Crown Fossils by Frédéric Bigras-Burrogano, Jordan B. Kinder

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Sociologia, cultura e arte: um debate entre espaços e tempos by Eliska Altmann

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Memorias sobrevivientes: el álbum familiar en tres obras artísticas sobre la desaparición (Marcelo Brodsky, Gerardo Dell´Oro, Lucila Quieto)  by Florencia Larralde Armas

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Artistic image of the division in the Serbian people in the 20th and 21st centuries: Projection of ideas, causes and conditions of division in the prose and poetry of Radomir Stojanović by Mumović Ana M.

“…They are a contribution to a new reading and interpretation of the artist's work and the relationship to the theme of us and others and the division of us and us within the Serbian people.…”
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L’art et la manière. Artistes des arts numériques, positionnement professionnel et créativité artistique en France et en Allemagne by Geneviève Vidal, Anne Gagnebien, Eva-Maria Schultze, Christian Papilloud

“…It extends a case study undertook in France over 12 months (January 2013 – January 2014) about 12 artists or actors of NetArt, which has underlined a cycle of professional positioning whose four main steps are 1) the mobilization of a large and various public around artistic projects, 2) the public participation to the artists’ work, 3) the diversion of digital technologies, and 4) the promotion of artists’ work in the economic sectors of digital innovations. …”
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Chambres en souffrance : révéler la parole des artistes et des femmes victimes de violences à travers l’espace intime by Adélie Le Guen

“…How did female artists extract violence from the space of a bedroom? …”
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Le jardin-œuvre, une autre façon d’appréhender le jardin collectif autour du travail de l’artiste Emmanuel Louisgrand by Camille Prunet

“…This article looks at the community gardens created by the French artist Emmanuel Louisgrand, either at his own initiative or at the request of various associations, institutions or communities. …”
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Tamar Stone’s Art: Rewriting the Female Body by Candela Delgado-Marín

Subjects: “…Artists’ books…”
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René Demoris, Florence Ferran, Corinne Lucas. Art et violence. Vies d’artistes entre xvie et xviiie siècles. Italie, France, Angleterre by Jean-Louis Fournel

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« I was the only one of the family who wasn't quite sane » : être femme, épouse, mère et artiste dans The Creators (1910) de May Sinclair by Leslie de Bont

“…This paper focuses on May Sinclair’s 1910 Künstlerroman The Creators, which revolves around the life and experience of Jane Holland, a successful writer, as well as of several other artist figures, both male and female. In the novel, female creation involves transgression as it is shown to be incompatible with most social, sexual and even statistical or medical norms. …”
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Indications and criteria for evaluation of competence maturity of bachelors in the specialty 51.03.02 “folk artistic culture” (in the context of federal state educational standards (fses) 3+) by Olga P. Karnikova

“…This article covers review of the educational standards for professional education of bachelors in the specialty 53.03.02 “Folk Artistic Culture”. The primary goal of this article is to review changes made in the FSES 3+ educational process. …”
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Andá cantale a Gardel by Jean Andreu

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Du placement de produit à l’artistisation par réaction inverse. Analyse socio-sémiotique du film Logorama by Julien Péquignot

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Art, fantasme, idéologie by Abigail Heathcote

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Le sol classique by Clara Pacquet

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Zapowiedzi. Część 2 Galerii Dokumentu Artystów poświęcona Ad Reinhardtowi w 2025 / Announcement. Part 2 of the Artists' Documents Gallery dedicated to Ad Reinhardt in 2025 by Leszek Brogowski, ed.

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Paule Lévy. Figures de l’artiste : identité et écriture dans la littérature juive américaine de la deuxième moitié du XXe siècle by Ellen Levy

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Ce que la littérature fait à la sociologie de l’art. Remarques à propos de L’Élite artiste de Nathalie Heinich by Anthony Glinoer

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« Rejoindre les civilisations », Victor Brauner et sa collection d’arts extra-européens by Noémie Fillon

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Que nous apprennent les « artistes officiels » sur le front de l’intérieur (Home Front) dans la Grande-Bretagne en guerre, 1940-1945 ? by Antoine Capet

“…The notion of Official WarArtists seems to suggest the worst aspects of totalitarian propaganda. …”
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