The ongoing conservation of the Ghent Altarpiece 2012-2015 by Anne Van Grevenstein

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Conservation issues of large rolled paintings on the Portuguese altarpieces by Rita Macedo Moreira

“…This article focuses on the study of the historical context and the conservation issues of large rolled paintings on the Portuguese altarpieces of the 18th to 20th centuries, emphasizing their originality and dynamism. …”
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Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? by Cathleen Hoeniger

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Des œuvres en morceaux et des trous sur les murs. La difficulté d’écrire la vie des œuvres du Pérugin au XIXe siècle by Éloïse Dumas

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Applied brocade in Spain by Ainhoa Rodríguez-López, Fernando Bazeta Gobantes

Subjects: “…altarpiece…”
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 « Leave it or take it away »: ethical considerations on the removal of overpaintings by Maximiliaan P.J. Martens

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Sculpté, gravé, peint, moulé, estampé by Alain Fretz, Stephan Gasser

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Novelty Perspectives on Art and Heraldic Display of Nineteenth Century Historicist Retables in the Temes Banat by Mihaela Vlăsceanu

Subjects: “…nineteenth-century altarpieces…”
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La pala della Visitazione di Raffaello e la committenza Branconio. Documenti inediti by Francesco Desideri

“…The commission of Raphael’s Visitation altarpiece, now in the Prado, has been burdened by historiographic gaps due to the lack of documents pertaining to it. …”
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Habiter l’exil : Retablo hispánico, Mexique, 1946 by Salomé Foehn

“…Indeed, as unhoused « pilgrims », they present an « altarpiece » which is also meant as the « justification » of exile as the redeeming perspective of a much darker Spain, that of the Black Legend. …”
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Escritura publicitaria en el tránsito entre el medievo y la modernidad by Alejandro García Morilla

“…That is why our study focuses on the paleographic analysis of these altarpieces trying to shed light on some unknowns that still remain unresolved.…”
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The Art Requisitions by the French under Napoléon and the Detachment of Frescoes in Rome, with an Emphasis on Raphael by Cathleen Hoeniger

“…In this essay, the parallel practices of the transfer method on Raphael’s altarpieces in Paris and the detachment of frescoes by close followers of Raphael and Michelangelo in Rome will be explored in light of the innovations of the age in science and technology. …”
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