«We are not here to entertain you». Sambhaji Bhagat’s voice of presence by Sara Roncaglia

“…The article describes, through his words and his songs, the life story of an artist who attempts, with his lyrics, to give voice in Mumbai to the outcast, to those who today most suffer from the processes of marginalization and expulsion.…”
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Quels espaces pour des écritures créatives numériques ? by Luc Dall’Armellina

“…The increasing scarcity of artist-supervised artistic practices (in which artists are school partners), the manipulation of school-objectified arts (which waver between skill and knowledge), and the unsuitability of both places of practice and assessments are all contributors to the denaturation of arts and their virtues. …”
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The execution of wax-resin linings by Johannes Albertus Hesterman (1848-1916) and sons by Saskia van Oudheusden

“…This research concentrates on the wax-resin lining method of the Dutch artist and restorer Johannes Albertus Hesterman (1848-1916) and his sons Frederik Coenraad (1873-1932) and Johannes Albertus Jr (1877-1955). …”
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Forward Trajectory of a Positive Black Self by Nolan Stevens

“…The Asisebenze Art Atelier (AAA) artist studio and dealership is an apt case study f or this argument. …”
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Artifice and Medium-Specific Art: Poetry Performance and Film by Geneviève Cohen-Cheminet

“…The editing work undertaken with film artist Meryem De Lagarde led to a clearer understanding of issues of remediation, immediacy and hypermediacy, from the oppositional, Modernist legacy of artifice to the contemporary awareness of our collective, compliant fascination with images. …”
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"On Being Idolized" : construction d’une identité américaine à travers quelques poèmes de Robert Frost by Candice Lemaire

“…This article explores America’s literary canon through the major New England figure of farmer-poet Robert Frost (1874-1963), who offered a complex vision of American identity in his volumes, from that of the highly-acclaimed national artist to the uneasily translated and understood poet. …”
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Même et autre : de White Rock Line (1990) à White Rock Line (1990, remade 2014) by Anne Cadenet

“…After studying several restoration options, the substitution of the 18 tonnes of limestone is envisaged and approved of by the artist in the folowing terms : « I share your idea of remaking the piece with new stones from the original quarry. »…”
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La volonté politique de commémoration des morts appartient aux vivants by Audrey Rousseau

“…Thus to reflect on the specific context of memorials, we propose an empirical study of three "counter-monumental" works (1986 ; 1993 ; 1996) undertaken by German artist Jochen Gerz. This reflexive journey on counter-monumentalization perspectives is an invitation to pluralize the meaning of "bearing witness" to the dead and the disappeared.…”
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“The Body Hair that Grows on the Head” by Donyol Dondrup, Charlene Makley

“…In this chapter, we introduce readers to the Amdo Tibetan comedian, poet and performance artist Menla-kyap [sMan bla skyabs] through a translation of his 2009 autobiographical narrative, “Views on Hair and Hairstyles.” …”
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Emanuel Salomon z Friedbergu – Mírohorský a jeho Paměti z mého žití by Tomáš Jiránek

“… Field-marshal (Feldmarschalleutnant) Emanuel Salomon of Friedberg – Mírohorský (1829-1908) was not only a soldier, but also a Czech patriot, artist and writer. He contributed to our knowledge of the life in Austrian army of „long 19 century“. …”
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« Resident and Visitor », Brook Andrew et Christine Barthe en conversation by Christine Barthe

“…It contextualises the approach that led him to explore the question of access to photographic collections in 2016, and to develop the artist’s role as smuggler.…”
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Eigil Rothe, an early twentieth century wall paintings conservator in Denmark by Isabelle Brajer

“…Eigil Rothe (active 1897-1929) is a central figure in the development of wall paintings conservation and restoration in Denmark, marking a clear departure from the practices of artist-restorers influenced by historicism. His ideas about retouching and impregnation were propelled by his sense of aesthetics, which rejected nineteenth century interpretations, and called for a respect for the passage of time. …”
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Texte, trame, signe : les ficelles de l’art selon Dante Gabriel Rossetti by Laurence Roussillon-Constanty

“…In the gallery of Dante Gabriel Rossetti’s so-called “double works of art”, Proserpina has often been singled out as the artist’s masterpiece. The aim of this article is to question or reassert this view by uncovering the Dantean subtext that informs the 1874 version of the painting and deciphering the coded message it contains. …”
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Gone With the Covid – Scarlet in Quarantine: An Interview with Sarah Combs by Sarah Combs, Emmeline Gros

“…Artist Sarah Combs (https://sarahelizabethcombs.com/) claims that art and laughter have the power to give us some respite from our fears and worries. …”
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Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall by Vincent Broqua

“…Recent publications by poet and artist Caroline Bergvall shift the old paradigm of both the poetry collection and the book-poem. …”
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La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques by Adeline Chainais

“…The artist Angélica Liddell, known for her baroque theatre and stage excesses, experienced in 2014 a return to the Christian faith she knew as a child and then lost. …”
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Multi-analytical study of paint and varnish on a 17th century wooden polychrome antependium by Aida Grga

“…The antependium of Saint Michael's altar from the church of Saint Catherine in Osič, Croatia, is a work of the 17th century artist Matej Otoni. As a part of her Master's thesis, Aida Grga carried out a complex analysis of the paint layer (binding medium and pigments) and of the resinous varnish found on the object. …”
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Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić by Aleksandra Czarny

“…The paper discusses the artistic and conceptual strategies of the deconstruction of nationalism in the selected works of contemporary Serbian artist, Milica Tomić (b. 1960) by interpreting them from a hitherto overlooked perspective of Derridian deconstructivism. …”
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Le lieu propre du néant by Pamela Bianchi

“…For Rachel Whiteread, the void has a shape, and nothingness occupies a place. The British artist solidifies specific volumes of air (the interior of bottles, the space surrounding a mattress, the interior space of a room, a house, etc.); in doing so, she highlights the emergence of absence. …”
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THE HEALING POWER OF MUSIC. MUSIC IN PRACTICE by Szilvia TÖRÖK

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