L’univers esthétique des photographies de Cy Twombly et le renouvellement du regard sur son œuvre by Chiara Agradi

“…The ceiling painted by the artist in the room of Greek and Roman antiquities in the Louvre bears witness to his interest in the dialogue between photography, painting and American culture, and was consistent with his aesthetic experiments, particularly regarding his fascination for Mediterranean culture. …”
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Kobori Enshū : deux biographies, une légende by Emmanuel Marès

“…The former was an autodidact, a visionary and an inspired artist, while the latter was a scholar who based his works on manuscripts, excavations and research. …”
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On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell by Emeline Jouve

“…The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. …”
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Du baromètre au piolet, cent cinquante ans de visions britanniques de la montagne by Michel Tailland

“…This paper aims at analyzing the changes in the different points of view of a few generations of these artist/travellers who left an everlasting influence on contemporary visions of mountains. …”
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Mulheres, arte e poder: uma narrativa de contrapoder? by Ana Gabriela Macedo

“…I propose to extend Nochlin’s analysis somehow further and, without twisting her premises, to introduce a shift of focus in this debate, from the analysis of the repre- sentation of women by male artists, to the role of the woman artist in contempo- rary art scene, i.e., from women as objects of representation, to women as agents and subjects of the representation. …”
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Piloting creative engagement strategies to explore themes of parenthood with fathers by Iryna Culpin, Iryna Culpin, Catherine Lamont-Robinson, Mark Billington, Matthew James, James Prewett, Gareth Ward, Mireia Bes Garcia, Giovanni Biglino, Giovanni Biglino

“…The catalogue served as an artistic reference to gauge a sense of participants' creative predispositions, as well as a foundation to facilitate spontaneous dialogue about personal meanings of fatherhood. …”
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Experience Mode of Digital Media Art under Virtual Reality Technology by Xingming Wu, Yehan Li

“…This combination not only reduces the distance between the experience and the art but also allows the experiencers to better understand what the artist wants to convey in the artwork. Virtual reality technologies and experts have shifted from bystanders to participants and experiencers. …”
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EDITORIAL EXPLOSION by Gabriela COCA

“… In the last ten years, we experienced a real editorial explosion offered by the composer, the professor, the musicologist and the plastic artist, which is Eduard Terényi. As a creator who is both aware and careful, the author makes sure his Omnia creation will last by editing and publishing it. …”
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Les Fleurs du Mal, de la censure au musée by Léo Rivaud Chevaillier

“…It has been in the Musée Rodin in Paris since 1931. The artist had discussed the idea of confronting Baudelaire’s poetry, a source of inspiration for his Gates of Hell, before receiving the commission from Gallimard. …”
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L’ermite et le virtuose by Denis Laborde

“…Frambourg which he turned into his foundation after having built the famous Festival de La Chaise-Dieu and having devoted a virtuoso lifetime to these concert halls and television studios that welcomed him worldwide. These two artists incarnated two conflicting pianist figures: one, for whom music practice was "not a demonstration of the soloist’s virtues (virtuosity) nor a complacent exhibition of self practice" (Schneider, 1988: 40), embodied the figure of the hermit artist in tune with "music", the other, "the guy who can play the piano faster than all others" (Böhm, 1995: 88), embodied the worldly face of the virtuoso. …”
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Poets and Puppets: Interarts Collaboration in Alfred Kreymborg’s Lima Beans by Yasna Bozhkova

“…This article focuses on a little-explored case of modernist collaboration situated at the crossroads between different arts: the performance of Alfred Kreymborg’s play Lima Beans, produced by the Provincetown Players in December 1916, in which poets Mina Loy and William Carlos Williams played the two leading parts, together with poet and artist William Zorach, who also designed the sets. …”
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Investigation of the digital technologies influence on the process transformation in cinema by Yu. V. Vorontsova, D. N. Koltsov

“…Digital technologies have become a powerful and accessible tool that allows non-professional artists/directors to enter the cinematic space. However, for the author’s cinema, digital technologies have only become a tool to improve picture quality, as well as expand the capabilities for the artist / director to bring their ideas to life on screen.…”
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A non-linear model of information seeking behaviour by Allen E. Foster

“…The paper concludes by describing the whole model of behaviours as analogous to an artist's palette, in which activities remain available throughout information seeking. …”
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« Une constellation dans la nuit de l'histoire, une tache lumineuse devant les ténèbres de la mort » : l'œuvre d'Ernst Wilhelm Nay vue par Werner Haftmann by Vincenza Benedettino

“…The professional and amicable relationship between the art historian Werner Haftmann (1912-1999) and the abstract artist Ernst Wilhelm Nay (1902-1969) in the Federal Republic of Germany during the post-war period is an emblematic case of the development of an art historiography. …”
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On Resisting Global Disposability, Regimes of Death-Making and Accumulation by Rupinder Parhar

“…Image: Sheida Soleimani – From the series To Oblivion, 2016 Inkjet prints on paper. Courtesy of the artist and Edel Assanti. Photo: Jo Underhill. Acts of Resistance: Photography, Feminisms and the Art of Protest, 2024. …”
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Des images qui dénoncent ? by Damien Darcis

“…On the one hand, I will study four interventions by street artist Banksy. On the other side, I will analyze images made by anonymous artists, in remote, less visible sites, on the walls, on the doors or on the windows of "squats" harboring migrants in particular. …”
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Łaska w ikonach by Monika Wąchocka

“…They are liberated from the canons and techniques, depending only on the artist’s skills and fashions of the time. They play an assistant role in the liturgy and a decorative one in the architecture of temples.…”
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Hezychia w ujęciu Jana Klimaka i jej odzwierciedlenie w wizerunkach postaci na ikonach Andrzeja Rublowa by Olga Cyrek

“…The article also discusses some of the icons Andrew Rublev (d. 1430), which presented the person expressing such peace of mind. Portrayed by the artist disciples of Jesus and the apostles have bright faces expressing spiritual and physical balance, and the joy of waiting for the judgment of God. …”
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António e as Variações identitárias da cultura portuguesa contemporânea by Paula Guerra

“…Approaching this musician has a double meaning: the way in which he represents the words of Fernando Pessoa when he pointed the importance of being “plural like the universe”; as well as the way in which each social actor can represent different social identities (to be at once Portuguese, a barber, catholic, from Braga, a musician and a variety artist). With this complex figure, it becomes important to analyze the cultural identity as a process (as a history and representation) that is plural, antynomous, recur- sive. …”
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THE CHORAL FRAMEWORK IN THE OPERA DECEBAL BY TEODOR ZGUREANU by Luminiţa GUŢANU

“…For the most part, he uses rhythmic-melodic elements specific to the folkloric melodicity, elements that draw their essence from the century-long experience of the folk artist that he decants by subjecting them to his own, unmistakable language. …”
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