MICROSOPHY OF POWER IN THE CONTEXT OF SCIENTIFIC AND EDUCATIONAL SPACE by L. V. Krymets

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La restauration-conservation (2011-2019) de la Fondation Vasarely (1973-1976), ou comment rendre actuelles des ambiances surannées by Ana Bela de Araujo

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From Cultural Symbol to Campus “Idol” and Back by Sheri A. Lullo

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Les grandes messes panarabes : festivals et biennales d’art arabe dans les années 1970 by Alia Nakhli

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The Salish Weave Box Sets by Ashley Edwards, Courtney Vance

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Ahmet Murat Özel. Taşı Taşırmak: Bir Cami Risalesi. 1. Baskı. İstanbul: Ketebe Yayınları, 2023. 100 s. ISBN: 978-625-6999-50-3 by Abdullah Taha Orhan

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A Critical Review on the Book Principles of Parthian History by Farshid Naderi

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«LEDA AND THE SWAN» BY S.D. ERZIA (1922, 1929) IN THE CONTEXT OF ARTISTIC TRADITION by Irina V. Klyueva

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Anti-linealidad temporal y la realidad de la ficción : el vanguardismo de la revista Crononauta (1964) by David AJ Murrieta Flores

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Introduzione by Patricia Gaborik, Stéphanie Lanfranchi, Élise Varcin

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Art therapy and brain injury: making the invisible visible by Denise R. Wolf, Michele D. Rattigan

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Güzel Sanat Eserlerinde Fikri Mülkiyet Hakları ve Uygulamaları by İsa Eliri

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Rethinking research through artistic experimentation by Silvia Cacciatore, Fabrizio Panozzo

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An Aesthetic View on Rouzbehan Baghli’s Prose in Praising Prophet Muhammad (PBUH) by Karim Shahsavan, Abdollah Hasanzadeh Mirali, Davood Mohammadi, S.Hasan Tabatabaei

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Echanges et transformations de l’Annonciation : D’un groupe statuaire en marbre (Toulouse, Musée des Augustins,XIIe siècle) à un bas-relief en bronze d’Igor Mitoraj (Rome, Santa Ma... by Sandra Gorgievski

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Zwischen logos und icon by Ulrich Engel

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Taking Note: Challenges of Dealing with Graphical Content in TEI by Martina Scholger

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La représentation de la vie d’un maître estropié du passé au xixe siècle : L’Aleijadinho d’Henrique Bernardelli by Fábio D’Almeida

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Introduction by Patricia Gaborik, Stéphanie Lanfranchi, Élise Varcin

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Philosophical and Aesthetic Components of the Art of the Baroque Style by E. V. Pozdnyakov

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