La représentation de la musique et de la danse dans les œuvres de Post et Wagner : une archéologie des musiques noires au Brésil by Jean-Pierre Estival

“…A gouache from the adventurer Zacharias Wagner completes the collection. By comparing art history analysis concerning the place of music in contemporary Dutch paintings with the few written sources, we emphasize the following points: precision regarding the organologic descriptions, the position of the musicians and the dancers’ bodies, as well as the type of performance represented.…”
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Espaces, ouvertures et organes de circulation en hauteur dans l’église romane by Sébastien Biay, Annick Gagné

“…The study of upper spaces in medieval churches calls for a multidisciplinary approach – monumental archaeology, art history, history of liturgy and of medieval text. …”
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The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos by Rosário Salema de Carvalho

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Finding provenance, seeking context by Peter Mark

“…If one of the aims of art history is to understand better the original meaning of the works studied, then an historical methodology is absolutely essential to the identification and interpretation of precolonial objects. …”
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Les interactions entre la dramaturgie et la conception des images au Moyen Âge. by Claire Bonnotte

“…With the help of Emile Mâle’s (1862-1954) pioneer researches on art history, our knowledge about western medieval images has improved during the last century thanks to the interesting study of dramaturgy (xith-xvith centuries). …”
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Re-imagining the History of British Abolition: The New Historical Consciousness in Winsome Pinnock’s Rockets and Blue Lights by Xiting Qiao

“…Turner as an anti-hero, Pinnock places Turner back in a Victorian ethical context to question the arbitrary construction of Turner’s heroism by the complicity of discourses of art history and abolitionism. The juxtaposition of historical and social texts reflects Pinnock’s awareness of the fictional nature of historical texts, and reveals the continuing impact of the transatlantic slave trade. …”
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«LEDA AND THE SWAN» BY S.D. ERZIA (1922, 1929) IN THE CONTEXT OF ARTISTIC TRADITION by Irina V. Klyueva

“…To achieve this goal, the methodology of culturology and art history was used: comparative historical method; iconographic method, as well as formal-stylistic analysis of works of sculpture, including their interpretation (symbols and meaning) and stylistic definition. …”
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Oublier la Renaissance, désapprendre l’humanisme : Le premier Baroque entre exploitation des acquis et table rase imaginaire by Itay Sapir

“…Art history has traditionally postulated a clear break between, on the one hand, late Mannerism, still dependent on Renaissance and humanistic culture, and, on the other hand, the artistic revolution that inaugurated the Baroque. …”
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Contemporary Painting as Reflector of Yoruba Cultural Values by Michael Olusegun Fajuyigbe

“…Formal and contextual methods in art history are employed in the analysis of the data. …”
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Le Désert comme scène de l’avoir lieu : Robert Smithson et Noah Purifoy by Antonia Rigaud

“…This article discusses two iconic desert interventions : Smithson’s Spiral Jetty and Purifoy’s Outdoor Desert Art Museum, in order to bring forward the art history debates of the time, moving away from formalist criticism towards more socio-political criticism. …”
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The “New” Beckett and the Word/Image Parallax: An Infra-Disciplinary Short-Circuit by Robert Kilroy

“…The broader argument is that the field of Beckett Studies allows for a new type of disciplinary encounter – what I call an “infra-disciplinary” short-circuit – to take place between art history and literary criticism.…”
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Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales by David Lo Buglio

“…At the crossroads of architectural theory, art history and even survey practices, architectural vocabularies offer efforts to provide semantic standardisation that might be revisited today, in the light of recent scientific advances in the field of the built heritage. …”
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Dans la vallée des tombes temporelles : monumentalité, temporalité et histoire dans la science-fiction by Raino Isto

“…Modern and contemporary artists working in relation to monumentality have sometimes positioned their works in relation to sf, and at other times works of monumental sculpture have been labeled as science-fictional by audiences to whom these monumental forms appear alien or displaced in time. While art history has sometimes examined the influence of sf ideas on modern and contemporary artists, a more sustained consideration of the relationship between monumentality and sf is lacking. …”
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LIGHT IN THE WORKS OF GIACOMO BALLA IN THE PERSPECTIVE OF LIGHT ART GENESIS by Anna M. Spiridonova

“…The article is devoted tо the specific question in Russian art history – to the problem of light in the works of J. …”
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Faouzi Laatiris : fugues chimériques dans la mondialisation by Morad Montazami

“…How can one relocate this key figure of globalized contemporary art, taking Morocco as a starting point but extending him to a transcultural art history, both local and global (both European and Arab, both North African and African more generally, eventually Mediterranean)? …”
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Intertextuality as a Poetic Rewriting Strategy in Pelin Batu’s Self-Translated Poems by Göksenin Abdal

“…In conclusion, it has been determined that Pelin Batu, as a Turkish poet, enriches her poems through intertextuality as a rewriting strategy with quotations, allusions and borrowing from various figures of literature, visual arts, art history, philosophy, and science.…”
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Quentin Tarantino : du cinéma d’exploitation au cinéma by Philippe Ortoli

“…Indeed, the films of Tarantino do not so much promote a pantheon of films that differs from that erected by the archeologists of cinema, but are driven by a desire to revisit the categories of film history, and thus of art history, ultimately leading to a redefinition of the very object of this quest: cinema, of course, and more generally, the image itself. …”
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Sculpture et datation, le renouveau d’un enjeu by Christian Sapin

“…A combination of archaeology and art history, the dating of sculptures in earlier works was often assessed based on a single criterion, such as historical sources from the site of provenance, or formal or morphological comparisons. …”
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Ikere-Ekiti in Art and Cultural Narratives by dele jegede

“… Ikere, a city in Ekiti State of southwestern Nigeria, comes up often in the literature of art history on two principal accounts: first, its art and architecture, and second, its major annual fesitval. …”
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REPRESENTATION OF THE MEMORIAL CULTURE IN CHECHEN PAINTING (2000-2012) by Nasrudi U. Yarychev, Zarema R. Khamzatova

“…The methodology is based on comparative studies, art history and the system-constructive analysis. …”
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