Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) by Assia Quesnel

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Le Cycle pictural de la cour d’appel de Toulouse par Georges d’Espagnat (1942-1944) : un témoignage de la permanence d’une formule décorative by Coralie Machabert

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Action / Participation by Stéphane Huchet

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La fortune critique d’une monnaie d’or : le coq gaulois de Jules-Clément Chaplain à l’épreuve de la presse (1895-1914) by Katia Schaal

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À propos du « Manifeste du livre d’artiste » by Serge Chamchinov, Anna Samson

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THE ROLE OF MANAGING THE IMPROVEMENT OF THE TERRITORY IN FORMATION OF IMAGE OF THE MOSCOW CITY by E. Hmelchenko, C. Zaic

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Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part 4)* by Ismet Zaatov

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Photographic self-fashioning. The role of photography in community-formation by the skagen painters by Mette Bøgh Jensen

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Fostering actions for a sustainable future: critical reflections on the ‘ASF hub’ as a case study of experimental and innovative research governance by Leo Hosp, Ariadne Sevgi Avkıran, Dorothea Born

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Latin-Byzantine artistic interactions and the church of Saint Basil in Mržep (Montenegro) by Bacci Michele

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Les grandes messes panarabes : festivals et biennales d’art arabe dans les années 1970 by Alia Nakhli

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Lounging Men, Standing Women: Pose and Posture in the Aesthetic Interior by Richard W. Hayes

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Beyond Crisis: Discernment in Decision-making for Sustainable Church Health by Hardiyan Triasmoroadi

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Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle by Claire Dupin de Beyssat

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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting by Fabienne Gaspari

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Cultural and creative networks as enabling contexts for artistic research by Gemma Grau Pérez

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Dancing Hands: On Neurodivergent Embodied Knowledge by Anna Püschel

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Professor Vanda Zaborskaitė: Why Classic? by Dalia Čiočytė

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Uma realidade que ficcionalizou a si mesma: história e subjetividade em Vento sul, de Vilma Arêas by Ana Paula Pacheco

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Artistic time in D. Keyes’ novel Flowers for Algernon by Antonina V. Samoylova, Olga V. Spachil

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