L’Hommage à Rosa Luxemburg de Jean-Paul Riopelle du Musée National des Beaux-Arts de Québec by Véronique Lefrançois

“…Profondément relié à l’institution, l’Hommage à Rosa Luxembourg de Jean-Paul Riopelle devient à la fois le marqueur de la relation intime entre l’artiste et l’institution ainsi qu’entre la production de l’artiste et l’intérêt du directeur de l’époque de son acquisition. …”
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Les notions de fūkei, de ba et de fukkō au cœur d’un projet collectif artistique by Catherine Grout

“…By involving them in a creative process that became political, the artist aimed to encourage their interaction and create an active co-presence consistent with the notion of ba (scene, place, or field). …”
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The Notions of Fūkei, Ba, and Fukkō in a Community Art Project by Catherine Grout

“…By involving them in a creative process that became political, the artist aimed to encourage their interaction and create an active co-presence consistent with the notion of ba (scene, place, or field). …”
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Pomiędzy queerową subwersją a „middle-class mainstreaming”. O twórczości drag queen Mony Lizak by Magdalena Stoch

“…The author asks about the form (stage style) and content (ideological message) of the artist’s con­ceptual and speculative works and its connections with the tradition of queer performance. …”
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The spirituality of Andrei Rublev's Icon of the Holy Trinity by J. Reimer

“… This article focuses on the work of Rublev who is considered to be the greatest medieval Russian Orthodox painter of icons and frescoes and whose work has influenced generations of Russian artists, theologians, writers and philosophers. It examines Rublev’s spirituality, both historically and theologically, with specific attention to the Icon of the Holy Trinity which is considered to be his most important work. …”
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Dryden de Serge Lemoyne du musée des Beaux-Arts de Montréal by Camille Lavallée Prairie

“…L’œuvre de Serge Lemoyne, Dryden jouit de nos jours d’une renommée créée par la popularité de l’artiste, mais aussi par la représentation culturelle qui réside dans l’œuvre. …”
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The Form and Functioning of the Union of Czechoslovak Writers in the Late 1940s and Early 1950s in the Context of Czech Literature by Michal Bauer

“…The paradoxical role of writers and artists after 1948, i.e. to serve and to lead at the same time, is also discussed. …”
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Jardiner les décombres by Julie Scapino

“…This article proposes an ethnography of a vegetable appropriation led by a group of artists and “activists of vegetal” on the railway brownfield site of the Parisian petite ceinture. …”
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Errors in Latin Inscriptions on Renaissance Works of Fine Art by Lazer-Pankiv Olesia, Korolova Nataliia

“…In some cases, the errors were made because the artists did not understand the meaning of the inscription.…”
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Les limites du visible : réflexions sur la représentation picturale de l’esclavage dans l’œuvre de Rugendas et de Debret by Alejandra Mailhe

“…En effet, au Brésil, ces deux artistes abordent de manière explicite la thématique esclave, tout en adoptant une perspective de dénonciation malgré les pressions exercées par les institutions impériales. …”
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Rémanence de Madame Bovary dans l’édition illustrée by Bruno Gallice

“…After diachronic considerations about the increasing importance of the novel’s illustration, we study the way images treated the characters, between graphic fixation and emancipation. Artists claimed for themselves Emma Bovary in particular, and constantly updated their vision of Flaubert’s character, who became for the reader a figure both permeable and vivid.…”
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Os sons das palavras: possibilidades e limites da novela gráfica by Elvira Vigna

“…In this analysis, I demonstrate how time control by the artists is at the center of this process. Halting the reader, distract- ing him/her from the narrative, the novel can increase its appeal but will loose in the literary construction. …”
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Imagens precárias: inscrições tênues de violência ditatorial no Brasil by Márcio Seligmann-Silva

“…The author tries to show the strategies of presentation of this past and its tough inscription departing from the works of artists (as Rosângela Rennó), photographers and novelists (as Renato Tapajós and Urariano Mota).…”
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A Babel suspeita de Nelson de Oliveira by José Leonardo Tonus

“…The photomontages made by artist Teresa Yamashita included in the anthology Babel Babilônia from brazilian writer Nelson de Oliveira published in 2007, sug- gests the presence of a pictorial story concomitantly that, with also the paratex- tuals devices and all narratives, requires for a reflection on the crisis values that runs through our society. …”
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Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? by Marie Caquel

“…Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed testimonies and contemporary artists videos. Describing these devices we want to show that frontiers between disciplines and its approaches to transmit an immaterial heritage are not seals. …”
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Alàgbà Adébáyọ̀ Fálétí as a Yorùbá Novelist by Lere Adeyemi

“…In the pre-colonial era, the authorship of the stories in the folktales and in some poetic genres could not be claimed by any particular artist/artiste, but due to the influence of colonial rule, western literary traditions, among others, storytellers can claim authorship of their works today. …”
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Les places traditionnelles de Porto-Novo (Bénin) comme communs : entre mise en valeur des espaces urbains et promotion des pratiques sociales et culturelles by Elizabeth Auclair, Élise Garcia

“…This article examines the perceptions and representations of the inhabitants, the dynamics induced by the rehabilitation of the traditional places and the involvement of local artists. Culture, memories, traditions, and religious practices are elements which contribute to the place and sense of belonging, and participate in defining these places as commons.…”
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