Janeiro. …”
Get full text

The postfigurative Christ in Morley Callaghan's Such is my beloved by F. Hale

“…One esteemed literary artist who made use of this technique was the Canadian liberal Roman Catholic layman Morley Callaghan (1903-1990). …”
Get full text

THE HEALING POWER OF MUSIC. MUSIC IN PRACTICE by Szilvia TÖRÖK

Get full text

Les taches de Flaubert by Arden Reed

“…This article imagines Flaubert as a painter—the pendant to thinking of Manet as a novelist. The two artists are joined —and separated —by the « tache » (stain, blot, mark), inseparably word and image. …”
Get full text

Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine by Irene Zanot

“…An image that has crossed literature since Antiquity, the spider appears in Flaubert’s pages like a leitmotif that recurs in several scenes where it carries major meanings for the artist’s poetics. The author fully exploits the versatility of this animal, which, as Sylvie Ballestra-Puech has shown, acquires a negative value in the Western iconographic and literary tradition. …”
Get full text

Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé by Alain Vaillant

“…Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. …”
Get full text

Le projet comme dispositif de vision du paysage by Sally Bonn

“…This desire results in a work of cutting or capture closed to the concept of device as certain artists practice it. The device of vision constitutes another form of frame and framing of the perception ; it directs and tends to control the systems of representation, vision and perception. …”
Get full text

70 anos da guerreira: a mestiçagem brasileira na tradução musical de Clara Nunes by Expedito Leandro Silva

“…Among the songs that best represent the artist portrayal are “Canto das Três Raças” and “Brasil Mestiço Santuário da Fé”, sang by her in the 1980s, the lyrics and interpretation showed the social Brazilian ethnological context in great detail. …”
Get full text

Vers une qualité sonore des espaces publics by Élise Geisler

“…Only few sustainable sound improvements in urban public spaces have been identified despite punctual interventions of artists. Sound environment is complex, experiences and references are lacking while the research has been trying for the last thirties years to develop tools and methods. …”
Get full text

Poemas entre músicas: dialogia melopoética e(m) uma didática contemporânea by Robson Coelho Tinoco, Marília de Alexandria

“…With such concern, and leaning on in analyses of Mikhail Bakhtin, Octavio Paz, José Miguel Wisnik, Luiz Tatit e Jusamara Souza, the theoretical foundations of the didatic process consider, basi- cally, a conception dialogical and interactionist of that of those artistics language).…”
Get full text

La Permanence, une politique de l’attention by Giulia Tellier, Tiphaine Hameau

“…This contribution is the outcome of exchanges between an architect and a garden-artist, both of whom are attached to the act of writing as a means of putting real life situations into perspective and providing feedback on their own experiences. …”
Get full text

Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô by Bruna Donatelli

“…These two figures of the literary imagination incite book cover artists and iconographers to make fundamentally different choices, even if some common features of these heroines’ personality (their instable and dreamy nature), outline analogies in the iconic transposition process when one wants to remodel them according to the dominant canon in the cultural context of the time.…”
Get full text

Kobori Enshū : deux biographies, une légende by Emmanuel Marès

“…The former was an autodidact, a visionary and an inspired artist, while the latter was a scholar who based his works on manuscripts, excavations and research. …”
Get full text

Homais et le journal by Corinne Trichet

“…This article aims to show that this double novelistic existence is subjected to the same logic of invalidity by the novelist: the chemist is the typical character whom Flaubert despises, provincial bourgeoisie, the language of stupidity… As for the press - this writing of haste, ephemeral, industrial, commercial -, it is totally opposed to the ideal of the artist’s writing, slow, ripened, stylistically elaborated, striving for eternity. …”
Get full text

L’œil de Flaubert dans la ville moderne : retour sur quelques images captées dans L’Éducation sentimentale by Jeanne Bem

“…C’est pourquoi je fais des rapprochements avec les romanciers et artistes de son environnement immédiat (Zola, Huysmans, Aragon ou Atget), ainsi que des incursions dans les arts visuels du XXe siècle.…”
Get full text

ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU by Constanţa CRISTESCU

Get full text