Robert Duncan’s Big Poetry: Re-visioning the Common by Miriam Nichols

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The Cold War Community of Love and Scorn: Robert Duncan, The New American Poetry, and the Lavender Scare by Stephan Delbos

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La poesía de protesta social en América Central contemporánea (1990-2020): Guatemala y El Salvador by Dante Barrientos Tecún

Subjects: “…Central American poetry…”
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“The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work by Hélène Aji

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“If you know what they mean,/things make sense” (Bob Perelman): Language Poetry vs. Conceptualisms by Hélène Aji

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Revelation, Not Revolution: Queer Poetry’s Political Life, as Read through Robert Duncan’s Late Anarchism by Eric Keenaghan

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A Conversation with Michael Heller: This Constellation is a Name by Fiona McMahon

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Magic and Collage: Language in Ginsberg’s "Wichita Vortex Sutra" by Elisa Sabbadin

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“A / music / at rest”: Late Duncan and Objectivist Poetics by Jeffrey Twitchell-Waas

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“Un-American Confessions”: Translation as Subversion in Robert Lowell’s Life Studies (1959) by Simon Van Schalkwyk

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“You are next in line”: Moving down the Line(s) with Ron Padgett by Olivier Brossard

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“When the war is over […] we will all enlist again” (The Lice): W.S. Merwin P(r)o(ph)etic by Hélène Aji

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Distance without Remoteness: The Objectivist Poetics of Nonmimetic Pain by Xavier Kalck

Subjects: “…American poetry…”
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David Antin : le poème, archive du monde contemporain by Hélène Aji

Subjects: “…American poetry…”
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Breaking up the Canon of Literary Modernity: Classicism in the Ecopoetics of David Hinton and the Materialism of Zeng Shaoli. A Preliminary Outline of Epistemological Changes in Co... by Frank Kraushaar

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Robert Creeley’s Refusals by Will Montgomery

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(D’)Après Pouchkine : le jeu de la traduction dans « Omens » de Louise Glück by Marie Olivier

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Byron and Nineteenth-Century Literary Philhellenism in America by Maria Schoina

Subjects: “…American poetry…”
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"The / profile of a city / exploding": Frank O’Hara’s Aesthetics of Shock by Olivier Brossard

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Rebellious Enthusiasm, Ambivalent Forms: On Freedom and Bondage in Tyehimba Jess’s Olio by Molly McCracken

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