Antihero of His Time: The Byzantine Emperor John VII Palaiologos by Tatiana Kushch

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Deconstruction of archetypal structures in the images of antiheroes in fantasy works among sociology students by A. A. Tretiakova

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El concepto de antihéroe o antiheroína en las narrativas audiovisuales transmedia by Alfonso Freire, Montserrat Vidal-Mestre

Subjects: “…antihéroes…”
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Le soliloque un élément cathartique, dans Je Suis Seul de Mbarek Ould Beyrouk by Houari BENALLA, Fatiha CHAOUIB

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De héroes a antihéroes: los espartanos en la historiografía europea de la primera mitad del siglo XIX by César Fornis

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AN ANTIHERO IN THE SPACE OF A SOUTH KOREAN DRAMA: IS IT OKAY TO NOT BE OKAY?... by Tarasova Aleksandra V. / Тарасова А.В.

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De criminal a ícono: la evolución del legado de pablo escobar en espacios públicos y medios by Neyder Felipe Campos Sánchez, Carlos Mario Paredes Pérez, Caren Yulieth Carreño Delgado

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On the Road Again: James Sallis’s Neo-Noir Fiction by Robert Lance Snyder

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« Juste pour rire » ? L’ironie faussement désinvolte de Yannick Haenel by Adrian Meyronnet

“…It appears in Le Sens du calme (2011), grows in Les Renards pâles (2013) and reaches its peak in Hold Fast Your Crown (2017), a novel which once again tells Jean Deichel’s adventures, a constantly challenged antihero. This article aims to analyze the subversive irony at work and the issues underlying the author’s latest publications.…”
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Hearts of Darkness: the experience of horror in Roger Casement's writings - the fabrication of an anti-hero by Roberto Carlos de Andrade

“…Casement ends up being both a hero – up until his arrest and condemnation as a traitor to the British Empire – and an antihero – not only after his arrest but also and specially after his Black diaries were uncovered, bringing about Casement’s disappearance from the public’s view as an important humanist and character in British and Irish histories. …”
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Epic features of the creation of the world in the heroic epic of the Mari people "Yugorno. The Song of the Prophetic Path" by Galina E. Shkalina

“…In the Mari poetic creation "Yugorno" the epic features of the creation of the world were expressed not in the harsh antagonism of the hero and the antihero, but in the peaceful competition between the gods-creators of different parts of the Universe, understood by people as good and evil due to the objective duality of the world.…”
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Shouting Catfish and Subjugated Thunder God: A Popular Deity’s Criticism of the Governmental Authority in the Wake of the Ansei Edo Earthquake in Catfish Prints by Kumiko McDowell

“…The print “Prodigal Buddha” positioned the catfish as an antihero, criticizing the Tokugawa government’s inefficacy and the failure of religious institutions to provide spiritual salvation. …”
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The Image of the White Army Agent General Nosovich in the Novella Bread by Alexey N. Tolstoy by Andrey V. Ganin

“…His image in the novel was introduced as an antihero, who was opposed to the shrewd commissar Joseph Stalin. …”
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A Modern Comic Story: Poverty and Distributive Justice by Alihan Gök

“…Social justice has spread to a process of fighting poverty, which becomes a constant pursuit like the struggle and dependence between the hero and antihero common to modern comic books. Far from being identified as an ideal situation that needs to be reached, social justice in the hands of the modern state has transformed into a tool for targeted stability within market conditions. …”
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The Psycholinguistic Portrait of the Traitor in Ukrainian Artistic Military Prose of the Second Half of the XX Century by Роман Дубровський

“…The focus is also made on the psycholinguistic markers forming the hero’s/antihero’s portrait in the creative work. Comparison of the methods of designing the image of the traitor at different levels of organization of the artistic text in all the analyzed works is carried out. …”
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The Man without a Country: British Imperial Nostalgia in Ferry to Hong Kong (1959) by Kenny K.K. Ng

“…Unlike such vaunted Hollywood pictures as Soldier of Fortune (1955), Love Is a Many-Splendored Thing (1955), and The World of Suzie Wong (1960), which imagined the incursions of American white knights into Hong Kong (as a stand-in for China), Ferry to Hong Kong conveyed imperial nostalgia and loss. The film turns the antihero into a paragon of British gallantry who saves the passengers and refugees from the hands of Chinese (Communist) pirates. …”
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Gustaf Kossinna et Nicolas Marr, les deux anti-héros de l'archéologie européenne by François Djindjian

“…D’un point de vue historiographique, il est possible de considérer ces deux antihéros de l’archéologie comme des personnages utiles à étudier au même titre que Mortillet, Montelius, Schliemann, Breuil, Childe ou Leroi-Gourhan qui sont eux considérés comme des héros positifs de l’archéologie et dont l’historiographie est devenue largement hagiographique. …”
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Sémantisme et potentiel argumentatif des dérivés dénominaux en anti- by Franziska Heyna

“…Two types of derivatives can be distinguished depending on the semantic content of the prefix: anti takes an adversative meaning in anti1N derivatives (eg. anti-rides, antigrippe) and an antonymous meaning in anti2N derivatives (eg. antihéros, antiroman). It will be shown that the interpretation of the antiN derivative is closely related to the syntactic contexts in which it figures. …”
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Sérialités tintamarresques. Du faux-feuilleton au dictionnaire. by Denis Saint-Amand

“…C’est, dès lors, une double logique sérielle qui se développe autour de Citrouillard, à la fois canular auctorial et antihéros populaire. Cet article interroge les implications et les effets de cette double casquette fantaisiste en ce qui concerne la logique interne du journal et le développement en son sein d’une poétique parodique spécifique, mais également en matière d’institutionnalisation d’une forme de mystification littéraire.…”
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La Habana en Juan de los muertos (2011): ciudad, cine de género y crítica sociopolítica by Rafael Menéndez Fernandez, Begoña Gutiérrez San Miguel

“…La emigración, como vía de escape, y la peculiar forma de vida de la población habanera para afrontar la situación económica que vive el país vehiculan la narración, convirtiendo al antihéroe en héroe: la realidad no se transforma ni se mejora huyendo y buscando imaginados “paraísos exteriores”, sino luchando en su ciudad. …”
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