« J’ai toujours été une petite fille sage ». by Cécile Vanderpelen-Diagre

“…Elle est présente dans toutes les anthologies et les manuels littéraires, qu’ils soient catholiques ou non. …”
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La tradition populaire de la critique de science-fiction, 1926-1980 by Gary Westfahl

“…À partir des années 1920 et des éditoriaux de Gernsback, il est possible de suivre le fil d’une tradition non universitaire de critique de la science-fiction, qui s’exprime à travers les chroniques des directeurs de rédaction, les introductions d’anthologies, les critiques d’auteurs, les bibliographies et les fanzines. …”
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Ordre, durée et fréquence : la narratologie genettienne à la rescousse des récits brefs ? by Nicolas Garnier

“…We studied six texts from the anthological manuscript 837 of the BnF: the Dit du Barisel, the Châtelaine de Vergy, Narcisse, the Enfant remis au soleil, the Vie de Sainte Élisabeth and the Vair Palefroi. …”
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Poetic Exploration of Obasa’s Prolegomenous Poetry by Duro Adeleke

“…Primary data are largely drawn from his anthologies which facilitate the content analysis. In its findings, the paper has brought to the fore the fact that Obasa employed adaptation and mimesis in his presentation creatively, ̣ while different stylistic elements in his trilogy are replete with deviation. …”
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Langston Hughes chez Pierre Seghers : récit d’un engagement poétique by Annick Ettlin

“…It examines the choices and circumstances leading to the publication of several of Hughes’s works: his first autobiography, a volume of poetry (translated by François Dodat in 1955), a book in the series “Poètes d’aujourd’hui” and two anthologies in 1962 and 1966. It also relies on the correspondence between Hughes and Seghers from 1955 to 1966 (which is kept in the Beinecke Library at Yale University). …”
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Speranza i Mickiewicz by Katarzyna Gmerek

“…Subsequently, they were published in anthologies, with the same misleading information on the original language, at one time attributed to Pushkin. …”
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Owen and Sassoon Reconsidered by Cristina Pividori

“…The centenary of the Great War (2014-2018) has sparked a renewed poetic output, leading to the publication of anthologies like Poet Laureate Carol Ann Duffy’s 1914: Poetry Remembers (2013). …”
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Genre et discours métaphoriques sur la traduction by Lori Chamberlain

“…Based on the study of texts and anthologies from 1958 to 1985, particularly major texts such as those by Serge Steiner and Serge Gavronsky (and by those who inspired them from 1684 like Roscommon, Franklin or Cowper), she draws on Jacques Derrida, Terry Eagleton, Joseph Graham, Carole Maier, Suzanne Jill Levine or Susan Gubar, by deepening their approach, to analyze both the subordinate status given to translation by great translation scholars in the face of writing, but also the sexualized and submissive relationship it is supposed to have with the original text. …”
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From Book to Playlist: How Open-Access Audio Archives are Renewing the Poetry Collection by Abigail Lang

“…By setting to music her selections from her husband’s work, she offers two artistically complex textual realizations of a game-changing affordance of sound-recording technologies since the 1963 invention of the audio cassette – i.e. the possibility to anthologize on the receiving end. In large online repositories of recorded poetry, the playlist has become an established genre with a curatorial function, offering guided tours by artists or scholars. …”
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Fálétí’s Philosophical Sensibility by Adeshina Afolayan

“… Let us begin with an unfortunate fact: Adébáyọ̀ Fálétí is one major writer that is hardly anthologized. The problem could not have been that he wrote in Yorùbá because Fágúnwà is far more anthologized than he is. …”
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